With Red Grouse shooting now officially underway, the game season in the Uk can now be looked forward to with real vigor and excitement! The anticipation of a busy season will see shots progress from grouse, to partridge, to pheasant as the season works on through the autumn and winter.
Double gunning, perhaps the pinnacle of driven game shooting will feature throughout the season on many of the larger estates and so it is no surprise to see a spike in the demand for pairs of guns. With this in mind it could not have been a better time to have gotten the most recent addition to the second-hand gun inventory here at the Westley Richards U.S. Agency.
This pair of Holland & Holland 12g ‘Royal’Model game guns are in excellent, original condition and one of the finest pairs of Holland & Holland guns to come to market in some time.
Signature hand detachable sidelocks.
Finished in 1953 this pair of guns represents, in my mind, one of Holland’s finest periods. I know the guns made prior to the World Wars and between the Wars, are often thought of as the bench mark for overall quality in a gun, but lay this pair of post war guns by a comparable Holland, of any era, and I think you will be surprised. The bold Royal engraving is wonderfully cut and well executed, the fit and finish of the guns is superb and remains in high original condition. The barrels were expertly struck and bored. The guns showcase all the hallmark features that made Holland & Holland such a notable name in gunmaking.
The guns are built on the H&H patented Royalmodel bar-action sidelock ejector with hand detachable locks and treble grip action bodies. The guns have two triggers, the front ones hinged, and rolled trigger bows. The guns also have automatic safeties with “SAFE” inlaid in gold as well as gold lined cocking indicators. The square bar actions have beautifully shaped beads and fences and the actions are engraved in the classic house or Royalengraving pattern of bold foliate scroll surrounding the Maker’s name. The bottom of the action is engraved “Royal Model” and each gun is appropriately numbered in gold “1” or “2” on the top lever, top rib and forend iron.
Superb original condition is a highlight of these guns.
The guns have their original 28” chopper lump barrels with Holland’s hidden third fasteners and raised matted game ribs. The barrels have original 2 ¾” chambers (1 1/4 oz proof) and carry Holland’s patent self-opening assembly. The barrels are engraved with the maker’s name and the “98 New Bond St.” address (ca. 1858-1960). The bottom rib is engraved “Made in England” and “Royal”.
The straight grip walnut stocks have Holland’s classic diamond shaped hand. The stocks have a dark contrasting figure and match nicely, both having 14 3/4″ length of pulls over checkered butts. The splinter forends have Anson push rods and Holland’s patent ejectors. Stocks and forends are checkered in a very well-cut point pattern checkering with borders and traditional drop points. Each gold stock oval has the previous owner’s initials D.J.M.
The guns come complete in the maker’s two-gun motor case with its canvas cover and the original owner’s name and hometown on the initial patch.
These guns remain in near new condition as they were used very little and were well cared for. It is hard to imagine a pair of vintage guns in a more relevant configuration for today’s shooting. The bonus is they are from wonderful period in this venerable maker’s history. This is a very special pair of guns.
A typed letter to the original owner of this pair of guns was found inside the gun’s case. The letter quotes a few days shooting on the grouse moors of Scotland and is dated 1960.
Fresh from engraving is another of our ever popular .410 droplock shotguns. Over the years we have worked on scaling every detail on these fine little guns to such an extent that the engraving has now become an important and final element of this process.
Westley Richards traditional house scroll can trace its ancestry back to the earliest guns produced by the company. Guns of the muzzle loading era were ruled by the larger 12, 14 and 16 bore hence engraving designs were bolder with large scrolls to provide more coverage and suit the tastes of the time. With the advent of the Anson & Deeley boxlock gun design of 1875 Westley Richards ‘house’ engravers had the final canvas on which to perfect the companies own scroll design, one that remains the standard for the guns and rifles built today.
Interestingly, small bore guns built on scaled action frames were often the tool for boys and consequently lacked any real engraving, more often the only form of engraving was the Westley Richards name simply adorning the action sides.
Fast forward to the re-introduction of the droplock .410 in 1989 and you’ll note that one of the first guns produced from the original batch of six was engraved by the renowned Brown brothers (Paul & Alan) with a beautiful bouquet (rose) and fine scroll design. Whilst game scenes also featured on this gun, the small scroll design really lifted this little gun into a new light.
Over the last couple of years, several of these modern droplock incarnations have been handed around various engravers each of whom has given their own unique twist on this beautiful design. The images which illustrate this blog shows one of the latest which you really must see in the hand to truly appreciate. Whilst it is a given that the gun is small, the delicate nature of the scroll design really does complete the refined scale of this gun.
