A Pair of Hartmann & Weiss 20g Sidelocks engraved by A.M & J.P Brown

Hartmann & Weiss engraved by Brown Bros.

Two years ago I was fortunately able to ‘take over’ from one of our clients for another of our clients, a pair of Hartmann & Weiss 20g sidelock game guns which were booked for many years to be engraved by Alan Brown. The original engraving booking was for traditional fine game scenes which were drawn and offered by Alan. I asked if given no time constriction, we could do something a little more elaborate. I did this on the basis that if you have an engraving slot with whom are considered the best engravers of modern gunmaking, go for the most time as you possibly can and the if at all possible carved scroll and gold work. Alan generously agreed and the pair of guns are now, 20 or so months later here at the factory and looking fabulous.

Hartmann & Weiss engraved by Brown Bros.

Hartmann & Weiss engraved by Brown Bros.

Hartmann & Weiss engraved by Brown Bros.

Hartmann & Weiss engraved by Brown Bros.

Hartmann & Weiss engraved by Brown Bros.

Dining Table or Taxidermist? by Colin Partridge


Eating game is not everyone’s cup of tea but I suppose like many aspects of life, it’s how things are done that is important. A succulent dish of venison prepared by an expert chef is not out of place in the finest restaurant, while an overdone fillet of beef tastes like leather, so it must be a case of preconceptions overriding our taste buds. I don’t know about you, but I’ve got friends who can really cook game and ‘Blighter’s roast bushpig’ rates up there with one of the best, especially when served with good company and quaffing wine.

Similarly, not everyone appreciates stuffed animals and a lot of women seem to have a strong aversion to the whole idea. The end result is that many hunters proudly take home their spoils and then have to eat it themselves, or hide the ‘poor dead things’ away in the attic to keep the peace.

Over the years, I have seen really well presented trophies that have enhanced the ambiance and atmosphere of a study or bush camp and one day, I had to decide whether to take a bird to the dining table or the taxidermist…

Ring-necked pheasant were introduced to New Zealand during the 1840’s and go under the scientific name of Phasianus colchicus. Not being a Latin scholar, I reckon this probably means ‘Clever bugger’, because in the off-season you see them sunning and preening themselves on the side of the road or in the paddocks. Come opening day however, they instantly become alert, secretive and unbelievably cunning and stay that way till the season ends.

A lot of people here consider them a delicacy and I began thinking I was forever doomed to only appreciate them at great distances, because I had been chasing them around unsuccessfully for a few seasons. Then on one rainy day in May, my luck changed when a friend and I ambushed a cock bird that took off like a red-faced rocket from a small ridge above me. Zipping past from right to left it faltered at my second shot but I had to subdue my self-congratulatory thoughts because it then rallied and headed strongly for a huge patch of gorse way down a steep gully.

Gorse is one of the worst imports this country ever made as it is difficult to control and can quickly choke up vast areas of productive land. It also has an impenetrably vicious armory of thorns, so I gloomily negotiated the steep, slippery decline anticipating a fruitless search, but the day suddenly turned shiny bright when I found that it had fallen dead, just inside the gorse patch. I staggered up out of that donga to stand in the drizzle and admire my first ever ring-necked pheasant. It’s a bit difficult to describe those feelings of elation and remorse but gazing awestruck by its beauty, I decided there and then to forego the gastronomic side of things and have it immortalised and to hell with the cost.

Merv modestly would never admit it, but he was a master taxidermist who worked entirely alone, specialising in bird and wild pig mounts. He would not be rushed when practising his craft, telling you up-front that ‘It will take a while’. The eventual cost and the wait of three and a half months were worth it in the end, because he faithfully followed my request to “Please mount the bird in an alert pose”. In fact to me, it looks like it could take off with a clattering of wings and a hoarse cackle at any moment. Spending some time with Merv in his workshop was fascinating and made me appreciate what an art taxidermy really is. It’s hard to believe that the bedraggled bird I dropped off with him was the same one that emerged from his shed looking like a dazzling jewel. Even my wife was impressed and it now stands in the lounge.

The final product of the taxidermist’s trade belies the messy, finicky and sometimes smelly work that goes into transforming your trophy into something to treasure and rekindle those memories. Apparently, how the animal is treated or handled before it reaches him is very important and Merv at times had to try and make a ‘purse out of a pig’s ear’, so when I asked him what tips he had for ensuring a good quality bird trophy he said “Try not to shoot them too much and get them into a freezer as soon as possible”.

