In The New Creative Director Role At Westley Richards

As we begin 2020, I would like to take this good moment to introduce myself to the friends and followers of Westley Richards who regularly read our much-loved blog, The Explora. My name is Stephen Humphries and I recently joined the company in the brand new role of Creative Director. A thrilling opportunity that will involve the continued elevation of this adored company – through greater visibility to the wider field sports world and taste making community-at-large, and the establishment of Westley Richards fine leather goods & sporting attire as the ultimate in style for the well-versed adventurer.

My background has been within the luxury brands environment for many years having collaborated with a number of globally recognised British and international prestige brands, from fashion, jewellery and leather goods to elite beverages, hospitality and publishing.

Having been surrounded by sporting enthusiasts throughout my career it is a true privilege to mention the name Westley Richards, and I look forward to bringing my distinct expertise honed over the years with similar spirited businesses – those that are family-owned, steeped in heritage and with unparalleled quality and hand craftsmanship.

In the first few months here I have been getting to know all the many wonderful and awe-inspiring parts of the company and its impressive premises in Birmingham. By way of its exceptional gunmakers, engravers, leather workers, production & sales teams, brand & photographic departments and senior management.

Those of you who have had the privilege to visit the Pritchett Street factory will first enter into our flagship store, a showroom that far surpasses any selling environment I have visited in Mayfair. Inside, a constant selection of Westley Richards British country clothing, smart travel bags and fine leather goods are on display alongside our selected partner brands, catering for English shoots, Safaris and adventurous travellers alike.



Past the gun room, housing clients recent bespoke creations, one takes the stairs to the first floor, home to the gun factory. There a hive of activity takes place where bench-trained gunmakers are in full flow, each at different points of the gunmaking process. Having studied and begun my career in product engineering this was a particular delight for me as many familiar machines, tools and paraphernalia were in attendance. One area of handcraft that really struck me came in the stocking room, where I witnessed some checkering being applied. This I could tell immediately, required such accuracy and dexterity from our makers, as any mistakes would be critical.

Side by side with the gun factory sits our leather department, this is rare amongst our major competitors who often manufacture their leather goods outside of the UK. English made leather is second to none, the country’s traditional skills and styles lend to an extremely high quality product, with endurance, a trait proudly synonymous with the Westley Richards name.




And finally, to the second and uppermost floor. For those dedicated readers amongst you will know, this is The Apartment. A beautifully designed interior space resplendent with Westley Richards ephemera, trophies, literature, photographs, artworks and artefacts. Collected and assembled by Simon Clode during his transformation of the business to what we know today. This remarkable place has such visual, textural and historical appeal even the most esteemed of our clients are stopped in their tracks on entry, and has often delighted them for many an hour on their visits.

In my short time here it is evident that there is an unbelievable depth of heritage and character around the company that must be carefully nurtured, as has been by those many important figures past and present. With this front of mind I, along with the rest of the team, very much look forward positively, distinctively and with great expectation into the bright and exciting future ahead.

On that note, I leave you for now with our recent wordsmithing of the future facing Westley Richards vision that first featured in the inaugural winter retail catalogue – Collections 2020.

“Established upon a heritage of wild adventure, Westley Richards has long been regarded as one of the finest gun and rifle makers the world has ever seen. At the side of generations of audacious huntsmen, we proudly handcraft history’s most beautiful and prized art guns, leather goods and sporting attire, taken on journeys like no other.

Our independent spirit has cultivated an unparalleled culture of innovation, artistry and excellence for well over 200 years, commanding enviable respect from our peers and continuously lionised by true characters of the outdoors.

As the leading light of England’s original Gun Quarter, Westley Richards are honoured to be part of Birmingham’s illustrious past and modern renaissance.”

 

The Finest Westley Richards .425 Magazine Rifle Ever Built!!!

Without really realising it we are a very lucky bunch here at Westley Richards. We get to spend our time building some of the worlds finest sporting guns and rifles, all in the name of work. Every single gun and rifle that we build is unique to the individual and as such genuine ‘one of a kind’ items that allow both the patron and the gunmakers here at Westley Richards to indulge themselves.

Now the level of individuality expressed in an individual gun or rifle can be either heavily influenced by the patron or more hands off, left to the spirit of the gunmaker. It was with this latter attitude in mind that one of our long standing patrons put to us ‘build the best damn .425 magazine rifle that you have ever built!’

