After a two-year hiatus, the Scottish Sporting Journal is back, injecting a modern design into a much-loved 40-year-old title; the same passion for Scotland, captured and documented in a new, exciting way. Evolving from the Gazette to the Journal, this 180-page bi-annual magazine is a visual and written journey through Scotland’s wild places, capturing the passion, craft and pursuits within them.
The ethos behind the publication is that Scotland represents a way of life that is long lost to much of the modern world; a way of life in which the people, wildlife and landscape are all intrinsically linked. The aim of its content is to share this emotion and experience, offering true escapism to their readers. From chasing brown trout in small spate rivers to stalking stags in the Highlands to spending time with faraway island communities, Scottish Sporting Journal puts the focus on visual storytelling, capturing the essence of what makes Scotland such a unique country.
Volume II, Issue I highlights include:
– The Arab Warrior Guns from Westley Richards A unique pair of museum-quality featuring the most prolific gold inlay coverage of any guns they have built in their 207-year history
– Hunting with golden eagles We head high into the Cairngorms National Park to witness golden eagles hunting mountains hares in their natural habitat
– Hidden Scotland with Jim Richardson Renowned National Geographic photographer Jim Richardson shares some of his favourite images from his adventures around Scotland
– The new spirit of Scotland With Scottish gin reportedly set to usurp whisky in the next 12 months, we visit the Isle of Harris distillery to see it first hand
– Exploring the Isle of Arran Known as Scotland in Miniature, we explore the many sporting opportunities and way of life on the Isle of Arran
– Spearfishing in remote seas Spearfishing guide Will Beeslaar heads into the cold waters in pursuit of Pollock, with bespoke underwater photography
– Salmon fishing on the Spey A morning with ghillie Roddy Stronach, who has lived and worked on the Spey for 15 years, to understand how the role of a ghillie is changing
Hot off the press and looking magnificent is TheExplora journal by Westley Richards. This last week we received the first 10 copies for approval and we all have to say that it surpasses even our demanding standards!
Having taken 2 1/2 years to bring to fruition it was with great excitement, trepidation and relief that we got to handle the first copies fresh in from the printers. This project was a true labor of love for the team here at Westley Richards, so it was finally great to see the fruits of all that hard work.
The front cover features Westley Richards stunning and as yet unseen ‘Forest Rifle’, a magnificent .600 droplock double rifle specially commissioned to reflect the Central African forest environment. Fully carved in exceptional detail with the flora and fauna of the forest floor, the story of this rifle unfolds in the stunning photography The Explora fans have come to expect from Westley Richards.
Other articles, specially commissioned, focus on engraving, gunmaking, historical weapons, shooting and gun fit, topics we hope will be close to the heart of many an avid sporting man and woman.
Presented in a beautifully-designed luxury format with a combination of high quality uncoated and gloss coated paper stock and an outer cover finished with a scratch resistant matt lamination with spot gloss varnish and gold foil embossed logo. The 180-page journal, epitomises the exceptional standards and painstaking attention to detail synonymous with Westley Richards.
With a limited print run of only 1000 copies, never to be re-printed, The Explora journal is set to become a collectors item that no self respecting Westley Richards afficiando should be without.
The first copies to clients will be coming out in the next few weeks so for those of you yet to place your order now is the time!!!!!
To order your copy of The Explora journal click here
Part of Westley Richards fame can without question be attributed to the Anson & Deeley fixed lock gun design of 1875. It was this design that overnight revolutionised the modern sporting gun and rifle world.
Today the construction of a fixed lock rifle here in the factory has been largely superseded by the hand detachable (droplock) design. That makes each fixed lock rather special as we get to complete one every couple of years. This particular rifle is in the fabulous .500 3″ nitro express calibre which has proved itself a great tackler of thick skinned dangerous game.
As with every gun and rifle built here at the factory, this rifle caters to the new owners particular tastes which in this instance include a fine dotted border around all the metal parts. Combined with the gold naming and vivid case colour hardening this adds a subtle touch to a simple and beautiful rifle. May its new owner enjoy many years of hunting success.
The original patent drawing for the 1875 fixed lock design. This design revolutionised the gun world.
Vivid case colour hardening by the St.Ledger brothers is a real feature of this rifle.
The beaded border pattern adds a geometric element to the rifle, something a little more than the classic ‘Gold Name’.Complete in its lightweight leather case with traditional complement of tools the rifle is ready to set foot in Africa.