Now that good advice really got me thinking as it also applies to eating gamebirds, because when birds for the pot are ‘shot too much’, they are either pulverised or your guests complain when breaking their expensive dentures on shotgun pellets. It is logical therefore, that preparing birds for the table (or the taxidermist), starts with squeezing the trigger, because how you shoot the birds will affect your meal or mount. Considering myself a minor expert on these matters, I’d like to pass on some tips on the all-important process of shooting gamebirds for the table:-

Every biltong hunter knows that shot placement is vital and that a clean kill using a minimum of shots (preferably only one), results in the most useable meat. Using a rifle of suitable calibre for the quarry plays a big part, because not much of an impala is left over if shot in the shoulder with a .458 soft nose at close range. The same goes for gamefowl, because being hit with too many pellets really spoils the meat – have you ever tried to eat a gamebird that was shot with 8’s at fourteen meters using a full-choked 12 bore? So choose your shot size to suit the bird.

Pattern utilisation is also usually totally overlooked but extremely important and too many wingshooters don’t know what spread and pattern their gun produces with the different size shot available. Do you ever see a biltong hunter going into the veld before taking some practise shots and checking his rifle’s grouping? Shotgunners would do themselves a big favour if they followed suite, but to really get it right, you need to practice a bit more intensively than the rifle shooters have to. What you need is a good supply of large sheets of cardboard, draw a 60cm diameter circle on all of them and then pattern both barrels of your gun, separately on these sheets, at a distance of 15 and 30 metres. For those with very choked bores, another patterning at 40 metres is a good idea. This should be done a number of times with the same make of cartridge and shot size that you plan to use on the chosen gamebird species. Having done this, take very careful note of the diameter of the pattern from each barrel, at each distance.

You must then go to a clay pigeon range and shoot at clay’s, letting them fly out to 15, 30 and 40 metres before pulling the trigger. It does take some practice, but here the idea is keeping the pattern diameter of each barrel in mind and to get the edge of your pattern to break the clay birds. ‘Dusting’ them may look impressive, but is not what you want to achieve because if they were real gamebirds they would then be inedible.

It’s just about now that I imagine anyone reading this will start rolling their eyes or snorting cynically, so I’m going to stop while I’m ahead. It’s just that my own wingshooting skills so often result in relatively few pellets hitting the mark that I’d like to put it down to my deliberate ‘pattern utilisation’, but that’s a fantasy and is being rather economical with the truth! So to redeem this story and to make up for pulling your leg, here’s a guineafowl recipe that takes a while to prepare, but which some of my friends seem to enjoy. It should work well on pheasant too.


Guineafowl Recipe

            Filling:                                                               Pastry:

            2 guineafowl                                                                            250g bacon

            4-6 cloves garlic                                                                      125ml milk

            3 large onions                                                                          125ml cooking oil

            1 can mushrooms                                                                    1 egg

            200ml dry white wine (not more)                                       100g cake flour

            15ml Worcester sauce                                                             10ml baking powder

            10ml mixed herbs                                                                    1 pinch salt

            10ml dried parsley

            10ml tumeric

            5ml curry powder

            2 whole cloves

            salt and pepper to taste

            200ml fresh cream

            1 packet brown onion soup


Joint the birds and then boil until tender. Bone and flake the meat. Shred bacon, chop onions, garlic and fry together until just cooked. Drain mushrooms and stir into bacon mixture together with meat. Add wine and Worcester sauce, herbs, parsley, tumeric, curry, cloves, salt and pepper. Stir until blended. Mix soup powder and cream and stir into meat mixture. Spoon into large casserole dish.

Pastry:- Beat together milk, oil and egg. Add flour, baking powder and salt and beat again until just mixed. Pour this over the top of the meat filling and bake at 180 deg C for 20-25 minutes until golden. Ideally, the birds used in this recipe should be a couple that I have shot (or someone else’s who shoots like me), because that way you’ll have minimum meat damage.

Oh yes, Merv also said my pheasant only had two pellets in its neck, which made his job much easier. He was pleased about that.

Back From Case Colour Hardening – The .470 Engraved by Paul Lantuch.

Westley Richards .470 Carved by Paul Lantuch. (2 of 5)

Here we are again! The colour on colour off question! I know that 99% of people who have seen the previous post of this rifle before it went to case colour hardening will say “take it off”. A seemingly easy answer as the engraving obviously stands out so well when silver and will stand out even more now that the colour is on, the steel will be grey and retain a deep back ground.