Well here is just that rifle. What you see before you is unquestionably THE FINEST Westley Richards .425 detachable barrel magazine rifle ever built by the company, one that exemplifies the very meaning of ‘excellence’ in a modern British sporting rifle. Not only did we get to build a rifle how we wanted to see it, but what better way is there to reward someones faith than by producing something truly exceptional.

Black Rhino feature on the inset panel of the left side of the unique Westley Richards extended magazine.

The basis for this ‘special project’ started several years ago when we were approached to build a ‘Model de Grande Luxe’ detachable barrel magazine rifle in our own iconic .425 Westley Richards calibre. At the time nothing of the wood or engraving was discussed, quite simply we examined all the features that might go into making this rifle something special, a platform from which to build a rifle the likes of which we had never had the opportunity to do. We naturally began with a modern Mauser ’98 action with double square bridges, a side safe and traditional interchangeable flag safe, strap over comb, extended guard tang and a peep sight.

The action would be of our detachable barrel configuration, variants of which we have been producing since pre-War days. The detachable barrel was an important feature of this project as it would allow us later down the line to fit the rifle into a neat more ‘balanced’ case.

Almost unique to Westley Richards the action was also hand fitted with our ‘side clips’ and radius lifter which appear on many of the higher quality .425 calibre rifles built by us over the years. These combined features help with the feed of the cartridge which has a rebated rim and so needs a controlled and positive pick up and feed into the chamber.

No piece of the rifle has gone without some form of engraving ornamentation. Carving, elaborate scroll, intricate gold line work, checkering and beautiful flush gold inlays feature throughout the rifle.

Another interesting feature of this rifle which has probably not been picked up on before is the extended magazine release catch inside the trigger bow. Whilst widely used on British Mauser ’98 based rifles (and now most modern rifles) older .425 rifles tended to have the earlier lever release mechanism as seen on many original own brand Mauser ’98 rifles. Several years ago we built a classic .425 and at this point machined our own extended magazine boxes with the ability to release through the trigger bow. Whilst only a minor modification, aesthetically it makes a huge difference where a rifle is likely to be heavily engraved. Not only that, but the lines of the rifle with the big magazine look more trim.

Traditional open sights sat on our house style quarter rib, with the classic Westley Richards combination foresight, all of these features complemented on the barrel with the addition of a traditional ‘hook eye’ sling swivel base.

Cape buffalo in a savana setting sit within the inset panel of the right side of the unique Westley Richards extended magazine. 

Turning to the engraving of the rifle this is where the patron of this rifle took the ultimate ‘leap of faith’. He left the decision entirely to us. At this point you know that you have to produce something really quite outstanding and in our mind was to execute something of a classic yet extravagant nature, befitting of a ‘Model de Grande Luxe’. We looked to the era of the maharajas who had a penchant for gold work, elaborate scroll and game scene engraving. Engravers of that time had only ever seen animals in books and perhaps zoos if they were lucky and so game scenes of that time were more often naive in execution. Today we have the finest photography and to a degree time. With this in mind it was decided to bring together the skills of three engravers so bringing the very best of each element to the rifle.

Stunning, stunning walnut with Westley Richards traditional ‘kidney’ cheekpiece and checkered side panels reflect the heritage of this rifle.

A stunning East Africa bull elephant strides from the base of the magazine. A bongo adorns the trigger bow and a leopard the door of the grip trap cap.

So it was that the engraving began with the most careful of fine gold border inlay. This task in its own right is a difficult one as against the bright of the steel the gold lines can look deceptively neat. It is only in the final finishing that the true straightness and sharpness of execution can really be seen. At this point the animals were decided upon and whilst the Dangerous game or ‘Big 5’ of Africa were a natural choice, warthog, bongo and waterbuck would add a little novelty. Once again these were executed in flush gold with fine detailing, the bull elephant on the base of the extended magazine looking particularly impressive. Elements of carving were then added to features of the rifle, the remaining space being filled with a beautifully delicate, yet masculine scroll. No area of the rifle went un-noticed including the swivel bases and trigger.

The lines of the rifle speak only of elegance. Even a large calibre rifle can be built to look attractive to even the untrained eye.