The Westley Richards patent top lever makes a great canvas for the delicate scroll.
The ‘scroll back’ of the action creates a natural starting point from which the scroll can emerge and flow.
The application of gold on traditional sporting arms—and especially on British examples—is a very easy thing to get wrong. Recall that the aesthetics of Britain’s classic designs, their shapes, their lines, their engraving, evolved during an age and in an empire where ostentatious decoration on firearms was generally frowned upon.
In English Guns & Rifles, J.N. George’s fine 1947 treatise on the evolution of British sporting arms, the author noted a trend evident by the late 18th Century—“a marked tendency toward greater simplicity of form, combined with the abolition of all kinds of ornament which might impair either its utilitarian value or its appearance of neatness and smooth finish, began to be apparent in all forms of the sporting gun.”
Broadly speaking these strictures dominated British gunmaking, and British gun engraving, throughout the 19th Century and well in to the 20th. Lavishly embellished outliers, with some exceptions, are most notably the guns and rifles made for the princes of India and the royalty of the East, to whom Westley Richards was a favourite gun and rifle maker.
By its nature, gold—in all its flashy, sometimes heavy opulence— can readily overwhelm the spare elegance and quiet lines of a traditional English firearm, and often does when applied—unless the applicator has not only hands of great technical virtuosity but also the eyes of an artist and an aesthetic taste congruous with the object to be engraved.
As his gold inlays and the bejewelled engravings on the India Rifle (2013) and the Africa Rifle (2016) illustrate, Lithuanian-born and America-based Paul Lantuch possesses each of these talents. This spring, after 6 1/2 years in the making, Lantuch completed the ‘Arab Warrior Guns’, a pair of sidelocks, the third and fourth examples of the largest, most expensive, and the most elaborate commissions that Westley Richards has placed with an engraver since the Boutet Gun of the 1980s, engraved by Alan and Paul Brown.
The pair, 12-bore rounded-body sidelocks, feature panoply of carved Arab warriors with interwoven Arabesque ornamental motifs against a full background of inlayed, stippled gold. Built for a member of Qatar’s royal family, there is more precious metal on display on these guns than at Fort Knox, but … but—and I say this as a conservative rose & scroll purist—the effect is sumptuous, certainly regal, but not gaudy, nor garish. That is because Lantuch’s design effectively integrates the figures and ornaments in with the gold in a manner so that no one element visually dominates another, nor does the gold crush the fine lines of the canvas—which is, after all, a traditional British shotgun.
Lantuch is first and foremost an artist; he studied at Lithuania’s Vilnius Institute of Arts, and is accomplished in many mediums—drawing, painting, printmaking, and creating jewellery of elaborate and innovative design. The late Simon Clode, in his 2013 introduction to Lantuch on The Explora, wrote: “Gun engravers who can draw and design are scarce, engravers who can conceive, draw, design and execute to the standard of Paul are even scarcer.” Clode—not only a connoisseur of engraving but a champion of the art and a sponsor of talented young engravers—recognised something special after Anthony Alborough-Tregear brought Lantuch’s work to his attention upon seeing it at the American Custom Gunmakers Guild Exhibition, in 2011 in Reno.
The process of embellishing the Arab Warrior Guns began in 2016, beginning with discussions between Lantuch and Clode about depictions of mounted warriors struck in fighting poses. The concept called for the figures and ornaments to be carved and depicted in relief against a stippled golden background, as if they were set on shimmering sands in the sunlit deserts of Arabia. “The balance of figures to the gold surfaces had to be carefully calculated,” emphasised Lantuch. In his final design this balance, to my mind, is the key to the success of the composition.
Lantuch and the team at Westley Richards exchanged notes and photos of evolving designs over two-and-half months until the right concept crystallised. The physical process of engraving started, Lantuch explained, with him transferring the drawings on to the steel surfaces with a needle, then cutting contour lines. Lantuch shaped and carved the warriors with a variety of chisels.
“The figures are actually based on 19th Century Orientalist European art, rather than real Islamic iconography,” Lantuch explained. “The ornamental work is florid in style, with geometric inclusions; this is called Arabesque, a kind of European interpretation of Islamic art.”
With flat chisels Lantuch removed steel for the background down to a depth of 1.5mm, and he then punched thousands of dots into the recesses before crisscrossing them with a sharp flat chisel. This creates a gripping surface for the gold inlay. Then, using pure 24-karat gold wire—and a lot of it, 1.8 ounces for the two guns—Lantuch hammered and inlayed the gold with a flat punch, then textured the background with special tools that he made himself.
