In The New Creative Director Role At Westley Richards

As we begin 2020, I would like to take this good moment to introduce myself to the friends and followers of Westley Richards who regularly read our much-loved blog, The Explora. My name is Stephen Humphries and I recently joined the company in the brand new role of Creative Director. A thrilling opportunity that will involve the continued elevation of this adored company – through greater visibility to the wider field sports world and taste making community-at-large, and the establishment of Westley Richards fine leather goods & sporting attire as the ultimate in style for the well-versed adventurer.

My background has been within the luxury brands environment for many years having collaborated with a number of globally recognised British and international prestige brands, from fashion, jewellery and leather goods to elite beverages, hospitality and publishing.

Having been surrounded by sporting enthusiasts throughout my career it is a true privilege to mention the name Westley Richards, and I look forward to bringing my distinct expertise honed over the years with similar spirited businesses – those that are family-owned, steeped in heritage and with unparalleled quality and hand craftsmanship.

In the first few months here I have been getting to know all the many wonderful and awe-inspiring parts of the company and its impressive premises in Birmingham. By way of its exceptional gunmakers, engravers, leather workers, production & sales teams, brand & photographic departments and senior management.

Those of you who have had the privilege to visit the Pritchett Street factory will first enter into our flagship store, a showroom that far surpasses any selling environment I have visited in Mayfair. Inside, a constant selection of Westley Richards British country clothing, smart travel bags and fine leather goods are on display alongside our selected partner brands, catering for English shoots, Safaris and adventurous travellers alike.



Past the gun room, housing clients recent bespoke creations, one takes the stairs to the first floor, home to the gun factory. There a hive of activity takes place where bench-trained gunmakers are in full flow, each at different points of the gunmaking process. Having studied and begun my career in product engineering this was a particular delight for me as many familiar machines, tools and paraphernalia were in attendance. One area of handcraft that really struck me came in the stocking room, where I witnessed some checkering being applied. This I could tell immediately, required such accuracy and dexterity from our makers, as any mistakes would be critical.

Side by side with the gun factory sits our leather department, this is rare amongst our major competitors who often manufacture their leather goods outside of the UK. English made leather is second to none, the country’s traditional skills and styles lend to an extremely high quality product, with endurance, a trait proudly synonymous with the Westley Richards name.




And finally, to the second and uppermost floor. For those dedicated readers amongst you will know, this is The Apartment. A beautifully designed interior space resplendent with Westley Richards ephemera, trophies, literature, photographs, artworks and artefacts. Collected and assembled by Simon Clode during his transformation of the business to what we know today. This remarkable place has such visual, textural and historical appeal even the most esteemed of our clients are stopped in their tracks on entry, and has often delighted them for many an hour on their visits.

In my short time here it is evident that there is an unbelievable depth of heritage and character around the company that must be carefully nurtured, as has been by those many important figures past and present. With this front of mind I, along with the rest of the team, very much look forward positively, distinctively and with great expectation into the bright and exciting future ahead.

On that note, I leave you for now with our recent wordsmithing of the future facing Westley Richards vision that first featured in the inaugural winter retail catalogue – Collections 2020.

“Established upon a heritage of wild adventure, Westley Richards has long been regarded as one of the finest gun and rifle makers the world has ever seen. At the side of generations of audacious huntsmen, we proudly handcraft history’s most beautiful and prized art guns, leather goods and sporting attire, taken on journeys like no other.

Our independent spirit has cultivated an unparalleled culture of innovation, artistry and excellence for well over 200 years, commanding enviable respect from our peers and continuously lionised by true characters of the outdoors.

As the leading light of England’s original Gun Quarter, Westley Richards are honoured to be part of Birmingham’s illustrious past and modern renaissance.”

 

The Finest Westley Richards .425 Magazine Rifle Ever Built!!!

Without really realising it we are a very lucky bunch here at Westley Richards. We get to spend our time building some of the worlds finest sporting guns and rifles, all in the name of work. Every single gun and rifle that we build is unique to the individual and as such genuine ‘one of a kind’ items that allow both the patron and the gunmakers here at Westley Richards to indulge themselves.

Now the level of individuality expressed in an individual gun or rifle can be either heavily influenced by the patron or more hands off, left to the spirit of the gunmaker. It was with this latter attitude in mind that one of our long standing patrons put to us ‘build the best damn .425 magazine rifle that you have ever built!’

Well here is just that rifle. What you see before you is unquestionably THE FINEST Westley Richards .425 detachable barrel magazine rifle ever built by the company, one that exemplifies the very meaning of ‘excellence’ in a modern British sporting rifle. Not only did we get to build a rifle how we wanted to see it, but what better way is there to reward someones faith than by producing something truly exceptional.

