A New Westley Richards ‘Rose & Scroll’ Engraved Magazine Rifle

Every now and then a maker needs to deviate a little from the norm and so it is with this .404 Jeffery calibre take down bolt action rifle that we had the opportunity to lay down our own interpretation of best ‘rose & scroll’ engraving.

Fine ‘rose & scroll’, or ‘bouquet & scroll’ as it is also known, is a pattern of engraving that can trace its ancestry back to the mid 1800’s. Developed in the London gunmaking houses, it still features on best guns and rifles there, Boss & Co. being the most notable.

Even today, vintage guns engraved meticulously by hand set the standard by which modern guns and rifles are judged. Subtle nuances in the execution and layout were the difference between ‘best’ and ‘also ran’. Names such as Harry Kell and Jack Sumner were famous for their exceptional standards and today pre-war guns engraved by these masters still hold a premium.

With all this in mind we decided it was time to take one of our own rifles and execute under the careful hand and skilled eye of Brad Tallett, our take on this classic pattern. The results are unquestionably elegant with wonderful pockets of detail utilising all the design attributes you might expect on a double gun. The cut of the engraving is absolutely vital as it needs to catch the light just right, hence traditional hand engraving is a must.

In preparation now for final finish we cannot wait to see how the case colour hardening, black, and light blue, highlight the engraving on the various surfaces of the rifle.

The classic Westley Richards combination foresight is wonderfully detailed.

Pockets of fine scroll interspersed with elegant rose bouquets and geometric patterns adorn the surfaces of the rifle.

An elephants rear foot print is carved into the grip trap door.

All lettering and numbering is executed in platinum. 

Holland & Holland .470 NE Modéle de Luxe Sidelock Ejector Double Barrel Rifle.

Just arrived at the U.S. Agency is one spectacular Holland & Holland .470 NE Model de Luxe double rifle. According to the factory ledgers, the rifle was completed in 1964 for a renowned hunter, firearms aficionado and very influential patron of the gun making trade, Mr. Donald S. Hopkins.

In one of my favorite books, White Hunters: The Golden Age of African Safaris by Brian Herne (John Macrae/Henry Holt & Co., 1999), which is a history of the safari tradition and influential hunters on the African continent, Mr. Hopkins is mentioned and best summed up. According to the passage, “Donald S. Hopkins of Spokane, WA…was a very wealthy man and co-developer on several different rifle cartridges known as the O.K.H. (e.g. the .333 O.K.H. Invented by Charles O’Neil, Elmer Keith and Don Hopkins). The first Hopkins safari was three months…hunts often lasted six months…he made a record eleven safaris averaging nine months apiece in search of an elephant (thought to be mythical by his hunters) with tusks weighing 150 pounds each.”.

Not only was Mr. Hopkins a passionate hunter but, judging by this rifle, he was also a very serious patron of the English gun making trade. The bespoke rifles he commissioned pop up from time to time and this must be one of the finest I have ever encountered.

Obviously, Mr. Hopkins pushed the makers to deliver the best that could be had, as this rifle features engraved game scenes of a quality and realism far beyond the norm for this vintage. Each game scene on this rifle is highly detailed and of excellent quality, even by today’s standards, but certainly when compared to the somewhat naïve engraving still prevalent at the time the rifle was made. As noted in the factory ledgers, this rifle was engraved by none other than Ken Hunt.

I have read that Mr. Hunt started his apprenticeship at Purdey’s in 1950, studying under the great Harry Kell, Jim Jones (formerly of Sumner’s workshop) and Bill Smith. Each man was a master of his respective type of engraving. For instance, Mr. Jones had been engraving small scroll and floral patterns since he was 13 years old and Mr. Smith was equally experienced and specialized in large scroll. Finally, there was Mr. Kell who specialized in-game scenes and carving and, in the view of many, is one of the father’s of modern engraving.

