When I first arrived at Westley Richards, one of the areas that really impressed me was the quality and depth of photography the company had produced over the years. This in large part began with Simon Clode, the former Chairman & Managing Director of the company, who as a young man developed a keen interested in the medium while studying art at the British Institute in Florence. It was during this time of experimentation with cameras, darkrooms and composition that Simon established his uncompromising eye for fine detail and appreciation of aesthetics.
This post was originally put up by Simon Clode back in 2013 and it seems more relevant now that we all have more time on our hands!!!! A few newer titles have been released by the modern hunting book suppliers including Kai-Uwe Denkers ‘About The Spirit Of The African Wilderness’ available from Trophy Room Books, and Robin Hurts ‘A Hunter’s Hunter’ available from Safari Press. Both of these books are destined to become hunting classics and if nothing else they should get us in the spirit for our next safari adventure!
Now to Simon’s original posting.
There are literally 1000’s of books on the market which touch on our sport, in one way or another. Be they on guns, rifles, wing-shooting or big game hunting the choice is far and wide. Here at Westley Richards many of us have collected books on our sport since an early age and are often showing off to each other the ‘rare book’ we have just managed to acquire. It seemed appropriate to ask a few other well known book collectors, writers and sellers what their 10 best books were, the ones they feel every sportsman should read and have in their library. I hope it proves informative and helpful.
Anthony Alborough-Tregear “Trigger” runs the gunroom and production at Westley Richards and has been collecting books on guns and hunting since the age of 15. His list is biased towards Africa and the hunting of Elephants to which he has now progressed after many years obsessively stalking Roe deer.
- African Rifles & Cartridges – John ‘Pondoro’ Taylor
- Modern Sporting Gunnery – Henry Sharp
- The End Of The Game – Peter Beard
- African Hunter – James Mellon
- The Maneaters Of Kumoan – Jim Corbett
- The Wanderings Of An Elephant Hunter – W.D.M.Bell
- The Adventures Of An Elephant Hunter – James Sutherland
- Travel And Adventure In South East Africa – F.C.Selous
- White Hunters – Brian Herne
- Elephant Hunters – Men Of Legend – Tony Sanchez Arino
One of the first striking displays I noticed at the Westley Richards flagship and factory, a few months back, is the wonderful grid of thirty framed red stag and roebuck prints up on the wall in the apartment. It is not only visually impressive but the variety and individuality is somewhat staggering.
In the lead up to the stalking season I thought it an ideal moment to delve deeper into this unusual print collection, and in turn its origins. This was a far greater undertaking than I had planned as the prints themselves hold little written information and what there was, was in German! I understood from their original folio case that the set was first published in 1891 by Georg Albrecht zu Erbach-Erbach and printed in Leipzig, but that was essentially it.
Hot off the press and looking magnificent is The Explora journal by Westley Richards. This last week we received the first 10 copies for approval and we all have to say that it surpasses even our demanding standards!
Having taken 2 1/2 years to bring to fruition it was with great excitement, trepidation and relief that we got to handle the first copies fresh in from the printers. This project was a true labor of love for the team here at Westley Richards, so it was finally great to see the fruits of all that hard work.
The front cover features Westley Richards stunning and as yet unseen ‘Forest Rifle’, a magnificent .600 droplock double rifle specially commissioned to reflect the Central African forest environment. Fully carved in exceptional detail with the flora and fauna of the forest floor, the story of this rifle unfolds in the stunning photography The Explora fans have come to expect from Westley Richards.
Other articles, specially commissioned, focus on engraving, gunmaking, historical weapons, shooting and gun fit, topics we hope will be close to the heart of many an avid sporting man and woman.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with a scratch resistant matt lamination with spot gloss varnish and gold foil embossed logo. The 180-page journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards.
With a limited print run of only 1000 copies, never to be re-printed, The Explora journal is set to become a collectors item that no self respecting Westley Richards afficiando should be without.
The first copies to clients will be coming out in the next few weeks so for those of you yet to place your order now is the time!!!!!
To order your copy of The Explora journal click here
Telephone: UK 0121 333 1900 USA +1 850 677 3688
It is still interesting what turns up here at Westley Richards that we never quite knew about. In the last couple of weeks we sent the old directors desk in for a subtle refurbishment and height increase. Clearly the directors of old were short fellows and rather than confine their old desk to some dusty corner it seemed worthwhile carrying out the described works.
Anyway, it was whilst at the refurbishers that the attached exhibition medal was discovered stuck in the base of one of the drawer pedestals. Now how long this medal has been stuck in the back of the drawers is anybodies guess as none of the old timers here seem familiar with it and I myself have never seen this medal before.