With such a unique rifle it was only fitting to finish the project off with a suitably matching case. So it was that a brown buffalo skin best quality oak and leather case was created, the internals fully French fitted in green goat skin. The external would be protected by our signature outer cover with patron detailing. The hand made tools, sling and pouches add a further refinement to the internal fitting, all finished off with a gold leaf impressed lid insert, all once again carried out by hand. All in all the rifle and its case has consumed hundreds and hundreds of hours, utilising the finest crafts men and women. Ultimately that is what it takes, along with a generous and visionary patron, to produce the finest .425 magazine rifle ever built, in fact one of the finest rifles ever built in our history.

This rifle will be on display with us at both the Dallas Safari Convention and Safari Club International in 2020.

Capt F.C.Selous’ Iconic Westley Richards .425 On The USA Show Circuit 2020

There can be few greater names in the history of big game hunting than that of Captain Frederick Courtenay Selous D.S.O, soldier, explorer, big game hunter, scout and adventurer. Born in 1851 Selous’s intention from a young age was to be a naturalist and ultimately one of the finest big game hunters ever to set foot in Africa.

By the age of 19 Selous was in Africa where he was granted permission by Lobengule, King of the Matabele to hunt within his vast domains. This was still the era of the large bore muzzle loader and Selous came to typify the young, tough individuals who sought a very dangerous trade hunting elephant and other game for ivory and meat.

The coming years saw Selous hunt extensively throughout central Africa attaining many specimens for private collections and the British Natural History Museum. He was held in such high regard that in later life a bronze bust of Selous was mounted in the NHM where it can still be seen today as you walk up the grand stairway.

His knowledge of Africa led to his appointment as ‘guide’ to the British South Africa Company which was mounting an expedition into Mashonaland. He would fight in two Matabele wars during the 1890’s before his much celebrated visit with none other than President Theodore Roosevelt during his epic safari of 1909-10. The two would become great friends, as they were equally keen on conservation as they were hunting.

With the outbreak of World War I in 1914 Selous joined up to serve in East Africa as a Captain in the 25th Royal Fusiliers. Having distinguished himself in 1916 receiving the DSO for his actions, he was killed by sniper fire a year later at a place called Beho Beho in what is now the Selous Game Reserve.

Selous was unique in that he saw the use of large bore muzzle loading rifles, through black powder breech-loaders, to the ultimate in modern cordite repeating rifles.

The .425 purchased by Selous was most likely the last rifle ever acquired by him. He wrote a testimonal for Westley Richards on 4th July 1912 stating:

“I can only give your .425 Magazine Rifle the highest praise. Had I only possessed such a rifle in my old elephant hunting days I am sure that I could have killed three or four times as many Elephants as I actually laid low.”

The rifle remains in exceptional condition to this day retaining most of its original finish. How the rifle came to be in the hands of its current owner is one of those great pieces of fortune and outright luck, a story we will tell another day. In truth the rifle could not have gone to a more dedicated fan of the company or a more genuine hunter.

The ‘Selous’ rifle has been very kindly loaned to Westley Richards to display at the 2020 Safari Conventions in the USA. Please pay a visit to our stand to view one of the most iconic rifles owned by without doubt one of the greatest big game hunters of all time.

Dallas Safari Convention 9th To 12th January 2020

Safari Club International 5th To 8th February 2020

 

 

A Twist In The Tigers Tail – Westley Richards .577 ‘Gold Name’ Double Rifle

The Westley Richards Gold Name model of gun and rifle is something long synonymous with the company. Back in the pre-war era of gun and rifle manufacture, a gun or rifle was fundamentally a tool that needed to perform flawlessly either out in the covert shooting driven game or tackling dangerous game in the thick jungles of India and Africa. Tastes back then were more subtle and a gentleman did not openly display lavishness.

Engraving on guns was confined to traditional scrolls, each company designing its own unique ‘house’ pattern. Westley Richards had its own version which remains faithful to the original design to this very day. The unblemished lines of the droplock action allowed for a beautiful ‘name in rolling banner’ which formed the centerpiece of the main action body design. Thousands of guns and rifles were built with this ‘best’ scroll design, the first examples being the fixed lock guns from 1875.

The vividness of the case colour hardening can make all the difference with a ‘Gold Name’ gun or rifle. The checkered side panels is a feature from the very earliest fixed lock guns.

