Edward Green’s Galway Rosewood Country Boot. Essential Shooting Kit.

Edward Green Galway Rosewood Boot

An essential part of my shooting kit has, for many years, been a pair of these Edward Green Galway country boots. I am on my second pair in 16 years, the first having been ‘misplaced’ or perhaps even purloined, they were after all ageing very nicely!

Admittedly these are not inexpensive boots but just like a best gun they just last and last, getting better as they age with you. Simply divide the cost by the years you think you have left in the field to justify it if needed, they will surely last. I have 15 pairs of Edward Green shoes and live in them which is why when we started our shop here I wanted to offer them to our customers. They are a product I can both trust and can highly recommend.

Edward Green Craftsman

Edward Green has represented the pinnacle of Northampton’s shoe making tradition for over a century. Today they continue to strive to make the very best shoes available and I have never seen any compromise in the quality of the materials or make during the years I have been wearing them.

Treat yourself, I am sure you won’t regret it! And no, the Crockett & Jones version doesn’t come close in my opinion, it is nice but not best!

Edward Green

Edward Green 2

 

Boss & Co. Over and Under .500 3″NE

A Boss & Co. .500 Over and Under.

I think it only fair to throw another gunmakers over and under into the mix whilst we have been on the OU subject for the past 2 posts. So here, after a dig around the vault is a very rarely seen Boss & Co. .500 3″ Over and Under rifle. £150,000 worth of exquisite, fine scroll engraved double rifle, actioned by John Varney of Boss, who was without doubt ‘the man’ to have action your Boss gun and whose work I have always very much admired. John’s ability to conjure the majestic shapes of a Boss gun from a steel action is second to none.

A Boss & Co. .500 Over and Under.

 

Boss & Co. 500 NE Over Under rifle

‘Ovundo Again’ written by Vic Venters in 2007. ‘The rise and fall and rise again of Westley Richards’ innovative O/U’

Westley Richards 20g Ovundo

‘Every Ovundo, every gun, you look at here will be filed up slightly different.’

Although it is common these days to regard British guns and gunmaking as inherently traditional and rather old-fashioned, it is well worth remembering that a century ago they were regarded as anything but.

In the 3-1/2 decades preceding the 20th Century, breechloading—then hammerless—side-by-side guns were perfected in a wide variety of designs. The decades immediately following the turn of the century witnessed the introduction of seminal over/unders that remain influential to this day.

Innovation had sprung from all quarters in Britain but arguably most abundantly from gunmaker Westley Richards. Company literature of the time touted the firm’s “modern” approach to gunmaking and its “progressive spirit” and, in both cases, it wasn’t mere marketing hype.

Since its founding in Birmingham in 1812, Westley’s had pushed the boundaries of firearms technology, introducing notable improvements in percussion, breechloading and military gunmaking as well as in ammunition.

With their revolutionary patent of 1875, Westley’s William Anson and John Deeley had created the genesis for the modern sporting shotgun—a gun with concealed hammers as well as locks that cocked with the fall of the barrels. The firm’s doll’s-head top extension and bolting system were enormously influential, its mechanical single trigger and ejector systems proven, and its forend fasteners were (and still are) trade standards. Westley’s detachable locks—more commonly known in America today as “droplocks”—were nothing short of a stroke of genius.

Since 1895, Leslie B. Taylor, the latest in a long line of enterprising Westley leaders, had headed gunmaking operations. An innovative, bench-trained gunmaker with a scientific mind, he was described in 1912 by The Field as “a man of virile and energetic personality . . . [who] has kept the firm to the fore during an epoch when invention was proceeding at a rapid rate.” Unlike much of the Birmingham trade, which typically relied on a network of outworkers, Westley’s was mostly a self-contained operation with its own dedicated factory, and the firm took great pride in building guns to its own designs—guns made with every intention of competing with those of London.

And by 1910 or so Leslie Taylor would have realized Westley’s faced formidable competition from a new London design: the superb over/under of 1909 from Boss & Co.’s John Robertson, who had worked earlier in his career at Westley’s. With the side-by-side long perfected, over/unders gave makers of the day a new product in a sated market where sporting guns were increasingly difficult to differentiate.