The exhibition medal itself was awarded at the ‘South African Industrial And Arts Exihibition’ held in Grahamstown, South Africa from 1898-1899 and is inscribed ‘Westley Richards & Co. Ltd. Gold Medal For Revolver Convertible To Carbine’. Looking through the archive here at Westley Richards we can only find references to ‘small arms’ improvements all lodged by the renowned Leslie B Taylor for the periods 1897 and 1899. Obviously one of these must relate to this medal.
Two other things make this medal interesting. Firstly it states that this is a ‘Gold Medal’ but clearly it is Bronze. Another medal awarded to Westley Richards from the same exhibition is gilded bronze.The second significant fact from a historical point of view is that 1899 is the same year that the second Boer War (1899-1902) began and this appears to be the last exhibition attended by the company in South Africa.
After nearly 2 1/2 years in the making Westley Richards is pleased to announce the first printed edition of The Explora journal.
Since the introduction of Westley Richards blog The Explora in July 2013 much discussion has centred around the exceptional photography and unique insight that the blog has given to the world of fine guns and the shooting community at large. We were often asked by our followers whether a printed edition of The Explora would ever see the light of day and that it seemed such a shame that the great imagery associated with the blog would never become available in a printed hard copy. With so much else going on at the factory and the constant quest to build better and finer guns a priority, the idea of bringing The Explora to print seemed but a distant thought.
With the passing of former Chairman and Managing Director Simon D Clode in 2016, we thought it only fitting to pay tribute to him by bringing to print the vision he had started in 2013. And so began the seriously hard work of putting together something that was not only visually stunning but also of genuine interest. A true labour of love this journal has taken almost as long to put together as one of our fine guns and as with all things Westley Richards the final product is second to none.
So what can you really expect from The Explora journal? Well it goes without saying that the journal is lavishly illustrated throughout with superb colour and monochrome imagery, 90% of which has never been seen before as it was specially commissioned for the journal. Sumptuous photo essays from the Westley Richards factory accompany detailed articles that delve into aspects of the gun and shooting world, topics we are sure you will find as equally interesting as we do. Guns and rifles naturally grace the pages as do the gunmakers that build such works of art. All of this capped off with in the field imagery and of course wonderful touches of ephemera and nostalgia.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with soft coat laminate and gold foil embossed logo. The 180-page, advertisement free journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards and is certain not to disappoint the avid sportsman and gun enthusiast.
With a strictly limited edition print run The Explora journal is certain to become a collectors item so you would be wise to place your order sooner rather than later. There will be no reprint once we sell out. For all those loyal followers of this blog whom we have kept entertained for years, you can now finally get to hold something of The Explora truly in your hands!
To advance order your copy of The Explora journal click here
Telephone: UK 0121 333 1900 USA +1 850 677 3688
For those sportsmen and women with a genuine passion for the outdoors and the pursuit of fish, fowl or game, no home or office is complete without some object of art. A great piece of artwork whether on canvas, board, paper or sculptured, pick your medium, brings back fond memories of a frequently pursued species and often transports us to a place where we wish we could be or may shortly be going.
The art bug can be very addictive turning many a sane person into an avid collector. Some chose a particular style of art, certain species, perhaps are patrons to a particular artist, or in my own case a collector of several artists, each representing in their art a particular period in my life when I pursued one family of bird or species of animal.
And so it is that I first came across the sculptures of David Mayer a year or so back when I was looking for an artist whose work accurately portrayed the two animals that have featured so much in my own experiences, namely the African Elephant and the diminutive European Roe Deer.
The real beauty of David’s work is that it captures the animals anatomically correct and for those of us who have been lucky enough to regularly be in the vicinity of both species, you will certainly see this. Not only that, but there is a real genuine movement in David’s work, the swift-moving away of the startled elephant and the hesitant steps of the Roe buck are all too familiar.
Based in Herefordshire, England, David himself, he is a very normal, humble, unpretentious individual. I have met many a great talker in the sporting art world but those with real talent don’t have to say too much, they let their art do the talking. He works predominantly in bronze and is currently undertaking full-size commissions and projects that he feels need exploring. He has been surrounded his whole life by wildlife which shows through in his work and he has an unbelievable passion for the outdoors and the animals he sculpts. If you get a moment look him up, you’ll not be disappointed by what you find.
Further details of David and his work can be found at:
I recently had the pleasure of hosting one Tyler Sharp, a journalist and photographer from the USA. I first met Tyler earlier this year at the Safari Club International convention when he casually and rather shyly wandered onto our stand holding a copy of some new publication. My initial thoughts were of some mildly eccentric character, better placed in a Western movie than the floor of the worlds largest hunting show.
