Hot off the press and looking magnificent is TheExplora journal by Westley Richards. This last week we received the first 10 copies for approval and we all have to say that it surpasses even our demanding standards!
Having taken 2 1/2 years to bring to fruition it was with great excitement, trepidation and relief that we got to handle the first copies fresh in from the printers. This project was a true labor of love for the team here at Westley Richards, so it was finally great to see the fruits of all that hard work.
The front cover features Westley Richards stunning and as yet unseen ‘Forest Rifle’, a magnificent .600 droplock double rifle specially commissioned to reflect the Central African forest environment. Fully carved in exceptional detail with the flora and fauna of the forest floor, the story of this rifle unfolds in the stunning photography The Explora fans have come to expect from Westley Richards.
Other articles, specially commissioned, focus on engraving, gunmaking, historical weapons, shooting and gun fit, topics we hope will be close to the heart of many an avid sporting man and woman.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with a scratch resistant matt lamination with spot gloss varnish and gold foil embossed logo. The 180-page journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards.
With a limited print run of only 1000 copies, never to be re-printed, The Explora journal is set to become a collectors item that no self respecting Westley Richards afficiando should be without.
The first copies to clients will be coming out in the next few weeks so for those of you yet to place your order now is the time!!!!!
To order your copy of The Explora journal click here
It is still interesting what turns up here at Westley Richards that we never quite knew about. In the last couple of weeks we sent the old directors desk in for a subtle refurbishment and height increase. Clearly the directors of old were short fellows and rather than confine their old desk to some dusty corner it seemed worthwhile carrying out the described works.
Anyway, it was whilst at the refurbishers that the attached exhibition medal was discovered stuck in the base of one of the drawer pedestals. Now how long this medal has been stuck in the back of the drawers is anybodies guess as none of the old timers here seem familiar with it and I myself have never seen this medal before.
The exhibition medal itself was awarded at the ‘South African Industrial And Arts Exihibition’ held in Grahamstown, South Africa from 1898-1899 and is inscribed ‘Westley Richards & Co. Ltd. Gold Medal For Revolver Convertible To Carbine’. Looking through the archive here at Westley Richards we can only find references to ‘small arms’ improvements all lodged by the renowned Leslie B Taylor for the periods 1897 and 1899. Obviously one of these must relate to this medal.
Two other things make this medal interesting. Firstly it states that this is a ‘Gold Medal’ but clearly it is Bronze. Another medal awarded to Westley Richards from the same exhibition is gilded bronze.The second significant fact from a historical point of view is that 1899 is the same year that the second Boer War (1899-1902) began and this appears to be the last exhibition attended by the company in South Africa.
Monday saw the exciting opening of the World English Sporting Championships once again hosted by E.J. Churchill at their incredible 5,000 acre shooting grounds, situated in beautiful West Wycombe. A mere 30 miles outside of London, which is great news for all international entrants that will be flying in throughout the week.
Churchill’s have promised this to be one of the most memorable events for shooters ever, thanks to the creation of very challenging targets some of which overseen by the 26-time world champion George Digweed.
The championships consist of CPSA World English Sporting, World Sporttrap, a Prelim English Sporting and FITASC Sporting. As well as the Blaser Intercontinental Trophy and various other exciting events for visitors from all over the world to enjoy.
However, it’s not just the shooters that get all the fun because those who join them in support can partake in the many stalls of the retail village, food venders and drinks venders, but most importantly soak up the rare British sunshine that the ‘festival of shooting’ has been blessed with in one of the many designated watching spots in the deckchairs and sun loungers.
Good luck to all those competing throughout the week!
Charlie Monaghan TEAGUE sponsored shooter.
Rob Fenwick managing director of E.J. Churchill briefing the shooters.
In February 2018 the British Shooting Show celebrates its 10th Anniversary. The show has come a long way since its inception, and under the guidance of John Allison and Anne Bertrand has grown from being almost a local show into the pre-eminent gun, rifle and shooting show in the UK.
This coming year the show moves to the National Exhibition Centre in Birmingham, Westley Richards very own home town. The show promises to be the biggest of its kind in the UK, with prominent manufacturers from the traditional hand built gun market, including Holland and Holland, Boss & Co., Watson Brothers and John Rigby, through to the highly respected Browning, Perazzi, Beretta, Blaser, Mauser and Ceasar Guerini to name but a few.
Access to the show could not be easier with direct links by road, rail and air. Re-locating to the NEC certainly brings a more international accessibility and the show is sure to continue to go from strength to strength. We look forward to seeing you there.
From the 28th to the 30th of July the annual UK Game Fair was held at the prestigious Hatfield House in Hertfordshire. Only 25 miles from central London, the Jacobean house was built in 1611 by Robert Cecil, the first Earl of Salisbury and Chief Minister to King James I. Still in the family, it is now home to Robert Gascoyne-Cecil, the 7th Marquess of Salisbury.
