Westley Richards ‘Gun Archive’ – The Droplock Shotgun

Firstly, thank you to all of your for your kind comments and unilateral support for all during these unusual times. Whilst no-one knows for sure how long this is all going to go on for, it does give us plenty of time to reflect on past adventures, pick up a good book and plan our future adventures and projects. As promised here is the next instalment of Droplock Shotguns which we hope you all enjoy.

  Two pairs of ‘Modele de Luxe’ 12 bore guns executed by the same engraver that at first appear the same yet on closer scrutiny demonstrate the individuality asked by the owners. The aim (no pun intended!) at Westley Richards, is to always produce something unique for the client, so that no gun or rifle can ever really be considered the same. Thankfully individual engravers have their own idiosyncrasies which distinguish them from one another. Over time and with a lot of handling you begin to recognise the work of particular engravers.  

An exceptional pair of 12 bore ‘Model de Grande Luxe’ shotguns engraved by Rashid Hadi. Rash was without question one of the finest engravers ever to put a cut to steel and his vivid imagination came up with some of our finest designs and creations.

 A classic pair of 16 bore shotguns built for traditional game shooting. The 16 bore remains one of the anomalies. We always seem to have one or two in production but it has never had the popularity of either the 12 or 20 bore. Interestingly it is considered one of the perfect bore to pattern guns and in its usual 6lb weight, makes a fantastic driven grouse gun. 

  The ‘Arab Horse’ guns were another interesting design concept, in this instance executed by Frederique Lepinois. 

 The quintessential ‘Gold Name’ gun, a model synonymous with Westley Richards since the advent of the hand detachable lock shotgun in 1897. As previously discussed, the ‘Gold Name’ rendition of a Westley Richards is gunmaking in its purest, perhaps most perfect form. There is nowhere to hide in the simplicity of the execution. 

 The flow of the elaborate etched scroll on this 20 bore shotgun demonstrates how visually important it is to work with the shape of the gun. The scrolls and leafs roll off from one another filling the space cleverly. This gun was bordered and lettered in platinum a departure from the more usual fine gold.

 The ‘Texan’ 20 bore featuring fine rose and scroll engraving and Texan game scenes.This gun has a very nice balance to the engraving that suits a traditional game gun.

 A 28 bore gun that combines elaborate scroll design with fine game scenes. 

 A magnificent pair of 20 bore ‘Model de Grande Luxe’ shotguns engraved by Vince Crowley. These guns show the influence of Rashid Hadi who was mentor to Vince for many years. The use of varying engraving techniques and materials on one project has become a signature of Vince’s ‘art gun’ executions.

 Another highly detailed execution by Vince Crowley in this instance a 28 bore, complete in alligator skin case.

 One of a pair of 28 bore shotguns utilising the etched technique of engraving. In this instance the main engraved surface is masked off with a ‘resist’ made from beeswax, aspheltum and turpentine, and a nitric acid solution is applied to the surface, the unmasked area being etched away. The background is then carefully textured and the main surface area engraved in the traditional manner. The etched background when executed cleanly gives a great contrast.

 A stunning little .410 engraved with fine rose and scroll, Bobwhite quail and carved leaf fences. One of the original modern production .410’s from the 1980’s this gun re-launched the droplock design into the collectors market and paved the way for subsequent bores and model introductions. 

   Two pairs of .410/28 bores built for friends. These guns illustrate very clearly how different peoples tastes can be. On the one hand you have a very Italianate design and yet the other shows bold English design.

  An interesting trio of guns consisting of a .410, 28 and 20 bore. Obviously intended for the USA, the scaled action frames mean that each gun has subtle differences in the final layout and execution. They are often an engravers nightmare!

 A wonderful little .410 executed by the Tallett family. The whole specifics of this gun were determined by its owner including the game scenes that were reproduced from William Harnden Foster’s ‘New England Grouse Shooting’. 

 A modern interpretation of the gun seen at the end of this posting. A beautiful little .410 built purposefully for quail shooting, it exemplifies the highest qualities expected of a modern Westley Richards shotgun.

 A very unusual set comprising of a .410 and 28 bore shotgun, embellished with scenes of elephant and buffalo! Not your usual choice of scenes for a pair of shotguns, but certainly very interesting! Once again these guns illustrate just how important design is in order to pull off a unique design.