After World War II, there was a growing trend of fine guns and rifles becoming the canvas for high art engraving. Mr. Hunt learned his trade from these masters and, in turn, perfected the skills required to execute not only the standard house pattern scrolls developed around the turn of the 20th century but also the ability to engrave and carve steel with breathtaking realism.

Today, Mr. Hunt is widely viewed as one of the World’s finest engravers and he remains one of the last links between the old-world, standard “house” engraving and the modern role of engraving as an art form in and of itself.

A rifle that is not short on details, the color hardened lock plates are pinless, meaning the pins that hold the action’s parts to the plates do not show on the outside leaving the surface uncluttered for engraving. A fitting touch for such wonderful engraving. The highly detailed game scenes show running black rhino on the right side, a bull elephant bluffing a charge on the left and, in my opinion, what would become one of Ken Hunt’s signatures, the head of a lion with piercing eyes on the bottom of the action. The Maker’s name is engraved along the action bolsters and the balance of the receiver is engraved in a very well executed bold foliate scroll pattern true to Holland’s Model de Luxe motif of the pre-war era. Rounding out the engraving, the fences are carved in a vine and leaf pattern and each game scene vignette is signed “K.C. Hunt”.

The 25” chopper lump barrels have Holland’s hidden Treble Grip third fastener, and hand filed pattern quarter rib and front sight. There is a factory original pop-up “ghost ring” sight behind single folding leaf regulated at 100 yds along with a folding moon-sight on the front.

The highly figured walnut stock has a thin leather covered pad, right-hand beaded cheekpiece, traditional drop points, and a full pistol grip with a trap grip cap. The original owner’s initials are inlaid in the bottom of the stock in gold block letters. Again, another special feature noted in the ledgers is the rifle was sent to the U.S. to be checkered by Monty Kennedy who literally wrote the book on the subject, Checkering and Carving of Gunstocks (The Stackpole Co., 1952). Both the stock and semi-beavertail forearm are checkered in an exceedingly well-cut, and very fine point pattern.

The rifle is housed in its original Oak & Leather case and canvas and leather outer cover. Included in the case are the original gilded spare strikers and replacement pin for the detachable lock lever, all housed in a jar made of ebony. The interior of the case retains its original red baize lining, serial numbered charge card and a very rare trade label that Holland’s used for only 3 years (ca. 1960 – 1963). The outer cover’s initial patch reads: “Donald S. Hopkins Spokane, WA”.

The rifle remains in wonderful condition holding nearly all of its original stock finish, color hardening and barrel black.

Clearly, a man passionate about firearms and hunting, this rifle reflects the unrelenting standards and influence Mr. Hopkins had. It also illustrates part of the allure collectors feel to guns and rifles ordered by people of fame, influence and stature. It was customers like these who, more times than not, demanded and received very special care and this rifle is a prime example of what that could produce.

 

A Sweet Little .410 Westley Richards Heads Across The Pond

With the US dove hunting season now underway and quail season only around the corner it is always great to see another of our .410 droplocks head Stateside to indulge in a touch of some fine sport. This particular little example has been engraved by Vince Crowley with delicate fine scroll, carved fences and a beautifully etched game scene of a Woodcock flighting through the timber.

Unusually with this gun the client asked for a ‘staggered ribbon’ gold name border on the sides of the action which lends itself tastefully to the execution of the engraving, allowing a different interpretation of the centre panel. It just goes to show that you can never rest on your laurels, but must continually strive to improve, often in the most subtle of ways.

The ‘staggered ribbon’ gold name adds a subtle variation to the engraving. 

A stunning etched scene of a Woodcock in the timber. 

Looking down onto the action, the vivid case colour hardening adds a touch of flare to the delicate engraving.

New Westley Richards .470 Droplock Double Rifle

The journey of a new gun order with Westley Richards is one that is as individual as the gun itself and one that can and will take many different paths to completion. Having clients based all over the world means not everyone gets the opportunity to visit the factory as often as they would like and the gun ordering and design process is done via a digital route. Nothing wrong with that and it by no means impedes the enjoyment, experience or more importantly the outcome of the order, but as with so many digital experiences in life, they can be somewhat lacking and there really is no substitute for the real thing! The latest rifle to be completed is the result of a very personal and hands on journey for the client, the result of which has led to this truly superb .470 droplock double rifle.