The next five years produced a welter of additional over/under patents—among others from C. Lancaster, E. Green, W. Baker, F. Beesley and the inimitable 1913 design of J. Woodward.

Taylor’s response—the Ovundo—would incorporate many of Westley’s most famous patents and showcase a few new ones as well. In retrospect Westley’s over/under was the final flourish of a golden age of gunmaking at the firm—a precursor, in fact, to the modern Perazzi-type detachable-trigger gun. It became popular in the heady years just after World War I, before vanishing as World War II approached. And now, after more than a half-century absence, a revivified firm is making new Ovundos in an expansive new factory in Birmingham.

The Ovundo page from Westley Richards 1912

Westley’s initial entry into the growing O/U market had come in 1912 with a gun described in its 211-page Centenary catalog (see illustration above) as its Under & Over gun. In the fall of 2006 at the firm’s old factory in Bournbrook, I sat down with Simon Clode, Westley’s managing director, and Ken Halbert, then foreman of gunmaking operations, for an exclusive preview of the firm’s new Ovundo as well as to document the design’s history. (Halbert has since retired but still works part-time.) Neither had seen an example of an Under & Over, but if the sketchy catalog illustration is accurate, then it is possible it was a different design from the Ovundo, which would succeed it two years later. Just how different awaits detailed examination of an extant example, should one survive.

The Under & Over first appears in the Westley record books as gun No. 17431, made in 1912. It was advertised as being available in 12, 16 and 20 gauges and was priced from 30 to 40 guineas for a non-ejector version and 40 to 50 guineas for an ejector version—well below the 70 to 95 guineas charged by Westley’s for its “best”-grade hand-detachable side-by-sides.

Under & Over No. 17431 was possibly a prototype model, as the record books indicate it was never sold and its barrels were described as “waste” in 1930. The first gun to specifically bear the “Ovundo” name is listed as No. 17500, made in 1913. This gun was not sold until 1930, and it was likely another prototype. It appears that one Norman Goodenham placed the first legitimate Ovundo order in July 1914, for gun No. 17530.

While London’s makers concentrated on sidelock O/Us, Leslie Taylor and his gunmakers modeled their version on the house designs Westley’s had invented and made famous. Today we know little of the Ovundo’s actual development process; Henry Payne, a craftsmen who later would become Westley’s works manager during World War I, is known to have had a hand in its making along with Taylor, but to what extent is poorly documented. The record books, however, indicate that an individual named “Payne” actioned many of them.

In its most elemental form the Ovundo was a boxlock with either fixed or Taylor-patent hand-detachable locks with superposed barrels that hinged on a conventional hook located beneath the lower tube. What was novel and new was its barrel-bolting system (Taylor’s patent No. 4853 of 1914): two hooks, which extended from buttresses on either side of the barrels, fitted into slots in the face of the action. When the gun was closed, bolts actuated by the toplever rested atop the hooks and locked down the barrels. At the same time any forward motion of the barrels upon firing was prevented by the bearing surfaces of the hooks contacting corresponding bearing surfaces in the slots in the action face.

The Ovundo was unique in that it was entirely of Westley Richards design: In addition to its locks and Taylor’s bolting system, its toplever, top safety bolt, ejectors, hinged cover plate and mechanical One Trigger single trigger were in-house inventions. Moreover the gun showcased a new patented hinged trapdoor on the sideplates that allowed access for lubricating the selective Westley One Trigger (a mechanical marvel in its own right and one of the truly great British single triggers).

Unfortunately, the Ovundo could not have been introduced at a worse time; the guns of summer 1914 did not sound on the grouse moors of Scotland but across bloody fields in France and Belgium. For the next four years sporting-gun production essentially ceased as Westley’s concentrated on war work.

Westley’s left the war years behind on better legs than many of its notable Birmingham competitors. For one, Leslie Taylor was still at the helm. Under his expert leadership, the company was in a position to tap a burgeoning American market and, most importantly, the patronage of fabulously wealthy Indian princes. Ovundo production restarted in 1919.