 Another .410 quail gun. In this instance the game scenes on the action sides were close ups of the quails head, rather than full bird game scenes. It lends a more unusual look to the gun which works really well.

And finally an old masterpiece engraved by the legendary ‘Brown Brothers’. In recent decades they set the standard for ‘high art’ gun engraving producing some of the finest work ever seen. Self taught, they have mastered every technique of gun engraving and embellishment. 

 

The Quintessential Westley Richards Double Rifle

The most recent project completed and ready for delivery is this Best Quality Hand Detachable Lock rifle chambered in .500 3” NE. From the classic cartridge it is chambered for, to the timeless Droplock design and traditional house engraving, this is the quintessential Westley Richards double rifle in every way.

Westley Richards is credited with being the first to adapt the .500 Black Powder Express to a new smokeless propellant called Cordite, sometime around 1890. Offering a vast improvement in ballistics over the black powder loads best suited for deer or stag, the new nitro based smokeless powder load made the .500 Nitro Express a legitimate alternative to the much larger 8 and 4 bore black powder rifles historically used for animals such as elephant or buffalo.

Today’s .500 3” NE shoots a 570gr, .510” diameter bullet at a standard velocity of 2,100 fps delivering just shy of 6,000 ft lbs. of muzzle energy. However, the cartridge can be safely chambered in a rifle weighing about 11 lbs. For hunting large dangerous game, there are few rifles and cartridges that come in such a well-balanced package, combining such awesome ballistic performance in a manageable size and weight. This is the reason I believe the .500 NE remains one of the most popular double rifle cartridges ever produced.

With those new developments in propellants like Cordite, came improvements in the design and construction of rifles as well. Fast Forward over 100 years of gunmaking and we have what might be the pinnacle of double rifles, new Westley Richards rifles like this one.

Ordered as a scroll back action with Westley’s patented hand detachable locks, snap lever work and Model ‘C’ doll’s head extension, these features were invented in the 19th century and remain the foundation of Westley Richards double guns and rifles today.

In addition, the rifle’s standard features are disk set strikers, hinged front trigger, beaded trigger bow, extended guard tang, and a trap grip cap, beaded cheekpiece and drop points on a super deluxe walnut stock.

Finally, the rifle is tastefully adorned with Westley’s house engraving, an elegant small traditional scroll surrounding the Maker’s name in flowing banners on the sides of the action and, in this case, with an added pop of gold name engraving. This style of engraving, along with the geometric pattern on the cover plate, has been the firm’s signature pattern on best quality guns since before 1900.

This is a modern interpretation of what the firm has been producing for well over a one hundred years and truly is the quintessential Westley Richards double rifle. From the cartridge it is chambered for, to the action’s design and embellishments, this rifle encompasses so much of what has made Westley Richards such an enduring name in the world of gunmaking.

 

Westley Richards ‘Gun Archive’ – The Droplock Double Rifle

Well it seems that these are desperate times and so with the majority of us ‘non essentials’ on ‘lock down’ or similar, we decided to look through the Westley Richards archive and give all our followers a genuine reason to tell the wife why they are spending so much time in front of the computer!

Over the coming weeks we will publish weekly a selection of images specific to the models of guns and rifles that Westley Richards produce to remind you all that when this is all over we still have plenty to look forward to.

Our gunmakers are still in the factory as we speak, credit to them, continuing to produce the magnificent guns and rifles that the name Westley Richards has become synonymous with.

All stay safe and enjoy.

 A pair of ‘Modele de Luxe’ 7 x 57R double rifles with etched back elaborate scroll, carved fences and gold naming. The rifles were fitted with Westley Richards own take on the claw mount system with custom rings and bases scaled to suit the calibre. Small calibre double rifles are far less common in modern gunmaking than their larger cousins so it is always nice to have a couple coming through production.

 A beautiful single selective trigger, special lightweight double rifle in 9.3 x 62 depicting various scenes of Roe deer with deluxe scroll, raised carved steel and gold naming. This calibre is a classic for driven big game hunting in Europe as it has moderate recoil, yet still shoots a heavy bullet. 

 An exhibition .470 double rifle engraved by Paul Lantuch with carved game scenes, elaborate relief scroll and gold naming. All parts of the rifle were vividly case colour hardened to accentuate the engraving. Paul has since completed other masterpieces for Westley Richards which you will see in the coming weeks.