How and why the Gold Name model came about is certainly open to a little debate. The most obvious reasoning is the discount offered by not having the full engraving. Early literature describes the ‘Westley Richards Hammerless Ejector Gun – Plain Quailty’ at a cost of 55 Guineas, the ‘Westley Richards Best Quality Hammerless Ejector Gun’ at 70 Guineas. For the absolute purest looking for nothing but mechanical perfection the difference in cost would certainly have made a difference. Interestingly, later literature made a more positive point of having the droplock gun without all the engraving. Handled correctly and from a pure marketing point of view, Westley Richards was able to capitalise on a larger market share capturing what we might term today the ‘aspirational buyer’.

That all said, how do we really perceive the Gold Name model? Truth be told an absolute masterpiece! Whilst some may think the lack of engraving suggests a cost saving, in real terms the unadorned weapon actually requires a higher level of finish as there is nowhere to hide any imperfection.

Many, many years ago when Roy Hill (former workshop foreman and harpoon specialist) was around and paying us a visit I asked him why were the majority of British built guns fully engraved, considering we were well known for the Gold Name model? In Roy’s usual matter of fact way he responded ‘Well where do you hide a tree? In a forest. Where do you hide a scratch? Among other scratches!!!’

Not the most subtle of answers I grant you, but to this day it has stuck with me and in fairness every Gold Name gun or rifle that we have completed since, of which I seem to be the biggest advocate, has a level of critical perfection that drives the gun makers here crazy.

The original sketch for the ‘Tiger’ as executed by Paul Lantuch.

The actual ‘Tiger’ executed in the Japanese style with carved steel and inlaid gold.

Turning to the Gold Name rifle you are looking at here, this is anything but a simple rifle. When originally ordered the specification was for a pre-War configuration Westley Richards best quality hand detachable double rifle in .577 3″ Nitro Express. This specification meant extra cased hand detachable locks, Westley Richards patent single selective trigger, patent combination foresight, hinged cover plate, bolted safety, model ‘C’ dolls head fastener with patent lever work, scroll back action, extra foresight beads contained in brass tin, checkered side panels, traditional WR cheekpiece…………….The only modern(ish) twist was the extended strap over comb.

Initially the engraving was going to be a full on exhibition piece but as the years ticked by the client developed a hankering for something more pure. Hence the idea of producing a Gold Name rifle with a gentle twist came to mind and so as the rifle reached the engraving stage a few basic concepts were thrown our way with only two provisos. Firstly, what engraving there was had to be as near perfect as possible. Secondly, that master engraver Paul Lantuch had to design and execute a tiger in whatever style he saw fit for the rifle. The client would have no further involvement or decision making.

After a brief discussion, Paul came up with the idea of executing a tiger in carved inlaid gold, a style familiar to students of Japanese arms. Certainly unique in this instance, the design would act as both a centerpiece, whilst simultaneously complementing the other gold detailing found on the rifle.

Beautiful exhibition grade walnut counters the simplicity of the engraving.

Now complete, cased and ready to go, the rifle without doubt highlights the skills of many talented craftsmen and women. It has tested all those involved in putting this unique project together and confirmed that not everything simple is as easy to build as it looks. The rifle has an understated grace backed up with some considerable firepower and we would like to think that the gunmakers and hunters of 100 years ago would approve of this Gold Name ‘Tiger’ rifle.

This rifle will be on display with us at both the Dallas Safari Club Convention and Safari Club International in 2020.

Stunningly Classic Westley Richards .404 Now Complete

Due out the factory in the New Year is this stunningly classic .404 Jeffery calibre detachable barrel Westley Richards magazine rifle. Images of this rifle appeared a couple of months back fresh from engraving, the ‘Rose & Fine Scroll’ engraving creating quite a stir among our more traditional clients.

As mentioned then, classic rose & fine scroll engraving is a tradition of the London gunmaking houses so it was a very nice departure for the team here at Westley Richards. Our intention (which we hope we have attained) was to build a classically featured, classically engraved and classically finished rifle that would fit comfortably with the guns and rifles built during the pre-war era. This era is considered one of the finest in the history of British gunmaking, where the actual build quality and final execution mattered more than fancy embellishment.

The careful use of case colour hardening, blacking and light blue, is an important element of this rifle, as with the exception of the platinum engraving the rifle is intended to be very understated.

