After a two-year hiatus, the Scottish Sporting Journal is back, injecting a modern design into a much-loved 40-year-old title; the same passion for Scotland, captured and documented in a new, exciting way. Evolving from the Gazette to the Journal, this 180-page bi-annual magazine is a visual and written journey through Scotland’s wild places, capturing the passion, craft and pursuits within them.
The ethos behind the publication is that Scotland represents a way of life that is long lost to much of the modern world; a way of life in which the people, wildlife and landscape are all intrinsically linked. The aim of its content is to share this emotion and experience, offering true escapism to their readers. From chasing brown trout in small spate rivers to stalking stags in the Highlands to spending time with faraway island communities, Scottish Sporting Journal puts the focus on visual storytelling, capturing the essence of what makes Scotland such a unique country.
Volume II, Issue I highlights include:
– The Arab Warrior Guns from Westley Richards A unique pair of museum-quality featuring the most prolific gold inlay coverage of any guns they have built in their 207-year history
– Hunting with golden eagles We head high into the Cairngorms National Park to witness golden eagles hunting mountains hares in their natural habitat
– Hidden Scotland with Jim Richardson Renowned National Geographic photographer Jim Richardson shares some of his favourite images from his adventures around Scotland
– The new spirit of Scotland With Scottish gin reportedly set to usurp whisky in the next 12 months, we visit the Isle of Harris distillery to see it first hand
– Exploring the Isle of Arran Known as Scotland in Miniature, we explore the many sporting opportunities and way of life on the Isle of Arran
– Spearfishing in remote seas Spearfishing guide Will Beeslaar heads into the cold waters in pursuit of Pollock, with bespoke underwater photography
– Salmon fishing on the Spey A morning with ghillie Roddy Stronach, who has lived and worked on the Spey for 15 years, to understand how the role of a ghillie is changing
Hot off the press and looking magnificent is TheExplora journal by Westley Richards. This last week we received the first 10 copies for approval and we all have to say that it surpasses even our demanding standards!
Having taken 2 1/2 years to bring to fruition it was with great excitement, trepidation and relief that we got to handle the first copies fresh in from the printers. This project was a true labor of love for the team here at Westley Richards, so it was finally great to see the fruits of all that hard work.
The front cover features Westley Richards stunning and as yet unseen ‘Forest Rifle’, a magnificent .600 droplock double rifle specially commissioned to reflect the Central African forest environment. Fully carved in exceptional detail with the flora and fauna of the forest floor, the story of this rifle unfolds in the stunning photography The Explora fans have come to expect from Westley Richards.
Other articles, specially commissioned, focus on engraving, gunmaking, historical weapons, shooting and gun fit, topics we hope will be close to the heart of many an avid sporting man and woman.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with a scratch resistant matt lamination with spot gloss varnish and gold foil embossed logo. The 180-page journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards.
With a limited print run of only 1000 copies, never to be re-printed, The Explora journal is set to become a collectors item that no self respecting Westley Richards afficiando should be without.
The first copies to clients will be coming out in the next few weeks so for those of you yet to place your order now is the time!!!!!
To order your copy of The Explora journal click here
After nearly 2 1/2 years in the making Westley Richards is pleased to announce the first printed edition of The Explora journal.
Since the introduction of Westley Richards blog The Explora in July 2013 much discussion has centred around the exceptional photography and unique insight that the blog has given to the world of fine guns and the shooting community at large. We were often asked by our followers whether a printed edition of The Explora would ever see the light of day and that it seemed such a shame that the great imagery associated with the blog would never become available in a printed hard copy. With so much else going on at the factory and the constant quest to build better and finer guns a priority, the idea of bringing The Explora to print seemed but a distant thought.
With the passing of former Chairman and Managing Director Simon D Clode in 2016, we thought it only fitting to pay tribute to him by bringing to print the vision he had started in 2013. And so began the seriously hard work of putting together something that was not only visually stunning but also of genuine interest. A true labour of love this journal has taken almost as long to put together as one of our fine guns and as with all things Westley Richards the final product is second to none.