For those sportsmen and women with a genuine passion for the outdoors and the pursuit of fish, fowl or game, no home or office is complete without some object of art. A great piece of artwork whether on canvas, board, paper or sculptured, pick your medium, brings back fond memories of a frequently pursued species and often transports us to a place where we wish we could be or may shortly be going.
The art bug can be very addictive turning many a sane person into an avid collector. Some chose a particular style of art, certain species, perhaps are patrons to a particular artist, or in my own case a collector of several artists, each representing in their art a particular period in my life when I pursued one family of bird or species of animal.
And so it is that I first came across the sculptures of David Mayer a year or so back when I was looking for an artist whose work accurately portrayed the two animals that have featured so much in my own experiences, namely the African Elephant and the diminutive European Roe Deer.
The real beauty of David’s work is that it captures the animals anatomically correct and for those of us who have been lucky enough to regularly be in the vicinity of both species, you will certainly see this. Not only that, but there is a real genuine movement in David’s work, the swift-moving away of the startled elephant and the hesitant steps of the Roe buck are all too familiar.
Based in Herefordshire, England, David himself, he is a very normal, humble, unpretentious individual. I have met many a great talker in the sporting art world but those with real talent don’t have to say too much, they let their art do the talking. He works predominantly in bronze and is currently undertaking full-size commissions and projects that he feels need exploring. He has been surrounded his whole life by wildlife which shows through in his work and he has an unbelievable passion for the outdoors and the animals he sculpts. If you get a moment look him up, you’ll not be disappointed by what you find.
Anatomically David’s Roe Buck is beautifully proportioned. Each set of antlers is unique to each casting, a wonderful touch.
Further details of David and his work can be found at:
In the history of African safari there are the names of individual hunters that should need no real introduction, F.C.Selous, Captain James Sutherland, W.D.M.Bell and J.A.Hunter to name but a few. Whilst some hunted professionally for ivory, others hunted as professional guides taking the emerging elite of the world on lavish safaris into the heart of East Africa.
Amongst this elite group of Professional Hunters can be counted one Baron Bror von Blixen-Finecke (1886-1946), Swedish aristocrat, serial womaniser and husband of famed writer Karen Blixen who wrote one of the greatest books ‘Out of Africa’, so immortalising what many consider the golden age of safari hunting.
The J.Purdey & Sons sidelock underlever double rifle in .500/.465 calibre.
Now Blixen was not your usual run of the mill professional hunter. His reputation for securing huge elephant trophies and for ensnaring beautiful women came in equal measure, only surpassed by his legendary drinking skills! That all said and done, he was without question one of the toughest, ethical and courageous big game hunters who ever lived who had a client list booked many years in advance to hunt with him.
As with all professional hunters of the time, Blixen had at his disposal an assortment of both bolt action and double rifles with which to tackle the multitude of game that inhabited the vastness of the African continent.
Whilst he clearly owned several rifles of his own, legend has it that he also borrowed the occasional rifle including the rifle shown here. This particular Purdey double rifle in .500/.465 calibre was originally built in November 1908 for the Earl of Landisborough, before finding its way into the hands of a Swedish businessman who regularly took to hunting in East Africa. It is said that rather than travel back and forth from Africa with the rifle that it was left in the capable hands of Blixen ‘on permanent loan’.
Baron Bror von Blixen-Finecke on safari.
The rifle certainly seems to have seen some ‘bush use’ judging by the many subtle knocks and scrapes that it displays, all suggesting that it was used, not abused. The rifle has fantastic crisp rifling and appears as tight today as the day it was made. Interestingly the rifle features a bold scroll engraving pattern as opposed to the more traditional house rose and scroll engraving design found on the large majority of Purdey guns and rifles. The ‘bolted’ safety was a common feature of Purdey rifles, a double safety mechanism to stop the accidental discharge of a rifle should the safety button be innocently pushed off.
The rifle undeniably makes for an interesting piece of history and Africana, we only wish that it could tell a story or two!
The ‘bolted’ safety system as used on the majority of vintage Purdey nitro express double rifles.
‘African Hunter’ by Bror von Blixen-Finecke published in 1937.
Wilderness – noun – definition – an uncultivated, uninhabited, and inhospitable region. On our small island that we call home, there are few, if any places you can truly call a wilderness. The cities and towns are forever expanding into the countryside with the government’s relentless obsession of building thousands of houses on productive farmland, the dog walkers who see the woodlands as an extension of their garden for their beloved pooch to run riot wherever it so chooses and not forgetting the ramblers who exercise their ‘right to roam’ as if their lives depended on it. For the game, and those of us who chose to pursue it, we’re coming into contact with other people more than ever.