The flight time from Frankfurt to Birmingham is a casual 1hr 30mins and from the airport, we are a 15 minute drive, so regular visits for this client were not only relatively easy but very important for him to ensure his involvement throughout the design and build of his first Westley double. Days spent at the factory were filled with testing the rifle post regulation, discussing engraving and viewing vintage gun and rifles for inspiration, comparison and selection of an appropriate stock blank, checks of stock measurements and fit, approval of trigger pulls and final finish. No detail overlooked, no stone left unturned.

Just being at the factory and immersing yourself in the sights, smells, atmosphere and history of the company creates the interest, inspires the imagination and helps focus the mind as to what it is you want from a new gun or rifle. There is simply no other gun house like it in the country and that is not me being biased, having visited all the others, it’s simply fact.

The rifle is the perfect combination of practicality, traditionalism and individuality. Designed as a rifle to be used, first and foremost, with a classic level of embellishment, subtly changed to add the client’s personal touch. The rifle features expertly executed detailed Westley scroll engraving with deluxe carved fences, clam shell engraved Dolls Head, gold WR banner name and a vintage style scroll engraved cover plate which was inspired by a pre-war gun in our collection, selected by the client on one of his visits. The bold case colours complement the engraving beautifully and the stunning exhibition grade walnut with a tight, strong grain through the hand which runs beautifully on both sides of the stock, gives contrast between the light and dark elements of the wood. The file up and the neat proportions of the .470 action makes for a sleek and slender looking rifle while still having the correct weight and handling for a big bore rifle. Beautifully packaged in a lightweight leather case the rifle oozes style and class. Regulated for Norma PH 500gr ammo, shooting a 1” group at 50 yards the rifle will certainly be put through its paces on what should be an epic Buffalo hunt in Mozambique next year.

Not only has this journey for the client resulted in a fantastic rifle but it has cemented a great friendship between us with numerous hunting stories exchanged, many laughs shared and one or two beers consumed along the way. Now for the next order……

 

Fine B. Halliday & Co. .470 Boxlock Double Rifle

The latest pre-owned rifle to land at WR UK is this fine .470 boxlock ejector double rifle by retailer, B. Halliday & Co. Ltd. Not a gunmaker in their own right, they had guns and rifles made for them in the Birmingham trade and were then retailed through their 63 Cannon Street, London address. Records for Halliday are hard to come by and it is thought they have either been lost or were destroyed during WW2. It is believed that Halliday was employed by W J Jeffery & Co. but then left to start his own business in 1921 at 60 Queen Victoria Street and in 1925, moved to 63 Cannon Street. Cannon street is located in the City of London itself, centrally located between St Pauls Cathedral, the Bank of England and the Tower of London.

The rifle is built on an Anson & Deeley, fixed lock, double trigger action with Tigers and Indian Elephant scenes engraving with a nicely executed scroll surround. The game scenes are typically naive, a common feature on guns from the interwar period destined for the Indian market.

The 26” barrels have tidy bores and the rifle shoots a very respectable group (see target below). They feature a file cut quarter rib with Dolls Head Extension. A rear express sight with one standing and two folding leaves regulated at 100, 200 & 300 yards and a single bead ramp foresight.  The target was shot at 50 yards using Hornady 500 grain soft nosed ammunition and was shot with a 6 o’clock hold due to the rifle being regulated at 100 yards. The pistol grip stock measures 14 ¼” to the centre of the traditional recoil pad with an extended tang, grip cap and silver stock. The splinter forend features the Anson push rod release.