So what can you really expect from The Explora journal? Well it goes without saying that the journal is lavishly illustrated throughout with superb colour and monochrome imagery, 90% of which has never been seen before as it was specially commissioned for the journal. Sumptuous photo essays from the Westley Richards factory accompany detailed articles that delve into aspects of the gun and shooting world, topics we are sure you will find as equally interesting as we do. Guns and rifles naturally grace the pages as do the gunmakers that build such works of art. All of this capped off with in the field imagery and of course wonderful touches of ephemera and nostalgia.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with soft coat laminate and gold foil embossed logo. The 180-page, advertisement free journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards and is certain not to disappoint the avid sportsman and gun enthusiast.
With a strictly limited edition print run The Explora journal is certain to become a collectors item so you would be wise to place your order sooner rather than later. There will be no reprint once we sell out. For all those loyal followers of this blog whom we have kept entertained for years, you can now finally get to hold something of The Explora truly in your hands!
To advance order your copy of The Explora journal click here
Recently we were privileged to have a two-week visit from master engraver Paul Lantuch as he completes the finishing on a pair of ornate guns that had just returned from case colour hardening. As those of you may already know, Paul is the mind behind the elaborate ‘India’ and ‘Africa’ .600 sidelock double rifles that were completed in recent years. These were some of the largest engraving commissions undertaking here at Westley Richards and Paul continues to execute on our behalf projects of outstanding quality, creativity and technicality.
During his visit, we took many photos that we thought would be worth sharing with you as they show part of the process involved in the careful removal of the case colour hardening and subsequent re-working of the gold inlay as executed on this pair of shotguns. It goes without saying that the work was both time consuming and delicate. We will share the final results with you when the entire project is complete.
The component parts as returned from case colour hardening.
Re-detailing the top lever and sharpening the edges of the carving.
Re-matting (or stippling) the goldwork was a labour of love.
The gold edges needed careful blending.
One side of the action as yet untouched.
The horsemen now gently brushed back and the sculpting highlighted.
It seems the appetite for new guns and rifles being built at Westley Richards continues to grow at an unprecedented rate. Orders for double rifles, shotguns and bolt action rifles is the best we have seen for a decade, as collectors and sportsman from around the world continue to invest in the best that we have to offer.
Westley Richards remains the largest gunmaking house in the City of Birmingham and has a proud heritage which the company is keen to maintain, develop and promote into the coming decades.
A feature of this long-term plan is our recruitment every year of the next generation of gunmaker. As one of the few privately owned gunmaking houses we run a comprehensive 5-year apprenticeship programme that leads to a qualification in one of the traditional gunmaking trades. The emphasis of the apprenticeship is on absolute quality and building the ‘very best gun that can be built’.
The ‘Gunmakers Certificate’ awarded after the 5-year apprenticeship has been completed.
As we enter a new year we now have a further 2 positions to be filled in our apprenticeship program and invite applications for these positions. We are looking for young, enthusiastic individuals with a keen interest in guns, rifles and sporting shooting. You will be joining a team of talented and determined craftsmen whose aim is to build simply better and better guns, so upholding the great traditions of Westley Richards.
For full details please send a CV and cover letter stating your interest to email@example.com
For those sportsmen and women with a genuine passion for the outdoors and the pursuit of fish, fowl or game, no home or office is complete without some object of art. A great piece of artwork whether on canvas, board, paper or sculptured, pick your medium, brings back fond memories of a frequently pursued species and often transports us to a place where we wish we could be or may shortly be going.
The art bug can be very addictive turning many a sane person into an avid collector. Some chose a particular style of art, certain species, perhaps are patrons to a particular artist, or in my own case a collector of several artists, each representing in their art a particular period in my life when I pursued one family of bird or species of animal.
And so it is that I first came across the sculptures of David Mayer a year or so back when I was looking for an artist whose work accurately portrayed the two animals that have featured so much in my own experiences, namely the African Elephant and the diminutive European Roe Deer.
The real beauty of David’s work is that it captures the animals anatomically correct and for those of us who have been lucky enough to regularly be in the vicinity of both species, you will certainly see this. Not only that, but there is a real genuine movement in David’s work, the swift-moving away of the startled elephant and the hesitant steps of the Roe buck are all too familiar.
Based in Herefordshire, England, David himself, he is a very normal, humble, unpretentious individual. I have met many a great talker in the sporting art world but those with real talent don’t have to say too much, they let their art do the talking. He works predominantly in bronze and is currently undertaking full-size commissions and projects that he feels need exploring. He has been surrounded his whole life by wildlife which shows through in his work and he has an unbelievable passion for the outdoors and the animals he sculpts. If you get a moment look him up, you’ll not be disappointed by what you find.