After the guns were returned to England and had been traditionally pack-hardened nearby in the premises of Birmingham’s famed Richard and Bob St. Ledger, Lantuch flew to England to begin the two-week-long finishing process.
The correct finishing of any carved gun is critical to the quality of its final appearance, and it is a delicate, painstaking multi-step process. First, the case colours must be removed, but not all of them, so to account for and to accentuate shadows and highlights, and the figures and ornamental motifs re-detailed and their lines sharpened where necessary. In some places the background needed re-matting and, beautifully, the gold seams between the action and lockplates were hammered and joined as if each action was one unit. “Paul essentially sealed the guns’ actions to mate up all the goldwork,” said Alborough-Tregear. “It gives the guns a svelte, almost organic quality.”
Though best known for its hand-detachable droplocks, Westley Richards still builds sidelocks, and the mechanics of the Arab Warrior Guns conform to the firm’s preferred modern-day configuration for its sidelock shotguns: Boss-type bar-action locks, rounded actions, Southgate-type ejectors, with H&H-type assisted openers, and single non-selective triggers. The 29-inch barrels are fitted with gold and ruby foresight beads.
Despite the carvings and gold, the guns appear as fleet as the long-limbed Arabian stallions portrayed on them. They are even lightweight—6-pounds, 8-ounces each. “Regrettably, many London guns are now getting heavier and heavier, with loggish, long barrels made to fire heavy cartridges—really missing the point of a fine gun,” said Alborough-Tregear. “The Westley Richards round-body guns are so elegant you could easily mistake our 12s for 16s.”
The pair is housed in an oak-and-leather case appropriate to the guns: outwardly clad in best black alligator hide, French-fitted, goat-skin lined, all metalwork gold plated, tools made with horn handles, and geometric marquetry in the frame, the owner’s name hand-embossed in traditional gold leaf. It is a showcase in the most literal sense of the word and befitting of display in any museum of the arts.
Vic Venters is a journalist and author of The Best of British: A Celebration of British Gunmaking, as well as Gun Craft: Fine Guns and Gunmakers in the 21st Century. He has covered the British and European fine gun trade since the early 1990s and is the Senior Editor of America’s Shooting Sportsman magazine.
After a two-year hiatus, the Scottish Sporting Journal is back, injecting a modern design into a much-loved 40-year-old title; the same passion for Scotland, captured and documented in a new, exciting way. Evolving from the Gazette to the Journal, this 180-page bi-annual magazine is a visual and written journey through Scotland’s wild places, capturing the passion, craft and pursuits within them.
The ethos behind the publication is that Scotland represents a way of life that is long lost to much of the modern world; a way of life in which the people, wildlife and landscape are all intrinsically linked. The aim of its content is to share this emotion and experience, offering true escapism to their readers. From chasing brown trout in small spate rivers to stalking stags in the Highlands to spending time with faraway island communities, Scottish Sporting Journal puts the focus on visual storytelling, capturing the essence of what makes Scotland such a unique country.
Volume II, Issue I highlights include:
– The Arab Warrior Guns from Westley Richards A unique pair of museum-quality featuring the most prolific gold inlay coverage of any guns they have built in their 207-year history
– Hunting with golden eagles We head high into the Cairngorms National Park to witness golden eagles hunting mountains hares in their natural habitat
– Hidden Scotland with Jim Richardson Renowned National Geographic photographer Jim Richardson shares some of his favourite images from his adventures around Scotland
– The new spirit of Scotland With Scottish gin reportedly set to usurp whisky in the next 12 months, we visit the Isle of Harris distillery to see it first hand
– Exploring the Isle of Arran Known as Scotland in Miniature, we explore the many sporting opportunities and way of life on the Isle of Arran
– Spearfishing in remote seas Spearfishing guide Will Beeslaar heads into the cold waters in pursuit of Pollock, with bespoke underwater photography
– Salmon fishing on the Spey A morning with ghillie Roddy Stronach, who has lived and worked on the Spey for 15 years, to understand how the role of a ghillie is changing
Hot off the press and looking magnificent is TheExplora journal by Westley Richards. This last week we received the first 10 copies for approval and we all have to say that it surpasses even our demanding standards!
Having taken 2 1/2 years to bring to fruition it was with great excitement, trepidation and relief that we got to handle the first copies fresh in from the printers. This project was a true labor of love for the team here at Westley Richards, so it was finally great to see the fruits of all that hard work.