According to Ken Halbert there were four major Ovundo variants: a fixed-lock gun with a scalloped (or rebated) action back, a fixed-lock version with sideplates, a detachable-lock version with a scalloped back, and the detachable-lock version with sideplates—the latter being the best-known and most-expensive variant. Another variant of the fixed-lock non-sideplated model was a version with a flat (straight) action back instead of scalloping. These were sold as Special Model Ovundos and marketed as “trap and field” guns. The Ovundo was available with single or double triggers, and Halbert says that single-trigger guns are most common and that sideplated versions might or might not have the hinged trapdoor on them.

Unlike Boss or Woodward O/Us, which invariably were built as best guns (with best-gun prices), the Ovundo was available from mid-grade to best-grade, a deliberate attempt to bring the British O/U to a broader range of potential consumers. It was advertised in 12, 16 and 20 bore—“or smaller bores,” although it appears that only one 28-bore was made. In 1925 the non-sideplated Special Model started at £65, whereas the Highest Quality best sideplated gun with all the bells & whistles commanded £150. (A best Woodward O/U also sold for £150 at the time, and a best Purdey side-by-side was approximately £130.)

Archival research conducted by Westley’s Gun Room Manager Anthony Alborough-Tregear indicates that most Ovundos feature the more-expensive droplocks. “Only the first few were fixed locks,” Tregear said. “Then over 90 percent were detachable locks. It seems when people ordered our over/under they wanted the detachable lock.”

The Ovundo was also fully capable of being built in double-rifle configurations, from .22 HP to .425 bore, with the company’s .318 Westley Richards being its most popular chambering. The gun also was made in Westley’s proprietary rifled-choke ball & shot configurations as the 12-bore Explora or the 20-bore Fauneta.

Westley Richards Ovundo Double Rifles.Two of Alwar’s Westley Richards Ovundo rifles top in .350 and below .240.

By the mid-’20s Westley’s was promoting the Ovundo as its “modern masterpiece” and “the perfect modern gun.” Americans (among others) were becoming increasingly fond of the over/under configuration, especially for live-bird competitions and the growing sport of clay shooting. The records show a sizeable number of Ovundos being shipped to one Bob Smith, evidently an importer in Boston. A good number of these were non-ejector guns. Also at that time company literature touted Belgium’s Henry Quersin, editor of Chasse et Peche, as winning several clay- and pigeon-shooting championships with his Ovundo. The Indian princes were particularly partial to Ovundos in double-rifle configuration as well as in the Explora and Fauneta versions. The Maharaja of Alwar, for example, ordered 10 Ovundos between June 1922 and December 1925—one in .240, one in .318 WR, six in .350, and a pair of Fauneta 20-bores. An examination of record books makes it clear that the Ovundo was at its pinnacle of popularity in the Roaring ’20s. The ’30s, on the other hand, ushered in tougher times. Not only had the Great Depression descended, but Leslie Taylor died in 1930 and Henry Payne was killed in a tram accident in ’33, talent sorely missed in coming years. As the decade wore on, Ovundo production tapered off; by 1938 the gun essentially had ceased to be made on a regular basis. A few scattered references to Ovundos continue to pop up at later dates in the archives, but most appear to be either rebarreling jobs or guns finished from orders or actions started years earlier. Judging by the main record books, it appears thatmore than 200 Ovundos of all configurations were produced.

The Maharajah of AlwarThe Maharajah of Alwar who was the owner of many of the initial Ovundo guns and rifles.

That makes the Ovundo one of the more successful British over/unders of its era—even if its era was short-lived and its long-term influence not as pervasive as those of Boss and Woodward O/Us. Like any vintage British O/U, the Ovundo was a challenging, expensive gun to build, especially in its detachable-lock versions, and it was ill suited to the world’s desiccatedeconomies of the Depression.

The demise of the Ovundo also was indicative of the declining health of the company. World War II wrecked a tottering British Empire and so too the firm that depended on it. Capt. E.D. Barclay purchased the bankrupt business from liquidators in 1946, and Westley’s muddled through another decade before being sold to Capt. Walter Clode in 1957. Clode kept Westley’s gunmaking going through some lean years—largely through repairs and renovations to second-hand guns that he was buying from the armories of Indian princes—but he also concentrated on modernizing the firm’s high-tech engineering and toolmaking operations. It was a move that would pay great dividends when his son, Simon, joined the firm in 1987.