It was the first time for this grand estate, once a favourite of the royals, to hold this event and its proximity to London proved to be convenient and popular. Friday had a real buzz about the place and the isles were busy. How much money people were actually parting with is always hard to tell and you occasionally hear the classic line ‘oh I can get that much cheaper online’, which gets mixed responses! Not many new products being launched this year, rather people catering for the bargain hunters and displaying their sale items trying to shift old stock or odd sizes.
The layout of the show was an improvement on Ragley but it still isn’t up to the same standard as Blenheim, for me that is the only place to have the game fair. The weather was fine and dry on Friday but in true British summer time tradition, the rains came and by Sunday afternoon it was a mud bath. It still remains a good day out with plenty of food and drink stalls, shooting clothing, cars, gun dog displays, horse jumping and pretty much anything else countryside related and it’s important to mention it’s a much needed promotion of fieldsports here in the UK.
Firstly we would like to apologise for the delay with our blog posts, but as you will appreciate we have been super busy preparing for the show circuit and were air bound as soon as January hit. The Dallas Safari Convention is the first of our regular shows and this year was filled with the buzz of a new US President.
There was unquestionably a ‘feel good’ factor that was certainly reflected in the interest in both new guns and pre-owned. The safari and general hunting outfitters were noticing an upturn in interest particularly for the 2018 season which is fantastic news all round. Dallas itself is a great venue which sees growth year on year without getting so huge that you cannot get around it all in a couple of easy days.
From our own point of view it was great to catch up with clients old and new. Many came to see us in person to express their condolences at the passing of Simon last year, but to a man they were all as excited as us about the future of Westley Richards. Simon’s legacy here will continue unabated. There are a lot of new young clients coming into the best gun making sector and it is unquestionably in all of our interests to make sure that they are looked after properly. Whether you are selling guns or hunts the reality is that we are all selling ‘fun’ and this should never be forgotten.
The English gun and rifle makers were certainly out in force although as one good friend said ‘one of London’s best is suspiciously absent!’ Whilst it is a great opportunity for perspective clients to see all the fine guns and rifles offered by the English Gun Trade, it is also a nice time for all of us makers to catch up and encourage (rather ridicule!) one another so that we all keep pushing the boundary’s of best gun and rifle making.
The next show on the circuit is the Las Vegas Antique Arms followed by Safari Club International. We will of course be attending both of these and very much look forward to catching up with those who can make it. In the meantime we will have some great new posts to keep you all enthused.
We would like to thank Larry Blunk for taking the photos that accompany this post.
Two months ago when Paul Lantuch visited the factory after completing the finishing of the Africa rifle we discussed at length the next projects that were on the cards. These included a pair of round action 12g guns, a .577 Hand Detachable lock rifle and a further .600 NE sidelock double rifle in the Africa, India series.
I was in 2 minds whether to post these drawings of the fist project up, the pair of 12g round body sidelocks, initial thoughts of people plagiarising a practise rife in this area. Perhaps it is a bit premature, but then I felt they are such nice drawings why not!
The drawings also show nicely the process of designing an exhibition gun so that a concrete theme can be executed. So many guns are engraved with minimal, if any, layout and composition work being done in advance. Paul and I have been bouncing drawings and thoughts back and forth across the Atlantic for the past 2 months and these are now the working drawings for the guns. There will of course be additional engravings and carvings but the “theme is set”.
The pair of guns will be executed in the Rococo style, carved steel relief figures and decoration with a gold background. I am afraid you will have to be very patient to see the end result but we are off and running now as they say!
The Game Fair is the celebration of all things country and field sports related which was this year held at Ragley Hall in Warwickshire, roughly 40 minutes from Birmingham and 2 hours from London. The show, in it’s first year under new management, felt very much like previous game fairs and had very much the same layout and vibe about the place.
When first arriving upon 8am it was fairly quiet with just a few shoppers and shooters, but by 2pm the aisles had a good flow of traffic of people and with the sun shining the beers were flowing in the Gun Makers pub!
Friday is usually the day traders do the most business as people have taken the day off work and are in the market for a new shooting coat for the up coming season or a new gun to add to their collection, Saturday tends to have more families having a nice day out and on Sunday it quietens down.
There was the usual clay pigeon shooting have a go stands, 50 bird sporting, fly fishing demonstrations, a huge variety of food and drink stalls from around the country and wide variety of exhibitors.
When the CLA decided to step down from organising and running the show, there were a few different organisations who came up with their own versions of the Game Fair which slightly confused exhibitors and punters alike on which was going to be the show to make the effort to attend. Up until a month or so ago there were two main contenders fighting to be the best show, however when the UK Game Fair was cancelled, it left the Ragley Game Fair as the as the only place to go.
With uncertainty of which show would prosper and other concerns, quite a few well known names in the industry decided to take a step back this year and see how this show panned out. Therefore this year missing from the show, most noticeably was us, then the likes Holland & Holland, Purdey, Blaser, GMK and a few other big names. The feedback and success of this year will no doubt determine the show’s reputation for the next few years to come.
Even with the big gun names missing, the show has great backing from the likes of NFU Mutual, Viking cruises etc.