Black Rhino feature on the inset panel of the left side of the unique Westley Richards extended magazine.

The basis for this ‘special project’ started several years ago when we were approached to build a ‘Model de Grande Luxe’ detachable barrel magazine rifle in our own iconic .425 Westley Richards calibre. At the time nothing of the wood or engraving was discussed, quite simply we examined all the features that might go into making this rifle something special, a platform from which to build a rifle the likes of which we had never had the opportunity to do. We naturally began with a modern Mauser ’98 action with double square bridges, a side safe and traditional interchangeable flag safe, strap over comb, extended guard tang and a peep sight.

The action would be of our detachable barrel configuration, variants of which we have been producing since pre-War days. The detachable barrel was an important feature of this project as it would allow us later down the line to fit the rifle into a neat more ‘balanced’ case.

Almost unique to Westley Richards the action was also hand fitted with our ‘side clips’ and radius lifter which appear on many of the higher quality .425 calibre rifles built by us over the years. These combined features help with the feed of the cartridge which has a rebated rim and so needs a controlled and positive pick up and feed into the chamber.

No piece of the rifle has gone without some form of engraving ornamentation. Carving, elaborate scroll, intricate gold line work, checkering and beautiful flush gold inlays feature throughout the rifle.

Another interesting feature of this rifle which has probably not been picked up on before is the extended magazine release catch inside the trigger bow. Whilst widely used on British Mauser ’98 based rifles (and now most modern rifles) older .425 rifles tended to have the earlier lever release mechanism as seen on many original own brand Mauser ’98 rifles. Several years ago we built a classic .425 and at this point machined our own extended magazine boxes with the ability to release through the trigger bow. Whilst only a minor modification, aesthetically it makes a huge difference where a rifle is likely to be heavily engraved. Not only that, but the lines of the rifle with the big magazine look more trim.

Traditional open sights sat on our house style quarter rib, with the classic Westley Richards combination foresight, all of these features complemented on the barrel with the addition of a traditional ‘hook eye’ sling swivel base.

Cape buffalo in a savana setting sit within the inset panel of the right side of the unique Westley Richards extended magazine. 

Turning to the engraving of the rifle this is where the patron of this rifle took the ultimate ‘leap of faith’. He left the decision entirely to us. At this point you know that you have to produce something really quite outstanding and in our mind was to execute something of a classic yet extravagant nature, befitting of a ‘Model de Grande Luxe’. We looked to the era of the maharajas who had a penchant for gold work, elaborate scroll and game scene engraving. Engravers of that time had only ever seen animals in books and perhaps zoos if they were lucky and so game scenes of that time were more often naive in execution. Today we have the finest photography and to a degree time. With this in mind it was decided to bring together the skills of three engravers so bringing the very best of each element to the rifle.

Stunning, stunning walnut with Westley Richards traditional ‘kidney’ cheekpiece and checkered side panels reflect the heritage of this rifle.

A stunning East Africa bull elephant strides from the base of the magazine. A bongo adorns the trigger bow and a leopard the door of the grip trap cap.

So it was that the engraving began with the most careful of fine gold border inlay. This task in its own right is a difficult one as against the bright of the steel the gold lines can look deceptively neat. It is only in the final finishing that the true straightness and sharpness of execution can really be seen. At this point the animals were decided upon and whilst the Dangerous game or ‘Big 5’ of Africa were a natural choice, warthog, bongo and waterbuck would add a little novelty. Once again these were executed in flush gold with fine detailing, the bull elephant on the base of the extended magazine looking particularly impressive. Elements of carving were then added to features of the rifle, the remaining space being filled with a beautifully delicate, yet masculine scroll. No area of the rifle went un-noticed including the swivel bases and trigger.

The lines of the rifle speak only of elegance. Even a large calibre rifle can be built to look attractive to even the untrained eye.

With such a unique rifle it was only fitting to finish the project off with a suitably matching case. So it was that a brown buffalo skin best quality oak and leather case was created, the internals fully French fitted in green goat skin. The external would be protected by our signature outer cover with patron detailing. The hand made tools, sling and pouches add a further refinement to the internal fitting, all finished off with a gold leaf impressed lid insert, all once again carried out by hand. All in all the rifle and its case has consumed hundreds and hundreds of hours, utilising the finest crafts men and women. Ultimately that is what it takes, along with a generous and visionary patron, to produce the finest .425 magazine rifle ever built, in fact one of the finest rifles ever built in our history.

This rifle will be on display with us at both the Dallas Safari Convention and Safari Club International in 2020.