Simon set about integrating the CNC millers, spark-eroders and wire cutters of Westley’s engineering division with the files and chisels of the firm’s bench-trained craftsmen. At the time, the gun Westley’s was best known for—its great hand-detachable-lock side-by-side—was still being made in 12 gauge, but it was being made sporadically and by hand and virtually on a one-off basis, making it very costly and inefficient to produce.

Simon’s goal was to bring the detachable-lock gun back into regular production using the latest manufacturing technology married to traditional gunmaking skills. In the late 1980s he launched this process with the .410 version, only six of which had ever been made. Initially, 10 were produced to great success, and since then Westley’s has followed up with 28-, 16-, 20-, 12- and 10-bores, as well as rifles in a host of calibers. Even an 8-bore is currently under construction. Significantly, all are built on scaled frames appropriate to each gauge or caliber.

With the hand-detachable back as its core product in shotgun and rifle, Westley now also makes bolt rifles and sidelock shotguns and rifles as well as its own proprietary rifle ammunition. Under Clode’s direction the company also has diversified into making its own best-quality gun cases and leather goods. Virtually everything, save the ammunition, is made in-house. In 1997 the firm opened a US agency to better market its goods and guns to the American market.

As Westley’s nears the end of its second century of continuous operation, Clode has invested massively in the company’s future. This past May the firm moved from its historic Bournbrook factory to a new 4-1/2-acre complex near the heart of Birmingham’s old gun quarter. (The Bournbrook facility, dating to the late 1890s, is being leveled to make way for a new road.) Located in what was an old enameling factory, the 20,000-square-foot building has been fully refurbished. “The first floor is all gunmakers,” said Tregear, who returned to Westley’s in April after a stint with E.J. Churchill. “It has separate rooms for all aspects of gunmaking—actioning, finishing, stocking and engraving. On the same floor but in an adjoined part of the building is our leather-goods division. We also have a proper retail store that offers the best brands of shooting clothing and equipment.” Westley’s engineering division, which designs and manufactures press tools for automotive and general industries, also has moved into a new 20,000-square-foot facility next door.

“We are the place to find everything under one roof,” Treager said. “From shooting clothes and equipment to pre-owned and bespoke guns to shooting trips around the world—we do it all. We are English-owned, and we are investing in the future of English gunmaking like no one else in this country.”

Clode’s vision and Westley’s unique guns—and the quality with which they are made—have garnered Clode a loyal and discerning clientele base as impressive as any since the halcyon days of the Empire. Among them number not only the bulk of the world’s most prominent collectors but also kings and princes from across the globe. It was largely his customers’ interest in a new Westley O/U, according to Clode, that led to the Ovundo’s reintroduction. “The new Ovundo has been a long time in the making,” Clode said. “We needed to get our side-by-side shotguns and double rifles going first.

“From the outset, I had no intention of introducing a modern competition-type O/U into the market. The Ovundo was historically our gun, a traditional English gun, and we decided to build it on that basis.”

The first pair of modern Ovundo 20g guns.The first pair of Westley Richards 20g Ovundo’s.

In Clode’s office in the old factory I had a look at the first new Ovundos completed—a matched pair of sideplated 20-bores engraved by Alan Portsmouth with birds of prey and Westley’s bold scroll. Built for a modern-day King Croesus in the Middle East, they were impeccably made and, at 6 pounds 4 ounces each, as lively and well balanced as any best British side-by-side. Compared to a Boss, the Ovundo has a tall action but is by no means ungraceful—particularly in 20 bore—and in the hand it handles superbly. My only regret is that I did not get to shoot the royal pair.

New Ovundos currently are available in 20 and 16 bore on scaled frames, and a rifle version in .318 is under consideration. The configuration is Westley’s Highest Quality version: hand-detachable locks, sideplates with trapdoors, the 1909-patent selective single trigger, a Deeley forend latch and an ebony forend cap. A best-quality Westley Richards through and through. Double triggers are an option, as are a number of top-rib configurations. Prices start at £43,500.

Mechanically, the new Ovundo remains largely faithful to its predecessor. Apart from making a lock-locating stud integral with each lockplate (rather than drilling it in the action), little was done to improve the original design. “The Ovundo hasn’t changed, really,” Halbert said.