As a calibre the .404 Jeffery is one of those great work horses, once the preferred cartridge of the East African game departments. The rifle is set for a big safari next spring, rightfully out where it belongs in the great hunting fields of Africa.

The contrasting case colour hardening, blacking and light blue makes for a classic finish to the rose and fine scroll engraving.

The more liberal use of case colour hardening harks back to guns built in the pre-war era.

The balance of rose and scroll is best observed looking down onto the rifle. Small pockets of fine scroll allow for a ‘fuller’ coverage. 

New Westley Richards 20g ‘Ovundo’ Just Completed

Through the works and looking quite stunning this month is one of our Westley Richards 20 bore ‘Ovundo’ shotguns. As previously mentioned this gun is one of the original 13, a project that was originally commissioned in 2004. Even by modern gunmaking standards the renewed ‘Ovundo’ project has been a long affair!

Historically speaking, the first ‘Ovundo’ patents were registered in 1914 as the scramble among British gunmakers for something new and exciting in the world of guns, took Westley Richards, Boss, Woodward, Edwinson Green and others in the direction of the over and under shotgun. The concept itself of the over and under was not a particularly new one as British makers had been making over and under pistols and rifles since the flintlock era.

During the next two decades the Westley Richards over and under was driven to its own level of perfection with models based around the two key actions associated with the company, namely the ‘boxlock’ and ‘hand detachable lock’. Looking to the under hook barrel design for the rotation of the barrels on the action Westley Richards ‘ovundo’ was unquestionably a deep actioned gun compared to the Boss design of 1909. However the depth of the action allowed for the fitting of components based around the boxlock and hand detachable lock design and it has to be noted that making the ‘ovundo’ a hand detachable lock really took some doing. The gun really is a mechanical masterpiece.

Variants on these two actions included double and single triggers, non-ejector and ejector, scroll back, side plated and availability in both shotgun and rifle calibres as well as the ‘Faunetta’ and ‘Explora’ rifle choked formats. These variations make the ‘ovundo’ genuinely collectable as you never quite know what might turn up in the market.

Vivid case colour hardening adds impact to the bold etched scroll design. The gold lettering stands out crisply against the colours. The ‘ovundo’ features Westley Richards signature top lever shape and safety button.

Vintage Westley Richards promotional material showing the exact format of gun as built today. Whilst the ‘ovundo’ project has been a long one it highlights the level of skill required to build a gun that has unique features in the over and under market. 

The side opening ports on the dummy lock plates are a unique feature of the ‘Ovundo’. Simple maintenance of the single trigger was achieved through these ports, whilst also adding a little novelty to the design. Westley Richards has always had a knack of outdoing itself!!!!

The etched background to the elaborate ‘acanthus’ engraving design adds a sharpness to the engraved coverage.

  A beautiful green goat skin lined lightweight leather case complements this modern ‘ovundo’.

Some Great Vintage Holland’s At Westley Richards US Agency

Four very nice Holland & Holland shotguns have come into the Westley Richards U.S. Agency and are just going up on the secondhand gun site (https://www.wrusedguns.com/view/all-listings/). We have been fortunate to have some very fine Hollands this year and this new group of guns is no exception.

Holland’s is famous for many innovations in gun making, but none more so than the Royal model hammerless sidelock. While the Royal needs no introduction to most readers of this blog, this most recent group of guns features some of the more obscure models offered by the storied firm.

The first two guns are 12g and 20g Northwood models. After WWII, Holland & Holland offered a boxlock ejector that was made in the Birmingham trade then finished, shot and regulated by Holland’s in London. This gun was known as a Northwood.  Sometime in the 1980’s, Holland’s made moves to produce their own boxlock. The project lead to the company purchasing the venerable Birmingham gunmaker W. & C. Scott and offering two models, the new Cavalierand the Northwood, the latter being the less adorned of the two.

Both models were based on the proven Anson & Deeley fixed lock or “boxlock” action. Available in 12g and 20g and built on dedicated frame sizes with scroll backs and Scott’s spindle top lever. All the parts were made in Birmingham at the W&C Scott factory and the guns were stocked, engraved and finished in London at Holland’s factory. According to Donald Dallas’ book Holland & Holland, The Royal Gunmakers, Complete History (Quiller Press, 2003)the project ran about a decade ending sometime in the 1990’s and Holland’s only made about 200 of the very high-quality guns.