The rifle weighs 10lbs 9.5oz and is neatly presented in an oak and leather case with cleaning rods, snap caps, oil bottle and leather sling. The case would appear to be a later addition and features trade labels from London Guns of Victoria, Australia. The rifle was acquired by Walter Clode from India via Australia sometime in the 1980’s, during the height of Mr. Clode’s used gun dealings. It was sold to a local hunter by Mr. Clode in May 1987 and in the last 32 years has hunted on 3 different continents and has been a much trusted companion on a wide variety of hunts in East Africa, Canada and has even been back ‘home’ to Australia’s Northern Territory.

It really is a super rifle with a good deal of character. It remains in original condition and would have a had a light refurbishment by Mr. Clode in the 80’s. There are the usual handling marks on the stock as you’d expect but the stock is sound and the rifle functions perfectly. This rifle is ready and waiting for its next safari and offers someone a fantastic opportunity to acquire themselves a great English double, in one of the most popular big game calibres ever made.

The time has now come for Westley Richards to once again find a home for this great rifle and it will be on our used gun site shortly. Please contact me for any enquiries; ricky@westleyrichards.co.uk

Holland & Holland Pair of 12g ‘Royal’ Game Guns

With Red Grouse shooting now officially underway, the game season in the Uk can now be looked forward to with real vigor and excitement!  The anticipation of a busy season will see shots progress from grouse, to partridge, to pheasant as the season works on through the autumn and winter.

Double gunning, perhaps the pinnacle of driven game shooting will feature throughout the season on many of the larger estates and so it is no surprise to see a spike in the demand for pairs of guns. With this in mind it could not have been a better time to have gotten the most recent addition to the second-hand gun inventory here at the Westley Richards U.S. Agency.

This pair of Holland & Holland 12g ‘Royal’ Model game guns are in excellent, original condition and one of the finest pairs of Holland & Holland guns to come to market in some time.

Signature hand detachable sidelocks.

Finished in 1953 this pair of guns represents, in my mind, one of Holland’s finest periods. I know the guns made prior to the World Wars and between the Wars, are often thought of as the bench mark for overall quality in a gun, but lay this pair of post war guns by a comparable Holland, of any era, and I think you will be surprised. The bold Royal engraving is wonderfully cut and well executed, the fit and finish of the guns is superb and remains in high original condition. The barrels were expertly struck and bored. The guns showcase all the hallmark features that made Holland & Holland such a notable name in gunmaking.

The guns are built on the H&H patented Royal model bar-action sidelock ejector with hand detachable locks and treble grip action bodies. The guns have two triggers, the front ones hinged, and rolled trigger bows. The guns also have automatic safeties with “SAFE” inlaid in gold as well as gold lined cocking indicators. The square bar actions have beautifully shaped beads and fences and the actions are engraved in the classic house or Royal engraving pattern of bold foliate scroll surrounding the Maker’s name. The bottom of the action is engraved “Royal Model” and each gun is appropriately numbered in gold “1” or “2” on the top lever, top rib and forend iron.

Superb original condition is a highlight of these guns.

The guns have their original 28” chopper lump barrels with Holland’s hidden third fasteners and raised matted game ribs. The barrels have original 2 ¾” chambers (1 1/4 oz proof) and carry Holland’s patent self-opening assembly. The barrels are engraved with the maker’s name and the “98 New Bond St.” address (ca. 1858-1960). The bottom rib is engraved “Made in England” and “Royal”.

The straight grip walnut stocks have Holland’s classic diamond shaped hand. The stocks have a dark contrasting figure and match nicely, both having 14 3/4″ length of pulls over checkered butts. The splinter forends have Anson push rods and Holland’s patent ejectors. Stocks and forends are checkered in a very well-cut point pattern checkering with borders and traditional drop points. Each gold stock oval has the previous owner’s initials D.J.M.

The guns come complete in the maker’s two-gun motor case with its canvas cover and the original owner’s name and hometown on the initial patch.