Anatomically David’s Roe Buck is beautifully proportioned. Each set of antlers is unique to each casting, a wonderful touch.
Further details of David and his work can be found at:
Think of a tie and the image of a gentleman in his finest business suit springs to mind. There is something about a perfectly knotted tie that gives you the confidence to take on whatever obstacles the day might throw in your way. In years gone by it would have been unheard of for any self-respecting gentleman whether president or postman to turn up to his place of business without a properly knotted tie around his neck.
Whilst not all of us here at Westley Richards can confess to being daily tie wearers and gone are the days where the gunmakers donned a tie in the undertaking of their duties, we do find ourselves drawn by the idea of wearing a tie on a more frequent basis. Now comes the problem. Whilst there are still a few remaining fine tie makers in England, their focus seems to be on paisley, blocks, stripes and dots, and whilst this is all well and good for the masses it does lack personality and individuality. Those ties that do reflect our hobbies, such as shooting, either appear dated in their motifs or are made poorly from a material that is stretching itself to be called silk!
So here at Westley Richards we set about making the finest ties we could, pulling together designers, manufacturers, printers and a whole raft of clothing to ensure the colours would work for shoot days or office days. First, we commissioned four distinctive designs of Grouse, Pheasant, Partridge and Mallard with the aim that they should be easily recognisable up-close and abstract at a distance.
We then took these designs to one of England’s premier tiemakers who put us in touch with one of the few remaining silk screen printers in England. Printing each design by hand on heavyweight 36 ounce silk and incorporating the W.R & Co. Ltd logo into the design, we selected a broad range of colours to suit (no pun intended!) the tastes of both the city and country man.
Once printed the silk was passed over to the tie maker to undergo the 9 stage process involved in creating a luxury 5 fold tie, a process that is only possible by hand and uses 50% more fabric than a standard tie, giving it a thick luxurious feel, ensuring a perfect knot every time.
The end result is a truly unique series of ties made to the very highest standards here in England. Available in a host of colourways there should be no excuse now turning up in the shooting field, or for that matter the office, without looking the distinguished gentleman!
Wilderness – noun – definition – an uncultivated, uninhabited, and inhospitable region. On our small island that we call home, there are few, if any places you can truly call a wilderness. The cities and towns are forever expanding into the countryside with the government’s relentless obsession of building thousands of houses on productive farmland, the dog walkers who see the woodlands as an extension of their garden for their beloved pooch to run riot wherever it so chooses and not forgetting the ramblers who exercise their ‘right to roam’ as if their lives depended on it. For the game, and those of us who chose to pursue it, we’re coming into contact with other people more than ever.
However in saying that, the Scottish Highlands is, in my opinion, our last true wilderness and one that befits its definition. Uncultivated – definitely, uninhabited – mostly, inhospitable – more often than not. An area and landscape that should need no introduction, it still offers a truly wild hunting experience for those who wish to escape the crowd, be surrounded by utter beauty and work hard for their trophy.
My latest hunt took me to a remote and central part of the highlands where my friend from college is the head stalker on a 20,000 acre hunting estate. The vast open hills, lochs, rivers and forests make up this sporting paradise where the Red Stag is king, or monarch of the glen as he’s more famously known. The enchanting hills are steeped in Scottish history and folklore, once home to hardy and violent clans such as the Robertsons, Macdonalds and Campbells, they have in recent history been made famous by the location for films such as Harry Potter and was the setting for the dramatic finale to the James Bond film, Skyfall.
The stalk is a hard one, the terrain is difficult to traverse, the hills are steep and the weather is often miserable, but that’s what I love about it. You have to put in the hard yards and be willing to graft for your game. The sodden ground is energy sapping and the peat hags that crisscross the moor are an obstacle course in themselves. The deer, however, can cover the ground like it’s not even there. They lie up on knowles which provide great vantage points, meaning the final approach to your chosen stag is more often than not a long and wet crawl through the soaking moss, mud and peat.