There were no craftsmen left at the factory who had helped build the original Ovundos, so Clode and Halbert appointed actioner Henri Laurent, a 30-year-old French-born gunmaker, to head up the project. Laurent—a graduate of the Liège School of Gunmaking who’s served time at Holland & Holland and E.J. Churchill—had the task of discerning any problems in development, coordinating between the engineering and gunmaking departments, and creating a manufacturing procedure. “To graduate in Liège, you have to be able to build an entire gun,” Clode said. “Henri is very good and, with his broad range of skills, he was the right man for the job.”

The fact that the Ovundo is back and that there are young men like Laurent (among others) making them speaks volumes about the current state of affairs at a firm that is only five years short of being two centuries old.

Fifteen craftsmen, young and old, work at benches in the manner their predecessors did a century ago. Modern engineering has indeed been integrated into the gunmaking process, but Clode has deliberately restrained it from supplanting traditional craft. “Our machinery could make a new gun to near-finished specs,” Clode said, “but then you quickly lose traditional gunmaking skills. Once those skills are gone, they are gone for good.

“Every Ovundo, every gun, you look at here will be filed up slightly different, and if someone makes a tiny surface error filing it, it has to be blended in. That’s part of the beauty of a hand-crafted gun.”

Much has changed in gunmaking—and at Westley’s—since Leslie Taylor showcased the first Ovundo. Almost a century on, Simon Clode is not content to rest on the laurels of his predecessors but is more interested in preserving the time-honored skills that created them in the first place. Founder William Westley Richards had a simple motto: “To make as good a gun as can be made.”

The Ovundo is new again, but Westley’s motto has remained the same.

Vic Venters is Shooting Sportsman’s Senior Editor and this article has been reproduced with his kind permission.

This article first appeared in Shooting Sportsman magazine some 5 years ago. Our order book for the Ovundo is in fact now closed and we are no longer taking further orders, please see previous post.

 

A Westley Richards 20g Droplock Ovundo. Engraved by Paul Chung.

Westley Richards 20g Ovundo Shotgun

If anyone thinks that gunmakers in general are slow, my deliveries of the Ovundo 20g shotguns are a fitting example that will make most gunmakers normal deliveries seem exceptionally fast. I have to admit that this project to build 13 guns has been probably even slower than getting an over under delivered from Hartmann & Weiss!

However with that admitted and said, I do enjoy seeing every single gun come back from the engraver, not only to say another one down, only a few to go but because they are a unique gun and one which I think always worth the wait. The latest gun is shown here ‘in the white’ before case colour hardening and a decision on leaving colour on or brushing the gun off will be taken after hardening.

Our production of this small run of our droplock over and under guns comprised of 1 Trio, 4 Pairs and 2 singles. The order book for which closed, effectively 5 minutes after it was opened!

Westley Richards 20g Ovundo Shotgun

 

Westley Richards 20g Ovundo Shotgun

Ovundo-Pair

The perfect kill; it takes more than just a great shot. by Jamie S. Weir

Spotting game from high ground in Mozambique

The love of hunting is deeply entrenched in us as human beings. Since the dawn of time, man has taken to the veldt, or field – depending on your persuasion – and strived to not only find food, ‎but to challenge themselves to best nature.

But the perfect kill is not simply a part of humanity’s innate drive to hunt. No, the perfect kill comes as part of a unique set of circumstances, as individual to a hunter as the print on their trigger finger. It is a combination of ingredients, which may, at their conclusion, have very little to do with actually hearing the bark of the rifle and witnessing the game fall.

My father was a great hunter. He, as a farmers son in Rhodesia, now Zimbabwe, spent many hours wandering around the bush. One of his constant companions – alongside some worryingly small shorts – was his rifle. The leisure and grace with which he traversed his landscape showed how at home with the bush he was, and the ease with which he carried his rifle told a story of many years of wandering the land. For him, being in the bush, spending time tracking and finding game, was as much a part of the perfect kill, if not more of it, than the moment he would squeeze the trigger. His favourite past-time was to sit, quietly and patiently, and just munch sugar cane. He would watch, wait and take time when out hunting, merely observing and enjoying his surroundings. That leisurely pace also translated into his activities long before he got out into the bush, but still in preparation for his hunt. He would sit and obsessively clean and oil his rifle, taking hours, as any craftsman should, to ensure it was in the finest condition.