The front cover features Westley Richards stunning and as yet unseen ‘Forest Rifle’, a magnificent .600 droplock double rifle specially commissioned to reflect the Central African forest environment. Fully carved in exceptional detail with the flora and fauna of the forest floor, the story of this rifle unfolds in the stunning photography The Explora fans have come to expect from Westley Richards.
Other articles, specially commissioned, focus on engraving, gunmaking, historical weapons, shooting and gun fit, topics we hope will be close to the heart of many an avid sporting man and woman.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with a scratch resistant matt lamination with spot gloss varnish and gold foil embossed logo. The 180-page journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards.
With a limited print run of only 1000 copies, never to be re-printed, The Explora journal is set to become a collectors item that no self respecting Westley Richards afficiando should be without.
The first copies to clients will be coming out in the next few weeks so for those of you yet to place your order now is the time!!!!!
To order your copy of The Explora journal click here
The latest offering from our used gun department is this superb James Purdey & Sons 12g sidelock ejector. Completed around 1964 the gun features an unusual barrel length of 27 9/16” which are choked 1/2 in the right and Extra Full in the left with 2 3/4” chambers and a raised engine turned top rib. The action has the classic Purdey house rose and scroll engraving and retains some beautiful and vivid case colours. The gun was originally built as a double trigger but has subsequently been converted to single.
A stunningly figured straight hand stock measures 14 3/4″ to the centre of the leather covered recoil pad and has a drop of 1 3/8″ at the comb and 1 7/8″ at the heel, the cast is dead straight. Weighing 7lbs 2oz the gun is lively in the hands but also retains a smooth and controlled swing.
The gun is neatly cased in its motor case complete with tools and a canvas outer and also comes with the framed London proof certificate of 1963, which reads;
Certificate of Proof
It is hereby certified that on the 3rd Day of April 1963,
the Small Arm and/or Gun Barrel, details of which are set out below, was
duly presented for proof at the Proof House of the Worshipful Company of
Gunamkers and there was found of proof in accordance with the Gun Barrel
Proof Acts 1868 and 1950. Signed Proof Master
SMALL ARM and/or BARREL NUMBER 26976 BORE 12 MAKER’S NAME J. Purdey & Sons. CHAMBER LENGTH 2 3/4″
Condition of this gun is excellent and testament to its previous owners. The gun is now live on our used gun website.
After nearly 2 1/2 years in the making Westley Richards is pleased to announce the first printed edition of The Explora journal.
Since the introduction of Westley Richards blog The Explora in July 2013 much discussion has centred around the exceptional photography and unique insight that the blog has given to the world of fine guns and the shooting community at large. We were often asked by our followers whether a printed edition of The Explora would ever see the light of day and that it seemed such a shame that the great imagery associated with the blog would never become available in a printed hard copy. With so much else going on at the factory and the constant quest to build better and finer guns a priority, the idea of bringing The Explora to print seemed but a distant thought.
With the passing of former Chairman and Managing Director Simon D Clode in 2016, we thought it only fitting to pay tribute to him by bringing to print the vision he had started in 2013. And so began the seriously hard work of putting together something that was not only visually stunning but also of genuine interest. A true labour of love this journal has taken almost as long to put together as one of our fine guns and as with all things Westley Richards the final product is second to none.
So what can you really expect from The Explora journal? Well it goes without saying that the journal is lavishly illustrated throughout with superb colour and monochrome imagery, 90% of which has never been seen before as it was specially commissioned for the journal. Sumptuous photo essays from the Westley Richards factory accompany detailed articles that delve into aspects of the gun and shooting world, topics we are sure you will find as equally interesting as we do. Guns and rifles naturally grace the pages as do the gunmakers that build such works of art. All of this capped off with in the field imagery and of course wonderful touches of ephemera and nostalgia.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with soft coat laminate and gold foil embossed logo. The 180-page, advertisement free journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards and is certain not to disappoint the avid sportsman and gun enthusiast.
With a strictly limited edition print run The Explora journal is certain to become a collectors item so you would be wise to place your order sooner rather than later. There will be no reprint once we sell out. For all those loyal followers of this blog whom we have kept entertained for years, you can now finally get to hold something of The Explora truly in your hands!
To advance order your copy of The Explora journal click here
I am always looking for good second-hand guns to sell and every now and then I find a rose among the thorns.
That idiomatic expression is a bit deceiving though, as the most recent gun I’ve found is nowhere near as delicate or dainty as a rose. Quite simply, it’s a magnificent beast of a gun from an era that has long since passed.