The two Northwood models here at the Agency have traditional scroll engraving, color case hardened finishes and 2 ¾” chambers with 1989 Birmingham proof marks. They are nicely stocked with straight hand grips, auto-safeties, two triggers, and rolled trigger bows. The 12g weighs just over 6 lbs. with 28” barrels and the 20g weighs just under 6 lbs. and is fitted with 27” barrels. Both of these guns are in superb condition and in their own lightweight canvas case.

The ‘Northwood’ Model

The ‘Riviera’ Model

Another gun in the group is a factory two-barrel set 12g called the Riviera Model. In Dallas’ book, he says the Riviera Model was offered for more than 30 years, from 1933 to 1967. Despite being available for over three decades, it is a rarely encountered model.

I have seen the Riviera model featured in Holland catalogs from before and after WWII and described as:

“…12 bore Hammerless Ejector Gun with two pairs of interchangeable 28 inch barrels, treble grip action, two triggers-front hinged, hand-detachable locks, selected French walnut, chambered for the 2 ¾-inch case, weight about 7 lbs. 4 oz. to 7 lbs. 6 oz…introduced particularly for sportsmen desirous of a using one gun only, for either game or trap shooting. One pair of barrels bored full choke, while the second pair throw more open patterns for game shooting”

The Riviera was built on a Badminton hammerless ejector sidelock action with Holland’s patent hand detachable locks and Treble Grip action that accepted their hidden third bite. Another obscure name from Holland’s, Badminton was used for a plainer sidelock that employed the same action as the Royal model but without the famous Royal pattern house engraving.  This was originally known as a No. 2 but donned a new name after WWI and named for Holland’s Badminton shooting school.

This Riviera was built in 1937 and ordered with very specific details by the customer. As specified on the factory build sheet, the first set of barrels are choked at .004” and .010” and listed on the build sheet as “field” barrels. The second set of barrels are choked .029” and .040” and described as “pigeon” barrels. Each set of barrels have original 2 ¾” chambers and the same wall thickness as specified on the factory build sheet (.024” in the field barrels and .026” in the pigeon barrels). The barrels are numbered, in gold, “1” and “2” respectively and also marked with the “98 New Bond St.” address and “Riviera” is engraved on each top rib.

The action of the Riviera model is engraved in a bold floral pattern with the Maker’s name on each lock plate in flowing banners with gold lined cocking indicators and fire blued pins, and the word “SAFE” inlaid in gold. On the bottom of the action it is engraved “Badminton Ejector”. The gun comes complete in its original two-barrel “VC” case.

Last and certainly not least, is a Holland & Holland 20g Royal Brevis. The ‘Royal Brevis’ Model

The word Brevis is Latin for “short” and is the name Holland’s uses for any Royal gun made with barrels shorter than 28”. Introduced in 1931, the Royal Brevis was conceived to keep up with the trend of shooting with shorter gun barrels made popular by Robert Churchill. Referring again to Mr. Dallas’ book, The Royal Brevis name was not used in any Holland catalogs after WWII, but he says it remained available. In my own experience, I have encountered many post-war Holland’s with barrels shorter than 28” but not marked Brevis; no doubt this is a very rare gun to find made in modern times.

I know barrels shorter than 28” are often frowned upon by some. But let’s be honest, most upland hunting in North America is for walked up birds that flush in different directions, with little to no warning, and often in tight cover. This type of shooting is simply better served by shorter barrels. While I fully understand the benefits to long barrels for pass shooting doves or high driven pheasants, the fact is so called “short” barrels are handier in tight cover and easier to change their direction when shooting birds who flush or fly erratically. Lightweight guns like this Brevis are fast handling and easy to carry making them tailored made for the kind of hunting we Americans enjoy.

Finished in 1992, this gun is made in the traditional Brevis configuration with 26 1⁄2″ barrels but specially ordered as a lightweight, weighing only 5 1⁄4 lbs. The gun has a an exceptionally dainty action body and beautifully struck lightweight barrels. The gun also employs all the same best quality features of the Royal such as hand detachable locks, Holland’s self-opening mechanism on the barrels and Royal engraving. This gun has a brushed or “coin” finish, gold lined cocking indicators, two triggers with the front one being articulated and a rolled trigger bow and the serial number and the word “SAFE” are inlayed in gold.