For him, the perfect kill wasn’t about the size or type of game, nor was it about the perfect shot – sure, they played a part, but it wasn’t a huge part, and it certainly wasn’t the key part.

Trackers and staff on Safari

So what’s my perfect kill? I too appreciate the hard work which goes into getting in the bush, and also the skills required to actually drop the game from a distance. But for me, one of the key ingredients of my perfect kill is the coming together of the different strands. On first look, the perfect kill appears to be a solitary pursuit, as the hunter lines up to take the shot, with all the pressure on him. But when scrutinised, it becomes more of a team effort, with different strands, each just as key in my mind, playing a part. The tracker, and the other assorted people in the party all make my perfect kill, and without them, in my view, it would just be another chunk of time spent in the bush. It’s the teamwork, camaraderie which builds up, and coming together of the group which I find are those little elements which I find bring the magic of the perfect kill to my hunts.

And that’s the same for all hunters; whatever the type of game, wherever we are, we all have our own ‘perfect kill’ and we will all spend large – and very enjoyable – chunks of our lives searching for it.

Good hunting.

Guest Post by Jamie S Weir. Photographs by Mark Hall

The Las Vegas Antique Arms Show

Las Vegas from Wynn EncoreDawn in Las Vegas and the start of the 2015 Antique Arms Show.

After nearly 30 years of exhibiting at the Las Vegas Antique Arms show I am actually ready to try and find an excuse not to set up and do the show. The timing is never great as it means 3 shows on the trot for me and the logistics of looking good at each event are pretty difficult, so I do this show generally by myself and with a basic set up, a few tables and a few guns and let the main show stand cabinetry travel between the 2 Safari Club shows.

There is always the talk of the show not being what it used to be, that the great guns are not around to be found any more but the hard fact is there are still more best guns in the Riviera Hotel for this show than you will find in any place or at anytime in the world today. The big dealers are here, the small dealers are here, you never know what you will find or on what table you will find it, so you have to take time, go slow, look carefully.

Last night when we were setting up I was talking to a man who was asking about the possible cost of a 28g Purdey Over Under and if I had seen any. I said what I thought to be a value and that it would be a hard gun to find. After he left, I wandered into the booth next to mine to look at my neighbours guns. There was a Purdey 400 light, a Holland 500/465 and .375 Royal, a Pair of Purdey’s and amongst other things a 28g Purdey Over Under in mint condition, 15 feet away from me as I had said it would be hard to find! I found the man who asked and pointed it out to him. He in turn this morning, showed me another one he had just found, a nicer one in my opinion as based on the Woodward action, a ‘one off’ apparently, a super gun and one he was not letting go of!

For anyone interested in best guns this show must still be the best ‘one stop shop’. You may not find the gun your looking for because the price, period or condition may not be right, but what you will find here with no doubt, is examples of most types of guns, that combined with some very knowledgeable people, dealers, collectors and enthusiasts who always seem to have time at this less hectic show to share a little expertise and experience.

So even after the first day of the show I find myself starting to crack, beginning to convince myself I need to come again next year. This show has always been for the people who love great guns, over the years I have made a lot of good friends here and hope to meet many more!

The Las Vegas Antique Arms show 2015Quietly strumming a guitar amongst the hustle and bustle of the show.

Antique Arms Las Vegas 2015

Antique Arms Las Vegas 2015

Antique Arms Las Vegas 2015

Antique Arms Las Vegas 2015

Antique Arms Las Vegas 2015

The Westley Richards 12g Super Magnum Explora.

Super Magnum Explora Ovundo

Whilst in Dallas this past weekend for the Dallas Safari Club Chapter convention, Tony Makris the host of Outdoor Channels Under Wild Skies kindly gave me some photos showing his success using a Super Magnum Explora in Africa this past year. It is nice to see that the gun that I used to title this blog does so well what it was designed to do, despatching in this instance both birds and buffalo from the same gun.