These guns remain in near new condition as they were used very little and were well cared for. It is hard to imagine a pair of vintage guns in a more relevant configuration for today’s shooting. The bonus is they are from wonderful period in this venerable maker’s history. This is a very special pair of guns.

  A typed letter to the original owner of this pair of guns was found inside the gun’s case. The letter quotes a few days shooting on the grouse moors of Scotland and is dated 1960.

 

A Rare Westley Richards .22 LR ‘Best Quality’ Bolt Action Rifle

In all my years selling guns, I don’t think I ever met anyone who didn’t have a .22 LR of some kind. Probably one of the greatest cartridges ever invented, it can be used as a precision target round or a highly effective hunting tool. It is very inexpensive to produce and good reliable firearms, in both handguns and rifles, can be made and sold at very reasonable prices. Not surprisingly, the cartridge is one of the most widely used in the World and I would imagine most readers of this blog have at least one rifle chambered for the .22 Long Rifle.

The American firm J. Stevens Arms & Tool Co. first introduced the .22 Long Rifle (.22 LR) in 1847. It has a rimfire case (based on Louis-Nicolas Flobert’s .22 BB Cap cartridge) and shoots a 0.22” calibre 40 grain bullet at around 1,200 fps producing virtually no recoil. Being cheap, plentiful and easy to shoot, the cartridge also makes a wonderful round for teaching and practicing the fundamentals of shooting.

Due to the popularity of the cartridge, the rifles and handguns chambered for the .22 LR must be in the tens of millions. British companies such as BSA certainly contributed their fair share and even the best gun and rifle makers of England offered rifles chambered in .22 LR. I have seen .22 rifles from makers James Woodward, James Purdey, Holland & Holland, William Evans, and of course, Westley Richards. Most were single shot rook and rabbit rifles, but I have also encountered more than one Best Quality double rifle chambered for the cartridge. However, as popular as the .22 LR is, it is more often associated with a child’s gun or small game hunting. Finding any kind of .22 rifle made to the standard of a best quality big bore rifle, is something that will rarely happen.

You can imagine my surprise when I first heard of the rifle that just came through the U.S. Agency. Made in 1983 to match a customer’s big bore Westley Richards, the rifle pictured here is the only best quailty .22 LR bolt action rifle Westley Richards has ever made.

The history is fuzzy on how this rifle actually came to be but, the story goes, it started out to provide the client with a rifle to practice his shooting, in a chambering more economical and fun to shoot than his big bore rifle, yet having a similar style of sights, size and weight. The current owner had told me about this rifle but seeing it in person, it was clear this project took on a life of its own becoming much more than just a rifle to practice with.

The rifle is best quality in every way. Based on an action of Mauser design, the MAS .22 LR Training Rifle. After WWII, the Mauser factory fell into French controlled territory and during this time, the French had the factory design a .22 calibre training rifle for their military. The Mauser people drew on a previous Mauser 22 design, the KKW, and made some slight modifications. The first ones were produced in the Mauser factory but, production was moved to Manufacture d’armes de Saint-Étienne (MAS) or the Saint-Étienne Arms Manufacturer. MAS was a French state-owned manufacturing company located in the town of Saint-Étienne, where weapons have been manufactured since the Middle Ages. The rifles were assembled until the existing supply of parts were used up.

The metal is engraved in a full coverage ‘House’ pattern scroll common to Westley Richards bolt action rifles from the 1980’s. The rifle is fitted with a highly figured, full-size walnut stock complete with raised beaded cheekpiece, full pistol grip, a very fine point pattern wrap checkering and the traditional horn butt plate, pistol grip cap and forend tip. The rifle also features full size one-piece bottom metal with an inside-the-bow release straddle floor plate. The floor plate opens and reveals the 5-round detachable magazine the MAS 45 rifles were originally fitted with.

For the original MAS 45 magazines to work, the gunmakers hid the magazine under the floor plate and milled a magazine box, from a solid steel billet, to accept the magazine. This allowed the original magazines to work in a standard center fire rifle stock that is far deeper than the original training rifles.