All in all, this group of guns offers a nice selection of Holland & Holland guns, all at different price points, and are more examples of why vintage Hollands remain so desirable.

For further information on any of these guns please contact:

‘LD’ E. Duke McCaa II

Telephone: 850 324 1150  Email: ld@westleyrichards.com

Stunning Westley Richards .375 Sidelock Double Rifle

So here it is finally finished, the first .375 H & H calibre sidelock double rifle that we have built in modern times. Scaled onto the appropriate frame and incorporating Westley Richards unique model ‘C’ fastener and top lever work, the rifle has its own distinctive look and elegant lines. Without any form of bolster the sides of the action provide a clean canvas on which the engraver can indulge their art.

Richly coloured exhibition wood once again sets Westley Richards apart.

This rifle pays homage to three of the famed ‘Big 5’ and it is only now that the rifle has been hardened, brushed and lacquered that all the detail really stands out. The darkened cut away back ground contrasts wonderfully with the elaborate scroll, motifs, gold work and finely depicted game scenes. The scenes were intended to be more animated with fighting bull elephant and buffalo on the respective lock plates.

Westley Richards unique model ‘C’ dolls head fastener with wide pivoting snap action lever work makes a great area to elaborate and embellish.

Fighting bull elephants in clouds of dust with cattle egrets highlight the right hand lock.

Built in Hollands iconic .375 belted magnum cartridge this calibre remains to this day a firm favourite on safari and we continue to build both magazine and double rifles in this calibre. The addition of quick detachable scope mounts and a Swarovski Z6I scope not only adds versatility to this rifle but also helps those whose eyes are not quite as sharp as they used to be!

Now brushed the detail in the engraving is even more spectacular. Such detailed work is time consuming but certainly worth all of the effort when finally finished.

Complete in a buffalo hide lightweight leather case with a classic complement of horn handled tools the final package is simple yet stunning!

A New Westley Richards ‘Rose & Scroll’ Engraved Magazine Rifle

Every now and then a maker needs to deviate a little from the norm and so it is with this .404 Jeffery calibre take down bolt action rifle that we had the opportunity to lay down our own interpretation of best ‘rose & scroll’ engraving.

Fine ‘rose & scroll’, or ‘bouquet & scroll’ as it is also known, is a pattern of engraving that can trace its ancestry back to the mid 1800’s. Developed in the London gunmaking houses, it still features on best guns and rifles there, Boss & Co. being the most notable.

Even today, vintage guns engraved meticulously by hand set the standard by which modern guns and rifles are judged. Subtle nuances in the execution and layout were the difference between ‘best’ and ‘also ran’. Names such as Harry Kell and Jack Sumner were famous for their exceptional standards and today pre-war guns engraved by these masters still hold a premium.

With all this in mind we decided it was time to take one of our own rifles and execute under the careful hand and skilled eye of Brad Tallett, our take on this classic pattern. The results are unquestionably elegant with wonderful pockets of detail utilising all the design attributes you might expect on a double gun. The cut of the engraving is absolutely vital as it needs to catch the light just right, hence traditional hand engraving is a must.

In preparation now for final finish we cannot wait to see how the case colour hardening, black, and light blue, highlight the engraving on the various surfaces of the rifle.

The classic Westley Richards combination foresight is wonderfully detailed.

Pockets of fine scroll interspersed with elegant rose bouquets and geometric patterns adorn the surfaces of the rifle.

An elephants rear foot print is carved into the grip trap door.

All lettering and numbering is executed in platinum. 

Holland & Holland .470 NE Modéle de Luxe Sidelock Ejector Double Barrel Rifle.

Just arrived at the U.S. Agency is one spectacular Holland & Holland .470 NE Model de Luxe double rifle. According to the factory ledgers, the rifle was completed in 1964 for a renowned hunter, firearms aficionado and very influential patron of the gun making trade, Mr. Donald S. Hopkins.

In one of my favorite books, White Hunters: The Golden Age of African Safaris by Brian Herne (John Macrae/Henry Holt & Co., 1999), which is a history of the safari tradition and influential hunters on the African continent, Mr. Hopkins is mentioned and best summed up. According to the passage, “Donald S. Hopkins of Spokane, WA…was a very wealthy man and co-developer on several different rifle cartridges known as the O.K.H. (e.g. the .333 O.K.H. Invented by Charles O’Neil, Elmer Keith and Don Hopkins). The first Hopkins safari was three months…hunts often lasted six months…he made a record eleven safaris averaging nine months apiece in search of an elephant (thought to be mythical by his hunters) with tusks weighing 150 pounds each.”.