 A partly engraved .470 ‘Modele de Luxe’ double rifle, the pattern for which was based on an original Westley Richards shotgun as depicted on page 12 of ‘In Pursuit of The Best Gun’ the 200 year old history of Westley Richards. This rifle was one of the ‘Millennium’ series of guns and rifles all of which were commissioned for one patron.

A superb heavy frame .500 double rifle with a subtle variation on the traditional Westley Richards ‘house’ engraving format. This rifle has carved fences and a carved buffalo on the cover plate which add a personal touch of individuality. When the commission for this rifle was given we were asked to build it on a heavier frame so that a weight of 12lb to 12lb 8ozs could be obtained.

 Another very traditionally engraved double rifle in .500/.416 calibre. This rifle we scoped and regulated at 100 yards, making it a super buffalo gun for those trickier long shots.

  A ‘Modele de Luxe’ .500 double rifle that has never appeared on The Explora. When originally completed we were not in a position to photograph it, but thankfully the rifle passed back to us and we able to obtain some nice images. The rifle has elaborate scroll with game scenes in both traditional and carved format, the whole rifle accented with gold detailing.

 A fully carved side plated, single selective trigger .500 double rifle. Sadly one of the only images we have of this rifle which was part of a larger collection built for one client.

 This mighty .500 Jeffery calibre sideplated double rifle is one of only two built by Westley Richards since the introduction of the cartridge. It is a formidable round that at one time held the status of being the most powerful magazine rifle cartridge. 

   A .577 double rifle expertly engraved by Vince Crowley depicting various African scenes. The cover plate design on this rifle is unique in that it shows a pair of bull elephant as seen from the air in the Okavango Delta, Botswana. 

 A stunningly executed .500 double rifle. The original concept for this rifle was designed by Rashid Hadi and then executed by both he and Brad Tallett. Collaborations amongst engravers has become a feature of Westley Richards guns and rifles, taking the very best of skills and moulding them into singular masterpieces.  

 The .600 remains along with the .577, .500 and .470 nitro expresses, the bulk of the double rifle orders going through the Westley Richards factory. Double rifles are synonymous with the name Westley Richards and have remained in constant production since the development of modern smokeless powder. This rifle combines carved scenes with elaborate scroll and gold lettering.

 The only pair of .600 nitro express double rifles built by Westley Richards. Pairs of large calibre double rifles are rare by anyones standards, a pair of .600 even more so. These rifles have genuinely been used and are working tools as much as works of the gunmakers art.

A .243 Winchester and .600 nitro express double rifle original but as a consecutive pair to demonstrate the gunmakers ability to build scaled rifles at the extreme ends of the calibre range. Each rifle was fully carved and came in individual black alligator cases.

 The mighty .700/.577 one of only 3 ever built by Westley Richards. The cartridge was developed by Westley Richards and shoots a 900 grain .577 bullet. Each of the three big rifles completed depicted either elephant or pre-historic creatures, as quite frankly thats all you would really hunt with one!

Two Modern Westley Richards Rifles at the U.S. Agency

Two modern Westley Richards big bore rifles just arrived here at the U.S. Agency and are going up for sale on the used gun page of our website (https://www.wrusedguns.com/). These two rifles were ordered new by the customer at the turn of the 21st century and are being offered for sale for the first time.

Up first we have a Best Quality bolt action finished in 2003 and chambered for the ever popular .416 Rigby. Built on a modern magnum length, double square bridge Mauser action with a drop belly straddle floor plate, allowing four rounds down, and an inside the bow release. The action is topped with H&H style quick release mounts and 30mm rings that are properly engraved with the Maker’s name and serial number. The bolt body is jeweled or “spotted”, and the bolt knob is checkered with three panels. The bolt shroud is color hardened with “SAFE” inlaid in gold and is fitted with a Model 70 type, three-position safety.

The 24” barrel has a WR pattern quarter rib, with one standing Express sight inlaid with a gold pyramid (50 yds) and two folding leaves lined in gold (100, 150 yds). There is also a barrel band front sling swivel and Westley’s patent combination foresight with rearward folding sight hood and flip up night sight.

The Walnut stock is laid out perfectly with contrasting horizontal figure combined with vertical “fiddle back” running the length of the stock on both sides. The stock has a thin rubber pad, and a right hand English style cheekpiece, a color hardened trap grip cap and single recoil bar, traditional wrap point pattern checkering with Mullered borders and an ebony forend tip.