The rifle has a 24” barrel with the same contour as a standard centerfire rifle and the muzzle’s crown is recessed ¼” with a diameter of about .330”, hiding the small .22 calibre bore and further adding to the rifle’s disguise. The barrel was also fitted with Westley Richards pattern island rear sight with one standing Express sight and three folding leaves (50, 75, 100, 150 yds) and Westley Richards patent combination foresight. The rifle was also made to accept a scope and has handmade grooved mounts that replace the original receiver sight the MAS 45 rifles were fitted with. The bases are engraved to match the rest of the rifle and accept American scope rings intended for .22 rifles with ¾” grooved receivers.

As with any best quality gun or rifle, the devil is always in the details. This rifle is certainly not short on any details. I also imagine the rifle comes with plenty of heartache, frustration and disdain from the men who had to make it. While it is hard enough to build a gun or rifle to best quality standards on a model of gun the makers are familiar with, applying that same standard to something the makers have never built brings a new host of challenges to its manufacture. Being that the factory had never made a .22 bolt action before, there were no plans, notes or examples to reverse engineer, so the project started with a blank sheet of paper. Add all of this with an overarching theme to deceive the viewer into thinking it is a larger calibre rifle than it is, I can only imagine the turmoil this little rifle’s creation caused.

Its rarity notwithstanding, the amount of thought, ingenuity and attention to detail that went into this project is quite astounding and, I guess, that is part of what makes this rifle so alluring.

 

Delicate .410 Fine Scroll Westley Richards Droplock

Fresh from engraving is another of our ever popular .410 droplock shotguns. Over the years we have worked on scaling every detail on these fine little guns to such an extent that the engraving has now become an important and final element of this process.

Westley Richards traditional house scroll can trace its ancestry back to the earliest guns produced by the company. Guns of the muzzle loading era were ruled by the larger 12, 14 and 16 bore hence engraving designs were bolder with large scrolls to provide more coverage and suit the tastes of the time. With the advent of the Anson & Deeley boxlock gun design of 1875 Westley Richards ‘house’ engravers had the final canvas on which to perfect the companies own scroll design, one that remains the standard for the guns and rifles built today.

Interestingly, small bore guns built on scaled action frames were often the tool for boys and consequently lacked any real engraving, more often the only form of engraving was the Westley Richards name simply adorning the action sides.

Fast forward to the re-introduction of the droplock .410 in 1989 and you’ll note that one of the first guns produced from the original batch of six was engraved by the renowned Brown brothers (Paul & Alan) with a beautiful bouquet (rose) and fine scroll design. Whilst game scenes also featured on this gun, the small scroll design really lifted this little gun into a new light.

Over the last couple of years, several of these modern droplock incarnations have been handed around various engravers each of whom has given their own unique twist on this beautiful design. The images which illustrate this blog shows one of the latest which you really must see in the hand to truly appreciate. Whilst it is a given that the gun is small, the delicate nature of the scroll design really does complete the refined scale of this gun.

The Westley Richards patent top lever makes a great canvas for the delicate scroll.

The ‘scroll back’ of the action creates a natural starting point from which the scroll can emerge and flow.

Stunning detail on the cover plate.

A Magnificent Pair Of Museum Grade Westley Richards Sidelock Shotguns

The application of gold on traditional sporting arms—and especially on British examples—is a very easy thing to get wrong. Recall that the aesthetics of Britain’s classic designs, their shapes, their lines, their engraving, evolved during an age and in an empire where ostentatious decoration on firearms was generally frowned upon.

In English Guns & Rifles, J.N. George’s fine 1947 treatise on the evolution of British sporting arms, the author noted a trend evident by the late 18th Century—“a marked tendency toward greater simplicity of form, combined with the abolition of all kinds of ornament which might impair either its utilitarian value or its appearance of neatness and smooth finish, began to be apparent in all forms of the sporting gun.”