Waiting for some lame sales pitch and preparing to savage all that he might say, I took the volume from his hand and began to flick through the pages. First impressions were of a beautifully produced publication, the like of which I had yet to see in the hunting world. This was no throw away magazine, this was something different and as the Texan boy told me his story I knew that this was someone with real passion for what he was doing and that we had a common interest in the future of our sporting heritage.
Since that first meeting I have found Tyler to be a uniquely honest and immensely passionate individual with genuine enthusiasm for the outdoors and the wider hunting world. This month we spent a couple of days here at the Westley Richards factory before heading off on a fabulous hunt for Roe Buck in the heart of the Wiltshire Downs.
I would encourage you, perhaps even urge you to subscribe to this great publication, or at the very least obtain a copy. You’ll be surprised at just how good it is and how the future of the sport we enjoy so much is going to rely on a refreshing new perspective. The world is a fast changing place and we face many new challenges as outdoor sports men and women.
I’ll now leave it to Tyler to give an insight into his mission and that of the ‘Modern Huntsman’.
Greetings Westley Richards readers, I just wanted to introduce myself, as I’ll likely be contributing some ongoing stories from the field. My name is Tyler Sharp, and I’m a photographer and writer based out of Dallas, Texas. I’ve spent the majority of my career documenting hunts, adventures, and conservation efforts all around the world, which has all led to my recent charge as Editor in Chief of a new publication called Modern Huntsman.
It was this that led me to the Westley Richards team, and we quickly realized commonality in virtue, ethical hunting pursuits, and creative storytelling. I’ve recently returned from a trip to visit the factory in Birmingham, England, which we’ll further detail in a future installment, but for now wanted to give you a bit more background on Modern Huntsman.
For those of you who don’t already know, Modern Huntsman is a biannual publication for like-minded conservationists, creatives, and outdoor enthusiasts. Born out of frustration with the way hunting is often misrepresented today, this publication is told from the perspective of hunting purists and philosophers, unaltered by the skews of mainstream media, corporate interests, or misinformed emotional rants. In short, we’re returning to the root traditions, in hopes of improving the perception of hunting in modern society.
For many of us, hunting is a way of life, a tradition passed down by our grandfathers, fathers, and brave mothers. It’s a way of staying connected to the land, harvesting wild food to sustain our families, our souls, and is a shared passion and pursuit in many countries the world over. Hunting also plays a majority role in conservation, which ensures that expanses of land stay untamed, and that wildlife populations thrive — something we’ll be prominently focusing on as we move forward with the publication.
But this isn’t just for hunters, and while we know that there will be opposition, we believe that through our collective stories, photographs, and films, we’ll be able to educate some folks about overlooked realities, and win the minds and hearts of those who still have them open. Through presenting stories based in virtue, ethics, personal growth, and statistical merit, our aim is to inspire, educate, challenge, and set the record straight in some cases.
We’ve assembled some of the best photographers and writers in the outdoor world, many of which you might already know. These are folks who’ve spent their years living off the land, enduring extreme conditions, and have sometimes risked their lives to ensure that wildlife thrives, and the traditions of hunting survive the modern age.
From the mountains of the American west to the fields of south Texas, the savannahs of East Africa to the governmental councils on regulation, Volume One covers a diverse range of topics, all unified by common ethics. Printed on thick matte stock, and bound into a substantial book of over 200 pages, it is more of an art portfolio than a publication, and a fitting showcase for the breathtaking work everyone has produced. We have no advertisements in the first issue, and as we move forward we’ll begin to integrate select brands and organizations to partner on stories of hunting history, conservation success, and notable characters, outfitters, chefs, and artists in the community. These will be collaborative, integrated stories instead of intrusive and heavy-handed ads, which will help us keep the message pure, and the conversations constructive.
We’ve sold through our first print run of 5,000 copies in three months, and have just re-ordered another 5,000 to continue sharing our mission with both hunters and non-hunters alike. Volume Two is scheduled to release in the fall of 2018, and will be centered around a theme of public lands, which is a hot topic in the United States to be sure. Apart from the political applications, we’ll also be exploring the realities of land access in other parts of the world, and how that affects land use, wildlife management, and hunting access. We’ll also be focusing on how these issues can bring folks together under common cause to protect what’s important, rather than squabble over something potentially insignificant.
This is just the first step in a long, important journey for Modern Huntsman, and we’d be honored to have you join us. To conclude, I’d like to leave you some parting words, which is the epilogue in the last few pages of Modern Huntsman Volume One, as a sort of call to action in what has become such an emotionally charged debate:
For hunters, we ask that you carefully consider the effect that your actions can have on not only your environment, but on the perception of this tradition. Whether through deed, word, or photograph, we feel that care should be taken, and respect given, for how quickly news can be spread in today’s world for good or ill. Therefore, choose your steps wisely, and wherever possible, see that they aim in a direction of positive progress and accurate representation, instead of confrontational detriment and further divisiveness.