Tony used modern ammunition which was loaded for him by author and collector Ross Seyfried. Ross is no doubt ‘THE’ authority on this model of gun and over the years has worked up a superb load to suit both the regular and Super Magnum Explora. Ross I know  has also shot Elk and Duck from his Explora gun in the same day but I have lost that photo!

Explora Super Mag

Super Magnum ExploraTony Makris out in the bush with his Westley Richards Super Magnum Explora. 

 

The Monteria. A Traditional Spanish Hunt.

The road leading to the monetary estateArriving at the Estate which are often well off the paved roads.

For some 15 years now I have been visiting Spain during the Winter months to partake in their traditional big game hunt, the Monteria. In Scotland the deer population is managed on an ongoing basis, over a period of months during the season. In Spain it is typical for the owners of an estate to host a day of Monteria. This is a gathering of 15 – 30 guns who are spread out through the estate on stands or positions and each given a quota of game to hunt. The quota might be 2 stags, 3 hinds, 1 mouflon and unlimited boar. It is very dependent on the individual estate and the management of the game population required. Once the guns are in position, packs of dogs with handlers are let loose to ‘move the game’ and when the game passes your stand you decide to shoot or not. The area covered by the hunt will be many 100’s of acres.

Guests take breakfast before the Monteria

A traditional Monteria breakfast is served on arrival. A pile of breadcrumbs toasted with garlic and sausage, topped with fried eggs and washed down with a glass of Rioja.

The speech before the monteria

After breakfast the safety briefing is the first and a most important aspect of the day. 20 rifles out in the field together requires that all bullets are travelling into the ground, no game on the skyline!

L1005933

Following the safety lecture and prayers comes the draw, here you select your stand by picking a card, a random but fair process. You will then be driven to the vicinity of your stand and a short walk will follow to get you to your final position.

The post at a monteria

The stand may be at the top of a hill so you shoot into a valley.

A stand on a monteria

Or perhaps on the side of a hill and you are shooting across and into the other side.

Monteria hounds taking a rest.

The dogs on the Monteria cover many miles and work hard moving the game, here a short break whilst the pack is gathered together.

Recovering the game on a monteria.

The Monteria lasts about 4 hours, from 11am until 3pm. and once the horn is sounded to notify the guns to unload the game is recovered by staff using  horses to drag the game from the hills.

Game being recovered from the hill.

Stories after the days hunt

Once down from the hill the stories begin over a glass of wine or whiskey.

L1006028

The game is brought to the Estate house and unloaded for display and for traditional prayers of thanks for the days harvest.

L1005098

I was lucky to get this large tusker boar in the front centre and some fine stags.

L1005842

The Monteria is both a unique and very enjoyable hunt, it is very sociable, this past weekend our team comprised of hunters from USA, Russia, France, England, South Africa, Spain and the Middle East. The great thing about hunting is you can mix all these nationalities and everyone normally gets on well, they are all hunters and thus have something in common. New friends are always made.

The adrenalin runs fast as you wait on your stand on high alert, any moment a magnificent trophy may coming running past, a large stag or a huge boar. I know that as soon as you sit and relax you miss the opportunity, I have done it many times. Much of the shooting is ‘on the run’ so a moving target so practise is essential to enjoying your day. During the day you will be accompanied by a local ‘Secretario’ who will help you identify the best game and find it with you after the drive. Insist like I do on an English speaking one and it makes the day much more enjoyable, if you manage to get an avid hunter also who can spot the better game on the run that helps enormously also.

If you would like to try Monteria I have been looked after by Diego Satrustegui of Espacaza for many years and can highly recommend his operation for this sport and any other hunting in Spain.

My Christmas iPad cover gift from our Leather Shop.

Westley Richards iPad case in natural leather.

Natural leather has always featured heavily in the history of gunmaking and is the colour I have always really liked. It is the skin used for many of the beautiful old cases you will have  seen, wonderfully matured, 100 or more years since they were made.

So it was with real pleasure that I received at Christmas this very nice cover for my iPad from the team in our leather shop, just in time for my trip to the USA. Made in a classic English style, natural leather, yellow stitching and hand burnished edges.

I have photographed the cover on my desk blotter which was made about a year ago from the same colour hide. This shows how nicely the leather darkens to a rich cognac colour.

Thank you very much leather shop!