It’s a great day out for country and town folk alike, especially if the weather continues to hold out, and it’s easy when you are in the gun trade to become numb to a show like this and leave feeling unsatisfied, but for the youngsters and newcomers to our sport who are yet to discover the thrill and excitement of everything fieldsports and the British countryside has to offer, there’s no other event like it.
Next years show will be held at Hatfield House in Hertfordshire, only a 20 minute train journey from London’s King Cross station, from the 28th – 30th of July.
Q: Simon, I appreciate that the making of these rifles required the utmost attention to detail and clearly display an unbelievable array of gun-making skills. I am curious to know what was the most difficult element in the making of these guns (I know every craftsman will say their part!)? Neil.
Inspiration can come from a simple old cufflink box.
A: Neil, thank you for your comment on the previous post on the Africa rifle where I said I needed more space to answer and be able to take some credit for the most difficult element, blow my own trumpet for once! I will try and justify that claim!
There were 30 or so individual craftsmen involved with completing this project over a period of 7 or more years, they were separated by the Atlantic, with gunmaking in England and embellishment in USA. Each and every craftsman, as you rightly said could claim ‘their part’ was the most difficult and certainly they could claim that without their individual skills, the project would never have come to completion.
My claim would be that the hardest part is first having the idea or concept for the project and then bringing all these talented people together, over a period of years, to see the idea through and the projects execution.
The starting point for the Africa & India rifles was the gunmaking and in this instance the inspiration came from a Webley & Scott .600 sidelock rifle I bought, and then sold on the used gun side of our business. It was for me the perfect .600, it had both the scale and perfect dimensions for a rifle of this size, one which I often see too small and light when made in sidelock format. The Rodda .600’s were always a perfect size and I am sure based on this same design. We copied the dimensions of this rifle, incorporated the Model C bolting and dolls head and built the 2 rifles. It was a completely new calibre model rifle for us and in itself, a large project of design through delivery. We were of course in familiar gunmaking territory but the execution relied on the whole of our gunmaking team getting their part correct and perfect. People do not realise today how few double rifles of exceptional quality are actually built and that putting a whole project like this together takes more than just idle promises and talk!
The engraving aspect of the Africa and India rifle project started with a desire of mine to ‘trump’ my fathers project of the ‘Boutet Gun’ engraved by the Brown Brothers, which was completed as a speculative gun in 1985. This gun remains the single longest project executed by the Browns and I recall they took a year or more to engrave and embellish the gun. I certainly remember my father sweating to get it back, to be able to sell it and recoup his costs, an expense I am sure he could ill afford at the time. Efforts to get them to do another similar length project 30 years later fell on deaf ears, a shame, but understandable, their place in gun engraving history required no further justification….’at that time’ I will add as I believe gun engraving is getting better and better by the year and believe that the ‘King or Queen’ of the modern era of gun engraving is yet to be crowned, on that point I am sure.
There is some amazing new engraving talent to draw upon now, engravers who just need the commissions and time to show what can be done. Exceptional engraving takes time and money, realistically very few engravers are ever given this time in their careers. The ‘heroes’ of the ’80s, Ken Hunt, Brown Bros, Coggan have had most of the modern money thrown at them by the recent (1990-2015) period collectors and much of this work remains unseen. I have seen a lot if it and feel much is repetitive and indifferent, engraved for a very small group of clients who led their own design.
Paul Lantuch is one such engraver, immensely talented with classical drawing, engraving and jewellery making skills to his credit. I had offered the India project to Rashid Hadi and Vince Crowley and they came to me with a huge budget and no design. I declined and offered the commission to Paul by telephone 10 minutes later accompanied by an email folder of images I had selected for the design style, he accepted in principle and sent me an email the next day “am in the Metropolitan Museum of Art in New York researching India project, designs to follow shortly”. I knew at that point I had made a very good decision and one that has led to many fine guns in the years since and I hope to come!
Personally, I am very passionate about gun engraving, it can either ruin or enhance our guns, I have experienced both shock and surprise on a guns returning from engraving in the past and now firmly control that emotion with discussions and drawings during the process with the engravers.
I have always liked having large, long engraving projects running, Rashid Hadi, Peter Spode and Vince Crowley are amongst the engravers who have done many major carved and elaborate works for Westley Richards. I enjoy giving opportunity to new talent and in this I have been fortunate in having the patrons to support this desire over my years here, patrons who have allowed me the freedom to work directly with the engravers, which is important.
On the whole I believe as owners or managers of the company we have a wider knowledge of firstly what ‘has and what has not been done’ but more importantly, what works on our individual style guns and I think it is almost a duty to show off on our guns what can be achieved at any one time.
Thus Neil in this instance I will take the credit for the hardest part, making it actually happen!!
I was really pleased to be shown and then able to buy this piece of Leather ephemera, a vintage etched mirror which was an award of some kind. It seemed an entirely appropriate and irresistible prop for the photography we do. Whilst I cannot and do not wish to take credit for the actual award, we did not make leather at that time. I do think it is appropriate for our small leather workshop and feel they would have given the competition a good run for their money, had we been making our leather goods then!