The rifle’s action, barrel and bottom metal retain their original black and “4. Cartridges” is engraved on the floor plate. The serial number is inlaid in gold on the trigger bow and the action screws, grip cap and recoil bar have a touch of engraving.

The rifle remains in as new condition.

The second rifle, also finished in 2003, is one of the modern Fixed Lock double rifles chambered in .470 3 ¼” NE. Westley Richards re-introduced the time tested A&D fixed lock rifle in the late 1990’s as a very high quality, English made double rifle aimed at the Professional Hunter. In its new incarnation, it was referred to as the “PH Model” and was a sort of modern day take on the White Hunter fixed lock rifles made by the firm just after WWII. Only, the new version of the A&D fixed lock rifle has always been made by the same gunmakers who build the Exhibition guns and rifles Westley Richards is so well known for. However, the fixed lock rifle comes with a minimum of standard options to keep the base price down.

The concept was promising but when one starts to add upgrades such as engraving or Westley’s patent foresight, the price quickly approached that of a Best Quality Droplock that those options are standard on. We also find that our famous Hand Detachable Lock, or Droplock, double rifle is priced very competitively compared to our counterparts in London. I am sure this also plays into the thought process for many of our clients who opt for the hand detachable lock version. As such, not many of the modern A&D action rifles have ever been made and, the few that have been produced, tend to have Gold Name engraving only.

Whatever the reason for the low production, the modern day fixed lock rifles are quite rare in any configuration, let alone with a host of luxury upgrades.

The second rifle in this gentleman’s battery is one of these very rare fixed lock rifles and it is a luxury version and best quality in every way. Chambered in the ubiquitous .470 3 ¼” NE, it has 26” chopper lump barrels with the Model “C” doll’s head extension, Westley Richards pattern quarter rib with one standing Express sight (50 yds) also inlaid with a gold pyramid and one folding leaf lined in gold (100 yds), with Westley’s patent combination front sight.

The rifle also features Westley’s snap lever work, “beetle back” non-automatic safety, disk set strikers, and two triggers. The trigger guard is rolled and has an extended tang. The action body has a slightly rounded bar that would be comfortable to carry on long marches and is finished in traditional color hardening with blacked furniture. The whole action is engraved in a luxurious bold scroll pattern that is wonderfully cut and shows up nicely on the case colored action.

The rifle is stocked in luxury walnut with a right hand English style cheekpiece, checkered side panels with drop points, a trap grip cap and a thin leather covered recoil pad. The semi-beavertail forend has Westley’s ejector box, Deeley forend latch and the traditional horn forend tip.

Finally, the rifle is complete in its original lightweight green canvas case and, for all intents and purposes, this rifle remains in as new condition as well.

These two rifles are in the U.S.A at the Westley Richards Agency in Florida.

For more information please contact: L.D. McCaa (850)677-3688 or visit the Westley Richards Used Gun web site (https://www.wrusedguns.com/).

Brace of Westley Richards Pre-Owned Guns

Two superb pre-owned Westley Richards shotguns are the latest additions to our already comprehensive list of used guns and rifles that we offer here at WR.

The first is a classic 20g hand detachable lock, single trigger shotgun. Originally built in 1912 the gun was returned to us in 1992 for a complete rebuild. We fitted new 27” barrels with 2 3/4” chambers, choked 1/4 & 3/4. A new, beautifully figured, straight hand stock and splinter forend measuring 15 1/8” to the centre of the chequered butt, with a drop of 1 1/2″ at the comb and 2 1/2” at the heel, cast off 9/16” at the heel, 3/4” at the toe and 1/2” at the face which is slightly swept.

The scroll back action features our patent hand detachable locks with a single selective trigger, snap lever work, model C dolls head and beetle back automatic safety. The action was re-colour hardened and the cover plate and trigger guard re-engraved with a game scene and dog on the trigger guard bow by Dave Hudson. The rest of the action has the traditional house scroll and WR name in gold banner. The gun weighs 5lbs 11.5oz and comes in a lightweight leather case with accessories. Although not original, the gun is a beautiful example of a 20g droplock, the exhibition grade wood and upgraded engraving make for a very attractive gun. Not only that but it is, effectively, a modern gun with as new barrels capable of shooting modern 2 3/4” loads. It points and handles extremely well.