Broadly speaking these strictures dominated British gunmaking, and British gun engraving, throughout the 19th Century and well in to the 20th. Lavishly embellished outliers, with some exceptions, are most notably the guns and rifles made for the princes of India and the royalty of the East, to whom Westley Richards was a favourite gun and rifle maker.

By its nature, gold—in all its flashy, sometimes heavy opulence— can readily overwhelm the spare elegance and quiet lines of a traditional English firearm, and often does when applied—unless the applicator has not only hands of great technical virtuosity but also the eyes of an artist and an aesthetic taste congruous with the object to be engraved.

As his gold inlays and the bejewelled engravings on the India Rifle (2013) and the Africa Rifle (2016) illustrate, Lithuanian-born and America-based Paul Lantuch possesses each of these talents. This spring, after 6 1/2 years in the making, Lantuch completed the ‘Arab Warrior Guns’, a pair of sidelocks, the third and fourth examples of the largest, most expensive, and the most elaborate commissions that Westley Richards has placed with an engraver since the Boutet Gun of the 1980s, engraved by Alan and Paul Brown.

The pair, 12-bore rounded-body sidelocks, feature panoply of carved Arab warriors with interwoven Arabesque ornamental motifs against a full background of inlayed, stippled gold. Built for a member of Qatar’s royal family, there is more precious metal on display on these guns than at Fort Knox, but … but—and I say this as a conservative rose & scroll purist—the effect is sumptuous, certainly regal, but not gaudy, nor garish. That is because Lantuch’s design effectively integrates the figures and ornaments in with the gold in a manner so that no one element visually dominates another, nor does the gold crush the fine lines of the canvas—which is, after all, a traditional British shotgun.

Lantuch is first and foremost an artist; he studied at Lithuania’s Vilnius Institute of Arts, and is accomplished in many mediums—drawing, painting, printmaking, and creating jewellery of elaborate and innovative design. The late Simon Clode, in his 2013 introduction to Lantuch on The Explora, wrote: “Gun engravers who can draw and design are scarce, engravers who can conceive, draw, design and execute to the standard of Paul are even scarcer.” Clode—not only a connoisseur of engraving but a champion of the art and a sponsor of talented young engravers—recognised something special after Anthony Alborough-Tregear brought Lantuch’s work to his attention upon seeing it at the American Custom Gunmakers Guild Exhibition, in 2011 in Reno.

The process of embellishing the Arab Warrior Guns began in 2016, beginning with discussions between Lantuch and Clode about depictions of mounted warriors struck in fighting poses. The concept called for the figures and ornaments to be carved and depicted in relief against a stippled golden background, as if they were set on shimmering sands in the sunlit deserts of Arabia. “The balance of figures to the gold surfaces had to be carefully calculated,” emphasised Lantuch. In his final design this balance, to my mind, is the key to the success of the composition.

Lantuch and the team at Westley Richards exchanged notes and photos of evolving designs over two-and-half months until the right concept crystallised. The physical process of engraving started, Lantuch explained, with him transferring the drawings on to the steel surfaces with a needle, then cutting contour lines. Lantuch shaped and carved the warriors with a variety of chisels.

“The figures are actually based on 19th Century Orientalist European art, rather than real Islamic iconography,” Lantuch explained. “The ornamental work is florid in style, with geometric inclusions; this is called Arabesque, a kind of European interpretation of Islamic art.”

With flat chisels Lantuch removed steel for the background down to a depth of 1.5mm, and he then punched thousands of dots into the recesses before crisscrossing them with a sharp flat chisel. This creates a gripping surface for the gold inlay. Then, using pure 24-karat gold wire—and a lot of it, 1.8 ounces for the two guns—Lantuch hammered and inlayed the gold with a flat punch, then textured the background with special tools that he made himself.

After the guns were returned to England and had been traditionally pack-hardened nearby in the premises of Birmingham’s famed Richard and Bob St. Ledger, Lantuch flew to England to begin the two-week-long finishing process.