I have mixed feelings as I do like the case colour and I started this project with the client based on the old case colour hardened R.B.Rodda rifles which I have always admired. The engraving has great depth and so it does stand out and with a little careless use in the bush the rifle will slowly polish off, come to life and shine out!

untitled (4 of 5)

Westley Richards .470 Carved by Paul Lantuch. (5 of 5)

Westley Richards .470 Carved by Paul Lantuch. (3 of 5)

Westley Richards .470 Carved by Paul Lantuch. (4 of 5)

As The New Shooting Season Commences, Some New Colour from Westley Richards.

Westley Richards New Shooting Socks 2016

Once you have your Tweed shooting suit and your green waterproof jacket there are little areas left to create your own style. To that end I have always been annoyed at the lack of choice of caps and shooting stockings when you visit shops.

In an effort to change that for this season we have had made a wide variety of hand knitted shooting stockings which will add a splash of colour to every outfit. I would like to think people will now be spoiled for choice with this range beautifully designed and produced stockings which are each hand knitted on 4 needles by home based workers in England using the finest Cashmere and other high quality wools.

Each pair of Westley Richards shooting stockings is presented in a specially designed tube package which makes for an easy to wrap, perfect gift!

Westley Richards Shooting Socks.


Our range of caps now has 20 different tweeds in 3 styles. All our Tweed comes from the Lovat Mill in the Scottish Borders and are made in England by one of the countries oldest hat makers.


Westley Richards 2016 Caps

WR & Co Caps-37512

These new products will be online in our web shop later this week and I hope that you will find something you like!

A Selection of Engraving from Recent and Past Westley Richards Small Bore Game Guns.

4.1.1Westley Richards 28g Hand Detachable Lock. Eng. Phil Coggan

I appreciate that many of these photographs have been posted before over the past few years, and that they will be familiar to many of you. Our readership has grown and I am never sure who goes back and visits old posts so I thought that whilst I was sending a client a selection of engraving options for some small bore guns we are building him,  that I would post the selection of engraving options that I sent ahead.

It is quite nice to see them all in one group also!

4.1.1The Westley Richards ‘Hummingbird Gun’ A 28g & .410 Droplock. Eng. Rashid Hadi.

WR Engraving (32 of 32)Pair of Westley Richards 16g Hand Detachable Lock Guns. Eng. Frederique Lepinois

WR Engraving (18 of 32)

WR Engraving (29 of 32)Westley Richards 28g Hand Detachable Lock engraved by Phil Coggan.

WR Engraving (28 of 32) Westley Richards .410 Hand Detachable Lock. Engraved by Alan Brown.

WR Engraving (30 of 32)

WR Engraving (27 of 32)

WR Engraving (26 of 32)

WR Engraving (25 of 32) Pair of Westley Richards 20g Round Action Sidelocks Engraved by Paul Chung.

20020 1/2 Pair of 20g Westley Richards Round Action sidelock shotguns engraved by Shaun Banks.

WR Engraving (22 of 32) Very Fine and detailed scroll by Vince Crowley on a .410 Westley Richards.

WR Engraving (21 of 32) The cover plate of .410 Hand Detachable Lock Gun. Eng. Vince Crowley.

WR Engraving (17 of 32) Carved Fantasy by Paul Lantuch on a pair of 20g Westley RichardsRound Action Sidelock.

WR Engraving (16 of 32) Westley Richards .410 Droplock with game engraving by Alan Brown.

WR Engraving (14 of 32) Westley Richards 20g Round Action Sidelock with engraving by Florian Guillert.

WR Engraving (13 of 32) Westley Richards 20g Hand Detachable Lock engraved by Vince Crowley.

WR Engraving (10 of 32) As Above but case colour hardened.

WR Engraving (9 of 32)

WR Engraving (12 of 32)Westley Richards .410 Hand Detachable Lock

WR Engraving (7 of 32)The very fine and masterful scroll of Rashid Hadi on a Westley Richards .410 Droplock

WR Engraving (8 of 32) As Above, the cover plate by Rashid Hadi with flush gold woodcock.

WR Engraving (6 of 32) The Engraved Parts of a 20g Hand Detachable Lock by Vince Crowley.

WR Engraving (5 of 32) Silver and Copper inlaid Spaniel by Vince Crowley on Westley Richards .410 Droplock gun.

WR Engraving (4 of 32) Raised steel carved grouse and fine scroll on a 20g detachable lock. Vince Crowley.

WR .410-4249 Brad and Dave Tallett on a Westley Richards .410 Hand Detachable Lock Gun.

WR .410-4256The Trigger Bow cameo by Brad Tallett.