However in saying that, the Scottish Highlands is, in my opinion, our last true wilderness and one that befits its definition. Uncultivated – definitely, uninhabited – mostly, inhospitable – more often than not. An area and landscape that should need no introduction, it still offers a truly wild hunting experience for those who wish to escape the crowd, be surrounded by utter beauty and work hard for their trophy.
My latest hunt took me to a remote and central part of the highlands where my friend from college is the head stalker on a 20,000 acre hunting estate. The vast open hills, lochs, rivers and forests make up this sporting paradise where the Red Stag is king, or monarch of the glen as he’s more famously known. The enchanting hills are steeped in Scottish history and folklore, once home to hardy and violent clans such as the Robertsons, Macdonalds and Campbells, they have in recent history been made famous by the location for films such as Harry Potter and was the setting for the dramatic finale to the James Bond film, Skyfall.
The stalk is a hard one, the terrain is difficult to traverse, the hills are steep and the weather is often miserable, but that’s what I love about it. You have to put in the hard yards and be willing to graft for your game. The sodden ground is energy sapping and the peat hags that crisscross the moor are an obstacle course in themselves. The deer, however, can cover the ground like it’s not even there. They lie up on knowles which provide great vantage points, meaning the final approach to your chosen stag is more often than not a long and wet crawl through the soaking moss, mud and peat.
The 8 wheeled Argocat, which handles the hills like no other machine, is probably the most unpleasant vehicle to ride in but you’re certainly glad of it after a full day on your feet. It is also the means by which the game is extracted from the hill. Ponies were always traditionally the method used to get stags back to the larder but they are time consuming and often extremely stubborn. There are many stories of pony boys who have hiked miles to retrieve a stag, only for the pony to slip its lead and bolt all the way back to the stable, closely followed by a cursing, irate pony boy.
We spent the first 5 hours stalking and glassing the wide expanse, only to come across several small groups of hinds and young stags. The south west side of the glen was facing a strong and bitter wind, so we hiked over the ridge and dropped down into the sheltered corrie looking for a shootable stag. After a further hour of bumping hinds we spotted a good stag which was bedded down on a knowle, surveying his land. The wind was right but his view spanned nearly every direction, so it took a further hour and a half of stalking and maneuvering the edge of the loch to get into a good spot from which to take the shot. The rut has just started and a few stags were jostling for dominance, sorting out who was the boss amongst them. My stag was still bedded down when a younger and better stag approached him for a challenge, upon getting to his feet, the shot presented itself and the .270 cleanly dispatched him. The stag, which was roughly 8/9 years old, was past his prime and was certainly going back, the right beast to take and a good representative of a Scottish hill stag. No match in terms of size compared with their lowland cousins due to the hard life and poor diet but every bit the worthy trophy.
For me it’s hugely important to explore, hunt and experience these wild lands. To reconnect with what it is that we enjoy and treasure about the sport. To refresh your enthusiasm for adventure and savour in the solitude of such a place that will hopefully, always remain, a wilderness.
One of my personal favourites in the magazine rifle calibre realm is the tried and tested Holland & Holland .30 Super or .300 H & H Belted Magnum cartridge as it is also known. A forerunner to the later .300 Winchester Magnum and .300 Weatherby Magnum, the original was a devastatingly effective rifle for long range shooting and more than capable of taking medium to large soft skinned game.
Introduced in 1925, various bullet loadings were available from 150 grain through to 220 grain. Most settled for the 180 grain load as the most generally effective, but the heavier loads were very good for tackling heavier African plains and North American big game where deeper penetration was required.
The cartridge came to fame in the USA when it won the 1000 yard Wimbledon cup in 1935. It was a great favourite with famous American gun writer Elmer Keith who shot some super North American sheep and other big game with it pre World War II. His book ‘Keith’s Rifles For Large Game’ is a great reference on the calibre in the USA and is an otherwise interesting read on big game rifles and calibre’s in general.
Whilst often overlooked today, I can vouch for its outstanding abilities having used one in both Africa and Alaska over the years. My rifles have always been slightly beat up examples like the one shown here which tend to show the rifle has been put to good use rather than consigned to a gun cabinet. In today’s world of stainless steel and synthetic stocks there is a real pleasure to be derived from using one of these vintage rifles. If ever you get a chance to hunt with one take it, you’ll be surprised by how much fun it is whilst safely reassured that it still packs a deadly punch.