For non-hunters, we appreciate your open-mindedness, and willingness to hear what we feel is a different, yet very important side of the hunting narrative. While we can’t speak for everyone, it is our aim to give voice to the overwhelming amount of like-minded hunters and conservationists who often lead quiet lives, in hopes of connecting with more folks like yourself, and finding common ground. We’d ask that as situations arise, you recall the beauty and honesty on these pages, as compared to the message that the mainstream media presents, and let respectful passion and conservation statistics win out over the often skewed biases and violent emotions.
And while some of you may never pick up a bow or a shotgun to harvest your own food, know that should the day come when you decide to, this community would jump at the opportunity to show you the ropes. Where you may have once felt opposition, you’d now find comradery, and a sense of belonging in one of the oldest traditions known to humankind. In short, we’d love to take you hunting.
Whether in the field, or in metaphor,
For more information, to order a copy, or subscribe to Modern Huntsman, you can visit one of the links below.
Order in UK from Pace Brothers: https://www.thepacebrothers.com/product-page/the-modern-huntsman
MH Instagram: https://www.instagram.com/modernhuntsman/
An interesting find this last week was this ‘Spicer’s Stalking Records’ of 1914, detailing Red Stag trophies from the 1913 season. The reason we say interesting is that a close link existed between Westley Richards and the famed taxidermist Peter Spicer of Leamington Spa, which until now we have never seen published in anything other than Westley Richards ‘Centenary’ catalogue of 1912.
Peter Spicer was born in 1839 and died in 1935, aged 96. He was one of the pre-eminent taxidermists of the day and was renowned for the quality of his cased birds, fish and Red Stag mounts. His studio operated primarily from Leamington Spa with an offices based in Inverness, Scotland, that handled many of the trophies hunted in the north.
Peter Spicer 1839-1935
The opening page of ‘Spicer’s Stalking Records’ giving the two retail address’s used by Westley Richards at the time.
Individually ‘tipped in’ photos of some of the better stags shot during the 1913 season.
‘Spicer’s Stalking Records’ is a very nice publication that detailed many of the great deer forests, along with the best trophy Red Stags shot on those estates. Many of the better stags have tipped in images along with a short story about the trophy. The would unquestionably have been fierce competition amongst estates to produce the best trophies!
Westley Richards clearly had strong links with Peter Spicer and although no records exist today of how this relationship came about, it is probably safe to assume that it was of mutual benefit between the two great companies. If clients shot game with Westley Richards guns and rifles then clearly they needed a good taxidermist to prepare the varying trophies. It is worth remembering that Westley Richards also offered fishing rods, reels and accessories at the time and so all forms of taxidermy were a requirement for the sporting elite of the day.
Interestingly, Spicer’s Inverness office offered for sale Westley Richards guns and rifles, clearly acting as an agent in the north for the company, something we were until now unaware of.
The First World War would soon consume everyones attention and it would be somewhat sobering if time permitted, to see how many of the names listed in this 1914 Stalking Records actually survived the war.
An advert for Westley Richards Deer Stalking rifles.
Whilst we often associate the sporting gun with the British sportsmen and the great shooting that this country has to offer, it is always worth remembering that the sport of shooting is a truly worldwide affair.
The USA was and still is one of the largest markets in the world for shooting and hunting related products. At one time meat on the table was often through the efficient use of a favoured gun or rifle and the ‘market gunners’ of old kept a very healthy and expanding population fed with what many saw as an endless supply of game birds and animals.
Obviously where there was the need for shotguns and punt guns to take quarry so there was the need for powder and shot to take them. It is therefore nice to see vintage items like the one illustrated here turn up from this now bygone era.
Clearly a salesman travelling companion this very neat case outside inscribed ‘Tathams American Standard’ is a wonderful fold over case that contains inside 20 samples of American shot sizes ranging from the very finest ‘Dust’ to ‘FF’. The quality of workmanship in the whole piece is superb and once again it goes to show the detail that companies once went into with everything they made. The shot itself is perfectly round and was obviously made from a ‘drop’ tower so that the lead shot formed perfectly.
On the edge of the case you can clearly read Patented June 19 1874 which dates the whole thing very nicely. Tatham Brothers was a lead pipe, sheet lead and shot supplier based in 82 Beekman Street, New York. In existence from the 1840’s they appear to have patented many improvements in both the manufacture of shot, bullets and other projectiles, and were heavily involved in supplying the Union Army during the American Civil War of 1861 to 1865. It would appear that the manufacture of lead shot with the company ceased prior to 1907 when their own ‘shot tower’ was demolished. The rest as they say is history.