Not only was Mr. Hopkins a passionate hunter but, judging by this rifle, he was also a very serious patron of the English gun making trade. The bespoke rifles he commissioned pop up from time to time and this must be one of the finest I have ever encountered.

Obviously, Mr. Hopkins pushed the makers to deliver the best that could be had, as this rifle features engraved game scenes of a quality and realism far beyond the norm for this vintage. Each game scene on this rifle is highly detailed and of excellent quality, even by today’s standards, but certainly when compared to the somewhat naïve engraving still prevalent at the time the rifle was made. As noted in the factory ledgers, this rifle was engraved by none other than Ken Hunt.

I have read that Mr. Hunt started his apprenticeship at Purdey’s in 1950, studying under the great Harry Kell, Jim Jones (formerly of Sumner’s workshop) and Bill Smith. Each man was a master of his respective type of engraving. For instance, Mr. Jones had been engraving small scroll and floral patterns since he was 13 years old and Mr. Smith was equally experienced and specialized in large scroll. Finally, there was Mr. Kell who specialized in-game scenes and carving and, in the view of many, is one of the father’s of modern engraving.

After World War II, there was a growing trend of fine guns and rifles becoming the canvas for high art engraving. Mr. Hunt learned his trade from these masters and, in turn, perfected the skills required to execute not only the standard house pattern scrolls developed around the turn of the 20th century but also the ability to engrave and carve steel with breathtaking realism.

Today, Mr. Hunt is widely viewed as one of the World’s finest engravers and he remains one of the last links between the old-world, standard “house” engraving and the modern role of engraving as an art form in and of itself.

A rifle that is not short on details, the color hardened lock plates are pinless, meaning the pins that hold the action’s parts to the plates do not show on the outside leaving the surface uncluttered for engraving. A fitting touch for such wonderful engraving. The highly detailed game scenes show running black rhino on the right side, a bull elephant bluffing a charge on the left and, in my opinion, what would become one of Ken Hunt’s signatures, the head of a lion with piercing eyes on the bottom of the action. The Maker’s name is engraved along the action bolsters and the balance of the receiver is engraved in a very well executed bold foliate scroll pattern true to Holland’s Model de Luxe motif of the pre-war era. Rounding out the engraving, the fences are carved in a vine and leaf pattern and each game scene vignette is signed “K.C. Hunt”.

The 25” chopper lump barrels have Holland’s hidden Treble Grip third fastener, and hand filed pattern quarter rib and front sight. There is a factory original pop-up “ghost ring” sight behind single folding leaf regulated at 100 yds along with a folding moon-sight on the front.

The highly figured walnut stock has a thin leather covered pad, right-hand beaded cheekpiece, traditional drop points, and a full pistol grip with a trap grip cap. The original owner’s initials are inlaid in the bottom of the stock in gold block letters. Again, another special feature noted in the ledgers is the rifle was sent to the U.S. to be checkered by Monty Kennedy who literally wrote the book on the subject, Checkering and Carving of Gunstocks (The Stackpole Co., 1952). Both the stock and semi-beavertail forearm are checkered in an exceedingly well-cut, and very fine point pattern.

The rifle is housed in its original Oak & Leather case and canvas and leather outer cover. Included in the case are the original gilded spare strikers and replacement pin for the detachable lock lever, all housed in a jar made of ebony. The interior of the case retains its original red baize lining, serial numbered charge card and a very rare trade label that Holland’s used for only 3 years (ca. 1960 – 1963). The outer cover’s initial patch reads: “Donald S. Hopkins Spokane, WA”.

The rifle remains in wonderful condition holding nearly all of its original stock finish, color hardening and barrel black.

Clearly, a man passionate about firearms and hunting, this rifle reflects the unrelenting standards and influence Mr. Hopkins had. It also illustrates part of the allure collectors feel to guns and rifles ordered by people of fame, influence and stature. It was customers like these who, more times than not, demanded and received very special care and this rifle is a prime example of what that could produce.