The second is pretty much completely opposite to the first gun. A 12g sidelock ejector with two triggers. Completed in 1982 and built as a best quality, 7 pin, bar-action sidelock ejector. Featuring two sets of barrels, the originals measure 27” with 2 3/4” chambers, choked improved cylinder in the right and 1/2 in the left, a concave rib engraved ‘WESTLEY RICHARDS & CO. ENGLAND’. The second set which were ordered in 2008 by the current owner, measure 29” with 2 3/4” chambers and are choked 5/8 in the right and Full in the left, with a concave rib and the same engraving. The action is engraved with detailed game scenes on both lock plates and a bold scroll surround, a retriever on the action bottom and carved oak leaves on the fences. The straight hand stock measures 15 1/8 to the centre of the chequered butt with a drop of 1 7/16” at the comb and 2 5/16” at the heel and is cast off 9/16” at the comb, 7/16” at the face and 5/8” at the toe. The stock is fitted with a gold oval and the splinter forend has the Anson push rod release. The gun weighs 6lbs 11.3oz with the 27″ barrels and 6lbs 12.7oz with the 29″ barrels. It is neatly housed with both sets of barrels in a mid tan case with tools. A versatile gun for every type of game shooting.

Both guns offer something different and remain in excellent condition throughout. They will be on the used gun site shortly, but for any questions, please contact me directly at ricky@westleyrichads.co.uk   or +44 121 333 1918

Interview with Westley Richards Engraver – Léo Lambert

Here at Westley Richards we are proud to be developing some of the future’s finest gun makers, engravers and leather workers in the world. None more exemplify this than the exceptionally talented Léo, who at 22 has already played an instrumental part in the creation of our new exhibition magazine rifle “The Roebuck Rifle”.

In June 2020 he will celebrate 2 years with Westley Richards and has certainly come a long way since he sent a chance letter to the company, all the way from Belgium, to enquire about an apprenticeship. It is clear that our dedication to working with young talent, giving them unique opportunities and watching them thrive is at the very heart of the Westley Richards DNA.

Léo, where did you grow up?

I grew up in the Belgian countryside, in a little village outside of Liège.

Did you always want to be a gun engraver?

Not exactly. I did always want to have an artistic job but in fact only started to think about the engraving profession a few months before my studies began in this subject. The idea first came to mind when my father took me to a hunting show where my soon-to-be teacher, Pierre Dôme, was performing a demonstration for the Léon Mignon School of Liège.

What did your education/apprenticeship entail?

At Léon Mignon School I learnt the two key areas of engraving both the handcraft and drawing. This included traditional techniques of hammer and chisel and the hand-chisel as well as technical drawings of ornament composition and game-scene sketches. Thereafter I taught myself how to use the pneumatic chisel and stereo zoom microscope, which I use today.

Who inspired you to become an engraver?

My family principally, but I do have two very special people who really inspired me to become the person I am today. My two best friends, Laëtitia Copine and Nicolas Braud. Laëtitia taught me about the world of the arts and greatly influenced how I now consider, analyse and understand art. Nicolas helped me to appreciate unexpected challenges and importantly how to remain stoic in front of them, an incredibly vital quality in the practice of engraving.

Who would you count as mentors in the field of engraving?

I am fortunate to have a few master engravers that I have had the privilege to meet and call mentors. The first are my two teachers from the Léon Mignon School, Master Lucien Gironi and Master Pierre Dôme, who I regularly keep in touch with. Others who I have had the chance to cross paths with who need no introduction, who very much like my school teachers, shared their work, ideas and knowledge with great kindness. Masters Paul Lantuch, Alain Lovenberg and Bram Ramon.

How long did it take to learn the art of engraving?

I began learning the art of engraving in September 2015, with my background in the arts and the first class education I received, I have had a rapid rise. But when you ask “How long did it take to learn the art of engraving?”, it is a difficult question as like others, I’m sure, consider that I will never stop learning (and  that’s a great thing).

Indeed the continual learning is the most exciting part of the job, always amazed by the masterpieces of great engraving masters, past and present, who have work for Westley Richards. Holding their works in my own hands is always such a privilege.  Spending many an hour researching I discover talents across the globe who produce such technically impressive works with skills that are out of this world. Knowing this drives me to keep experimenting and push boundaries with this historic craft.

Tell us about the ‘Roebuck Rifle’ that you recently completed for Westley Richards?