The correct finishing of any carved gun is critical to the quality of its final appearance, and it is a delicate, painstaking multi-step process. First, the case colours must be removed, but not all of them, so to account for and to accentuate shadows and highlights, and the figures and ornamental motifs re-detailed and their lines sharpened where necessary. In some places the background needed re-matting and, beautifully, the gold seams between the action and lockplates were hammered and joined as if each action was one unit. “Paul essentially sealed the guns’ actions to mate up all the goldwork,” said Alborough-Tregear. “It gives the guns a svelte, almost organic quality.”

Though best known for its hand-detachable droplocks, Westley Richards still builds sidelocks, and the mechanics of the Arab Warrior Guns conform to the firm’s preferred modern-day configuration for its sidelock shotguns: Boss-type bar-action locks, rounded actions, Southgate-type ejectors, with H&H-type assisted openers, and single non-selective triggers. The 29-inch barrels are fitted with gold and ruby foresight beads.

Despite the carvings and gold, the guns appear as fleet as the long-limbed Arabian stallions portrayed on them. They are even lightweight—6-pounds, 8-ounces each. “Regrettably, many London guns are now getting heavier and heavier, with loggish, long barrels made to fire heavy cartridges—really missing the point of a fine gun,” said Alborough-Tregear. “The Westley Richards round-body guns are so elegant you could easily mistake our 12s for 16s.”

The pair is housed in an oak-and-leather case appropriate to the guns: outwardly clad in best black alligator hide, French-fitted, goat-skin lined, all metalwork gold plated, tools made with horn handles, and geometric marquetry in the frame, the owner’s name hand-embossed in traditional gold leaf. It is a showcase in the most literal sense of the word and befitting of display in any museum of the arts.

Vic Venters is a journalist and author of The Best of British: A Celebration of British Gunmaking, as well as Gun Craft: Fine Guns and Gunmakers in the 21st Century. He has covered the British and European fine gun trade since the early 1990s and is the Senior Editor of America’s Shooting Sportsman magazine.

 

 

The ‘Scottish Sporting Journal’ Returns

After a two-year hiatus, the Scottish Sporting Journal is back, injecting a modern design into a much-loved 40-year-old title; the same passion for Scotland, captured and documented in a new, exciting way. Evolving from the Gazette to the Journal, this 180-page bi-annual magazine is a visual and written journey through Scotland’s wild places, capturing the passion, craft and pursuits within them.

The ethos behind the publication is that Scotland represents a way of life that is long lost to much of the modern world; a way of life in which the people, wildlife and landscape are all intrinsically linked. The aim of its content is to share this emotion and experience, offering true escapism to their readers. From chasing brown trout in small spate rivers to stalking stags in the Highlands to spending time with faraway island communities, Scottish Sporting Journal puts the focus on visual storytelling, capturing the essence of what makes Scotland such a unique country.

Volume II, Issue I highlights include:

– The Arab Warrior Guns from Westley Richards 
A unique pair of museum-quality featuring the most prolific gold inlay coverage of any guns they have built in their 207-year history

– Hunting with golden eagles 
We head high into the Cairngorms National Park to witness golden eagles hunting mountains hares in their natural habitat

– Hidden Scotland with Jim Richardson
Renowned National Geographic photographer Jim Richardson shares some of his favourite images from his adventures around Scotland

– The new spirit of Scotland
With Scottish gin reportedly set to usurp whisky in the next 12 months, we visit the Isle of Harris distillery to see it first hand

– Exploring the Isle of Arran
Known as Scotland in Miniature, we explore the many sporting opportunities and way of life on the Isle of Arran

– Spearfishing in remote seas
Spearfishing guide Will Beeslaar heads into the cold waters in pursuit of Pollock, with bespoke underwater photography

– Salmon fishing on the Spey
A morning with ghillie Roddy Stronach, who has lived and worked on the Spey for 15 years, to understand how the role of a ghillie is changing

You get can your hands on the issue at https://fieldsports-emporium.com/journals