The Holland & Holland quick detachable scope mount system.
Completed in 1934 this rifle has been back to Holland and Holland for upgrades over the years, adding to the character and history of the rifle.
I recently had the pleasure of hosting one Tyler Sharp, a journalist and photographer from the USA. I first met Tyler earlier this year at the Safari Club International convention when he casually and rather shyly wandered onto our stand holding a copy of some new publication. My initial thoughts were of some mildly eccentric character, better placed in a Western movie than the floor of the worlds largest hunting show.
Waiting for some lame sales pitch and preparing to savage all that he might say, I took the volume from his hand and began to flick through the pages. First impressions were of a beautifully produced publication, the like of which I had yet to see in the hunting world. This was no throw away magazine, this was something different and as the Texan boy told me his story I knew that this was someone with real passion for what he was doing and that we had a common interest in the future of our sporting heritage.
Since that first meeting I have found Tyler to be a uniquely honest and immensely passionate individual with genuine enthusiasm for the outdoors and the wider hunting world. This month we spent a couple of days here at the Westley Richards factory before heading off on a fabulous hunt for Roe Buck in the heart of the Wiltshire Downs.
I would encourage you, perhaps even urge you to subscribe to this great publication, or at the very least obtain a copy. You’ll be surprised at just how good it is and how the future of the sport we enjoy so much is going to rely on a refreshing new perspective. The world is a fast changing place and we face many new challenges as outdoor sports men and women.
I’ll now leave it to Tyler to give an insight into his mission and that of the ‘Modern Huntsman’.
Greetings Westley Richards readers, I just wanted to introduce myself, as I’ll likely be contributing some ongoing stories from the field. My name is Tyler Sharp, and I’m a photographer and writer based out of Dallas, Texas. I’ve spent the majority of my career documenting hunts, adventures, and conservation efforts all around the world, which has all led to my recent charge as Editor in Chief of a new publication called Modern Huntsman.
It was this that led me to the Westley Richards team, and we quickly realized commonality in virtue, ethical hunting pursuits, and creative storytelling. I’ve recently returned from a trip to visit the factory in Birmingham, England, which we’ll further detail in a future installment, but for now wanted to give you a bit more background on Modern Huntsman.
For those of you who don’t already know, Modern Huntsman is a biannual publication for like-minded conservationists, creatives, and outdoor enthusiasts. Born out of frustration with the way hunting is often misrepresented today, this publication is told from the perspective of hunting purists and philosophers, unaltered by the skews of mainstream media, corporate interests, or misinformed emotional rants. In short, we’re returning to the root traditions, in hopes of improving the perception of hunting in modern society.
For many of us, hunting is a way of life, a tradition passed down by our grandfathers, fathers, and brave mothers. It’s a way of staying connected to the land, harvesting wild food to sustain our families, our souls, and is a shared passion and pursuit in many countries the world over. Hunting also plays a majority role in conservation, which ensures that expanses of land stay untamed, and that wildlife populations thrive — something we’ll be prominently focusing on as we move forward with the publication.
But this isn’t just for hunters, and while we know that there will be opposition, we believe that through our collective stories, photographs, and films, we’ll be able to educate some folks about overlooked realities, and win the minds and hearts of those who still have them open. Through presenting stories based in virtue, ethics, personal growth, and statistical merit, our aim is to inspire, educate, challenge, and set the record straight in some cases.
We’ve assembled some of the best photographers and writers in the outdoor world, many of which you might already know. These are folks who’ve spent their years living off the land, enduring extreme conditions, and have sometimes risked their lives to ensure that wildlife thrives, and the traditions of hunting survive the modern age.
From the mountains of the American west to the fields of south Texas, the savannahs of East Africa to the governmental councils on regulation, Volume One covers a diverse range of topics, all unified by common ethics. Printed on thick matte stock, and bound into a substantial book of over 200 pages, it is more of an art portfolio than a publication, and a fitting showcase for the breathtaking work everyone has produced. We have no advertisements in the first issue, and as we move forward we’ll begin to integrate select brands and organizations to partner on stories of hunting history, conservation success, and notable characters, outfitters, chefs, and artists in the community. These will be collaborative, integrated stories instead of intrusive and heavy-handed ads, which will help us keep the message pure, and the conversations constructive.