The Roebuck Rifle is my very first grand-scale project in engraving. At first, embarking on this project made me acutely aware of my level as engraver and how long still the path of apprenticeship really is. To be honest in the beginning I was very nervous about such an important artwork, but with the fantastic team around me at Westley Richards, and the nerves subsiding, I began to have fun and enjoyed the entire process.

The ornamentation was my first challenge, the client had decided upon a carved leaf design using a technique I had only used once before at my school in Liège. At that time I used the traditional hammer and chisel method, however with my new pneumatic tools this was a completely fresh experience and one I threw myself into. Fortunately the path of this level of engraving I was able to begin on the smaller elements, like the roebuck head on the safety shroud, to build confidence.

On the advice and information kindly shared by older masters I moved into the larger game scenes, for example the roe deers seen on the floorplate. When Trigger and I decided on the pair of animals we wanted to capture for the scene, from a picture where we see the male chasing the female, my next big challenge emerged. Trigger had selected an image where only the top of their bodies were visible due to high grass covering their chest, undersides and legs.

I spent many an hour studying deer anatomy and movement through reading veterinary books and watching live action video in slow motion, to finally deduce the exact musculature positioning to achieve a true to life visual. Seeing as I have rarely been near the animal in real life I relied on my colleagues to add those final touches to the end result.

A special thanks to the Westley Richards patron, who commissioned such a fabulous artwork, and to my colleagues and mentors for their critical advice and encouragement. Without them I would not have reached the new heights of technical and artistic excellence I have dreamed to achieve and will continue to strive for.

Head to our engraving section, to discover the incredible variety of engraved artworks that patrons have commissioned over the years.

Making The Bournbrook Leather Collection – Pt. 2

A couple weeks ago we featured the first part of “Making of the Bournbrook”, giving you a behind the scenes look into our creative exploration from collection concept to design. In the second and final part, we continue our journey through the rigorous detailing of material selection, production sampling, tests out in field and ultimately the delivery of our final bags.

To meet the dedicated high standards of quality that the Westley Richards name is globally recognised for, ever since our founder coined the mantra – “to be the maker of as good a gun as can be made” – we put no time limit on these stages to achieve the pinnacle of end results.

First critical decision came in the form of material selection. Westley Richards has had a long relationship with both its leather and canvas manufacturers, however we felt this an ideal opportunity to research new partners. After much time spent sourcing, meeting and testing new options nothing compared to our existing relationships… I’m sure there is an old adage for that.

All our leather is supplied by the incredible Tarnsjo Gaveri tannery in Sweden. It is amongst the last remaining 5% of tanning houses worldwide who still employ the tradition of vegetable tanning, in favour of the more time and cost-efficient chrome method.

Their sustainable approach helps respect the environment – using bark extracts, water and water-based finishing – and delivers a leather that feels both luxurious, ages beautifully over the generations and has unparalleled levels of endurance.

With our canvases, we have long been pleased to partner with Halley Stevensons. A fantastic British company regarded as the world’s leading waxed cotton fabric innovators of weatherproofed canvas. Based up in Dundee, Scotland, the regions hard weather inspired workers to experiment with applying oils and greases to cloth to make it more durable and protective to the elements. 150 years on, not much has changed except the science behind the coatings, which are now engineered to be virtually impermeable and incredibly long lasting.

Unlike our heritage gun and rifle designs, which have remained largely untouched for centuries, creating a new travel bag collection fit for our clients required countless amendments, technical drawings and samples. In fact the new fine leather goods collection you see in-store today is the summation of 50+ full-scale technical packages and bench-made samples. Our overriding focus was to deliver the finest in English style, handle and strength, with no superfluous detail.

Once the collection aesthetics were correct, befitting the truly discerning traveller, each of these samples were then rigorously tested out in the field. Taken by Ricky and Trigger on shooting trips in the UK & Spain, business trips to Paris, London & Florence, and personal vacations to Canada, Italy & US, the collection got to experience a plethora of outdoor scenarios.

On their happy return, adventures were shared and final improvements to the proto-samples were made. And in late October the Bournbrook range was signed off for production to appear in our inaugural winter brochure – Westley Richards: Collections 2020.

The Bournbrook Travel Bag Collection reflects the height of luxury and is now available to buy in-store and online in a range of vegetable tanned & exotic leather, buffalo hide and strong canvas combinations. Like all our fine leather goods we offer bespoke initialling to add that very personal touch.

westleyrichards.com/bournbrook