In Westley Richards’ landmark 1912 Centenary catalogue, there is a section devoted to Wildfowl Guns stating:
“The term Wildfowl Gun is very comprehensive. With regard to portable guns fired from the shoulder it includes the 12 bores taking the long cartridge, the 10 bores, 8 bores, and 4 bores…the three larger calibres here mentioned may be particularly regarded as suitable for killing the largest wildfowl, for these guns discharge considerably increased charges of both powder and shot, and so with large shot, the wild geese, ducks, etc. may be killed at the most extended ranges possible.”
Original load data accompany’s this amazing wildfowl gun.
To that measure, that is exactly what I have recently come across. This Westley Richards 8g A&D Fixed Lock was finished in 1909 and, just as the 1912 catalogue states, this gun is a “Double Hammerless Wildfowl Gun, in an 8 bore with a plain finish and anti-recoil heelplate” and these models were built on special order, to the customer’s specifications.
Accompanying the gun are three pages, clipped together, of beautifully handwritten notes showing the guns serial number, gauge, load data and pattern results at different size circles and distances for three different shot sizes. No doubt factory notes recorded when the barrels were regulated. Looking back at the ledgers, the gun was “sold to” one F.W. Lanchester who would, no doubt, have to be one Frederick W. Lanchester (Oct. 23, 1868 – March 8, 1946) who was an English automotive engineer and founder of Lanchester Engine Company and The Lanchester Motor Company in Birmingham, England. Certainly, the type that would be obsessive with data from test results.
Condition is king and this gun has it all. One of the finest 8 bore guns we have ever seen.
Along with the paperwork the gun is complete in its original lightweight canvas case, with the original oil pot, two-piece rosewood cleaning rod (that is massive) and original mop, jag and brush
Weighing in at just under 14 pounds with 34” barrels and “extreme choke” in each barrel, this is a long range shotgun of note. A true Westley in every sense built on the venerable Anson & Deeley Fixed Lock action and fitted with the patent Model “C” doll’s head bolting and snap lever work and an automatic “beetle” back safety. The gun was offered with ejectors, however, this is a non-ejector with two triggers. The gun stock has a Silver’s type pad, a capped pistol grip with a full-length trigger guard and a splinter forend with a Deeley latch and horn forend tip. The gun displays almost all its original, and very vivid, color hardening, blacking, and stock finish down to the original anti-recoil heel plate.
The rarity of this gun is off the charts (Trigger and I know of only three other 8g WR guns) but the completeness of the package and the super high, original condition is something not often if ever, encountered in a vintage gun of any sort. But to consider that a gun like this was intended to be exposed to the harsh environments where waterfowl are hunted, it is nothing short of a miracle that this gun has remained, all these years, in such phenomenal shape. While the gun does show a few tell-tell signs of being 110 years old, don’t we all wish we could age this gracefully?
Set next to a .410 droplock the 8 bore is an impressive beast!
It has been over 25 years since we last built a 28 bore sidelock shotgun and probably even longer still since we built a round bodied version. This particular gun has been a real labour of love here at the factory taking several years to get to the point you see before you. The majority of the gun has been built old school from forgings with many of the components made individually by hand as quite frankly we had no reference with which to work from!
Truth be told the gun has turned out beautiful and as it reaches completion we will obviously share further images with you. All credit must go to all of the gunmakers so far involved and also the engraver who has developed a beautiful take on the traditional rose and scroll engraving design. Cut delicately by hand this gun harks back to the pre-war days of gunmaking, yet demonstrates what can be achieved today.
A modern take on a classic engraving pattern.
A quail sits in raised gold on the top lever.
It was decided to use Westley Richards signature ‘Deeley’ catch on this small bore gun. Previous sidelocks have used the ‘Anson’ push rod to secure the forend to the barrels.
A traditional Westley Richards droplock in 28 bore was completed this week and due to head out to the USA. Whilst a greater portion of the guns and rifles being built at the factory today are of a more fancy engraving composition, it is always nice to see the care that goes into a traditional ‘house’ engraved gun.
These guns will always stand the test of time as they are the bench mark gun for the company. Quail hunters in the US simply love the small bore guns that the guys here build and the actual ‘droplocks’ always make them a talking point on a hunt.
It goes without saying that we enjoy using the very finest of figured walnut and having just returned from a recent buying trip there are going to be some truly epic guns and rifles coming out of the factory in the next couple of years!
Gold naming whilst subtle adds an elegant touch to the gun.
Super deluxe wood is the standard now with Westley Richards.