We’ve sold through our first print run of 5,000 copies in three months, and have just re-ordered another 5,000 to continue sharing our mission with both hunters and non-hunters alike. Volume Two is scheduled to release in the fall of 2018, and will be centered around a theme of public lands, which is a hot topic in the United States to be sure. Apart from the political applications, we’ll also be exploring the realities of land access in other parts of the world, and how that affects land use, wildlife management, and hunting access. We’ll also be focusing on how these issues can bring folks together under common cause to protect what’s important, rather than squabble over something potentially insignificant.
This is just the first step in a long, important journey for Modern Huntsman, and we’d be honored to have you join us. To conclude, I’d like to leave you some parting words, which is the epilogue in the last few pages of Modern Huntsman Volume One, as a sort of call to action in what has become such an emotionally charged debate:
For hunters, we ask that you carefully consider the effect that your actions can have on not only your environment, but on the perception of this tradition. Whether through deed, word, or photograph, we feel that care should be taken, and respect given, for how quickly news can be spread in today’s world for good or ill. Therefore, choose your steps wisely, and wherever possible, see that they aim in a direction of positive progress and accurate representation, instead of confrontational detriment and further divisiveness.
For non-hunters, we appreciate your open-mindedness, and willingness to hear what we feel is a different, yet very important side of the hunting narrative. While we can’t speak for everyone, it is our aim to give voice to the overwhelming amount of like-minded hunters and conservationists who often lead quiet lives, in hopes of connecting with more folks like yourself, and finding common ground. We’d ask that as situations arise, you recall the beauty and honesty on these pages, as compared to the message that the mainstream media presents, and let respectful passion and conservation statistics win out over the often skewed biases and violent emotions.
And while some of you may never pick up a bow or a shotgun to harvest your own food, know that should the day come when you decide to, this community would jump at the opportunity to show you the ropes. Where you may have once felt opposition, you’d now find comradery, and a sense of belonging in one of the oldest traditions known to humankind. In short, we’d love to take you hunting.
Whether in the field, or in metaphor,
For more information, to order a copy, or subscribe to Modern Huntsman, you can visit one of the links below.
An update from a great Westley Richards enthusiast in the USA
Now, with a fair number of rounds on targets both circular and winged I’m perhaps in a position to look back on the shooting season just past and understand a bit better what a remarkable thing a really good Westley Richards .410 bore gun can be.
I’ve shot something over 4,000 targets with it both on the skeet field and from a three trap trailer which we position along a river while we stand beyond and above the traps on an old pumping station over the river. The wobble targets here are all crossing shots, some level, some climbing and some well below. The latter being about as sporty as any I want to try. At any rate, they all are a real learning experience with a .410 and I’ve never run a 25 straight.
In the “winged” department, a fair number of doves fell out of the sky. Good conditions and picked shots required. We were fortunate enough to be invited back to King Ranch once again. Bobwhites and more bobwhites. Wonderful dog work and wonderful people. South Texas in the winter time is my favorite place on this earth.
Winchester’s 3″ AA load of 3/4 ounce of #8 1/2 shot at only 1,100 fps will kill quail and doves with no foolin’ about it. Teague insert chokes at .10″ constriction seems to be the ticket in this particular gun on game. On the skeet field 1/2 ounce of 9’s again in AA’s work the best. Probably all in my head but the Winchester loads give me better scores than the same loads from Federal. Go figure.
To sum up, a heck of a lot of clay targets, quite a few doves, I’m not telling anybody how many bobwhites, one armadillo and, two weeks past, a small, by Texas standards, diamondback rattlesnake have been accounted for with this little gun. Varied bag in any company.
Point being, I’ve shot this gun enough to where, with a good night’s sleep and proper alignment of the stars, things just work. Never has the gun failed to go bang, eject and the triggers are as crisp as on day one. The wood has a few small dings now which bother me not at all. What a wonderful thing it would be to shoot it long enough and often enough to wear the checkering off. I think in the end shooting is about memories and that’s the real gift of a gun like this.
You may have found us a bit quieter than usual of late. Well, that is because we have been hard at work on an exciting new project. After considerable time and effort, we at Westley Richards are proud to announce the launch of our brand new website.
Featuring the finest imagery and design, and industry-leading technology, it showcases the world of Westley Richards like never before. Designed and developed especially for those with a passion for fine guns, hunting, bespoke leather goods and the very best shooting clothing and products, the new site is a reflection of what we do here at Westley Richards in our relentless pursuit of perfection. We hope you enjoy it and we look forward to welcoming you all into our world.