The 8 wheeled Argocat, which handles the hills like no other machine, is probably the most unpleasant vehicle to ride in but you’re certainly glad of it after a full day on your feet. It is also the means by which the game is extracted from the hill. Ponies were always traditionally the method used to get stags back to the larder but they are time consuming and often extremely stubborn. There are many stories of pony boys who have hiked miles to retrieve a stag, only for the pony to slip its lead and bolt all the way back to the stable, closely followed by a cursing, irate pony boy.
We spent the first 5 hours stalking and glassing the wide expanse, only to come across several small groups of hinds and young stags. The south west side of the glen was facing a strong and bitter wind, so we hiked over the ridge and dropped down into the sheltered corrie looking for a shootable stag. After a further hour of bumping hinds we spotted a good stag which was bedded down on a knowle, surveying his land. The wind was right but his view spanned nearly every direction, so it took a further hour and a half of stalking and maneuvering the edge of the loch to get into a good spot from which to take the shot. The rut has just started and a few stags were jostling for dominance, sorting out who was the boss amongst them. My stag was still bedded down when a younger and better stag approached him for a challenge, upon getting to his feet, the shot presented itself and the .270 cleanly dispatched him. The stag, which was roughly 8/9 years old, was past his prime and was certainly going back, the right beast to take and a good representative of a Scottish hill stag. No match in terms of size compared with their lowland cousins due to the hard life and poor diet but every bit the worthy trophy.
For me it’s hugely important to explore, hunt and experience these wild lands. To reconnect with what it is that we enjoy and treasure about the sport. To refresh your enthusiasm for adventure and savour in the solitude of such a place that will hopefully, always remain, a wilderness.
This last week Vincent Crowley payed us a visit to deliver back one of his more recent masterpieces. Vince and I have known each other from our earliest days in the ‘gun trade’ having both started out with Westley Richards. It has been a pleasure working with him for over 20 years now, on some of the finest guns and rifles to leave the Westley Richards factory.
Vince has always been one of those lucky talents and I remember with envy some of the exceptional pieces he created as little more than a kid. Both of us have matured (supposedly!) since those early days and through the kind patronage of some fantastic clients, have been privileged to put together some genuine masterpieces of the gun-maker and engravers art.
Gold feathers add beautiful detail to the lock plates.
The gun shown here is one of our classic hand detachable or ‘droplock’ shotguns in 28 bore. With this particular gun Vince has used a process where raised steel scenes are actually carved onto the main action body and cover plate, rather than being of a relief carved style. This gives the scenes unparalleled dimension and it is almost as though the birds are flying out of the backgrounds and streaming past you. For interests sake, the gun is adorned with Bobwhite Quail, Chukar and Pheasant, with a Black Labrador on the trigger guard bow.
As we have come to expect with Vince, the rest of the gun has a wonderful combination of super fine rose bouquets and scroll, carved fences, pierced lever work and super delicate gold work. All of us are very much looking forward to seeing the finished article, as there are a few other nice touches to complete the final package.
Pheasant adorn the cover plate, whilst a Black Labrador retrieves a bird.
Bobwhite quail stream down the right side of the action.
A few months ago we posted images of this gun fresh back from engraving and now here it finally is all complete and ready to head out to the USA. The transformation from ‘in the white’ parts to a finished gun really is quite distinctive and the gun as a whole becomes an object of both gunmaking art and functionality.
One of the more subtle features of the gun is the actual colouration of the steel after it has been case colour hardened and subsequently brushed. All of our double guns and rifles go through the case colour hardening process as carried out by the St.Ledger brothers here in the old Birmingham gun quarter.
Before CCH the steel has a certain silver quality about it that is in basic terms raw and bright. The actual CCH process creates a surface hardness which allows the steel to flex under stress yet provides a protective outer shell or ‘case’. When the fine surface layer of colour is actually removed the steel maintains a slightly more greyed tone which adds a real subtlety to parts that might otherwise look like a shined coin!
In direct sunlight it is often possible to see the very finest traces of colour which can be used effectively to enhance the engraving of the gun. Some engravers will insist on finishing their own work for this very reason. With Westley Richards, no matter who is finishing the gun or rifle, we always try to leave CCH on the triggers, action flats, action face, forend iron and inside the trigger bow. This always adds a tasteful touch, particularly when the gun is disassembled for travel. It also seems such a waste to remove them all!
The gold flush game scenes must be carefully cleaned and highlighted after the case colour hardening process.
The finished article in its lightweight leather case, complete and ready to go.