Raw back from the skilled engraving hands of Vince Crowley comes this stunning little .410 droplock shotgun. It is often difficult with an image to appreciate just how small these guns are and so for a change we decided to add a little sense of scale with a 10 pence coin rightfully showing the Queen face up.
As with scaling anything, so the scroll engraving itself must be scaled to fit the finer proportions of the .410 action body and parts. This finer scroll concept was started many years ago at Westley Richards by Rashid El Hadi who many of you will know was one of the most talented engravers of his generation. Whilst Rash may be remembered for his exceptional creative designs and execution of such masterpieces as the ‘Hummingbird Gun’, it was some of his finer work that really showed the skill of the man.
Thankfully these skills were passed on to Vince who has carefully and very skillfully carried this concept forward with the gun you see before you.
In this particular instance the client had seen an earlier example of this fine work and requested a revised version with carved fences, a staggered name banner and an elegant Woodcock in flight game scene. We hope you will agree that Vince has captured everything the client wished for magnificently.
The gun will now go for full case colour hardening of all parts which should add another dimension to the overall look of the gun. Subject to how the case colours complement the gun, will determine the final finish. We will post pictures once back from hardening and perhaps put the question to you.
Absolutely stunning Woodcock game scene!
Staggered banner proudly bearing the Westley Richards name.
Super fine detail on a small frame gun cannot be beaten.
Think of a tie and the image of a gentleman in his finest business suit springs to mind. There is something about a perfectly knotted tie that gives you the confidence to take on whatever obstacles the day might throw in your way. In years gone by it would have been unheard of for any self-respecting gentleman whether president or postman to turn up to his place of business without a properly knotted tie around his neck.
Whilst not all of us here at Westley Richards can confess to being daily tie wearers and gone are the days where the gunmakers donned a tie in the undertaking of their duties, we do find ourselves drawn by the idea of wearing a tie on a more frequent basis. Now comes the problem. Whilst there are still a few remaining fine tie makers in England, their focus seems to be on paisley, blocks, stripes and dots, and whilst this is all well and good for the masses it does lack personality and individuality. Those ties that do reflect our hobbies, such as shooting, either appear dated in their motifs or are made poorly from a material that is stretching itself to be called silk!
So here at Westley Richards we set about making the finest ties we could, pulling together designers, manufacturers, printers and a whole raft of clothing to ensure the colours would work for shoot days or office days. First, we commissioned four distinctive designs of Grouse, Pheasant, Partridge and Mallard with the aim that they should be easily recognisable up-close and abstract at a distance.
We then took these designs to one of England’s premier tiemakers who put us in touch with one of the few remaining silk screen printers in England. Printing each design by hand on heavyweight 36 ounce silk and incorporating the W.R & Co. Ltd logo into the design, we selected a broad range of colours to suit (no pun intended!) the tastes of both the city and country man.
Once printed the silk was passed over to the tie maker to undergo the 9 stage process involved in creating a luxury 5 fold tie, a process that is only possible by hand and uses 50% more fabric than a standard tie, giving it a thick luxurious feel, ensuring a perfect knot every time.
The end result is a truly unique series of ties made to the very highest standards here in England. Available in a host of colourways there should be no excuse now turning up in the shooting field, or for that matter the office, without looking the distinguished gentleman!
This stunning 12g ‘Gold Name’ droplock has just been completed and once again highlights for us gunmaking in its purest form. The ‘Gold Name’ gun comes barely embellished, but makes its statement in this instance through wonderful craftsmanship, stunning wood and vivid case colour hardening.
Whenever one of these ‘Gold Name’ guns is completed the typical question of why somebody would order such a gun without any engraving comes up. Many assume it is a cost cutting exercise but nothing could be further from the truth. Building guns is an expensive business regardless and for some clients the gun in its purest form brings as much pleasure as a highly embellished one. The client of this particular gun is lucky enough to own several of our guns and rifles, many highly ornate. This one should add nicely to the collection whilst being a totally practical and elegant gun to use.
Vivid case colour hardening is one of the highlights of a ‘Gold Name’ Westley Richards.
Cased extra hand detachable locks complement this 12g droplock.
The lines of this gun are only enhanced by the elegant Woodward style grip.
With a bank holiday approaching this weekend we thought it would be good to let you ponder this magnificent little 28 bore droplock shotgun that has recently been finished and is out for delivery to the client today. Completed to our ‘Modele de Luxe’ standard this pretty little gun once again typifies the quality of workmanship that is being painstakingly produced here at the Westley Richards factory. No detail has been overlooked from the elegant lines of the gun, to the stunning engraving, through to the hand made tools, case and cartridge magazine.
The classic hallmarks of the Westley Richards hand detachable lock (droplock) action, scroll back, hinged cover plate, wide top lever with model ‘c’ dolls head fastener, single selective trigger and distinctive safety button.
The real beauty of this project was the patience and trust that the client showed in Westley Richards. What originally started out as a ‘test’ piece for his relationship with the company, developed into a ‘well clearly you know what your doing, I’ll keep out of it now’. And so with that kind of trust placed upon us we set out to deliver a unique piece of work that we very much hope surpasses all of his expectations!
Exceptionally fine detail in the engraving of this gun continues to raise the bar here at Westley Richards. This particular work was executed by Vince Crowley.
Beautiful French fitted lightweight leather case with hand made tools.
Projects such as this really are great fun for all involved as they develop into much more than delivering ‘just another gun’. Talking through our own ideas with the client turns this into something very personal and as you will have seen from blogs posted in recent months, every gun and rifle we now build has some individual twist, in our opinion the very essence of having a ‘bespoke’ gun or rifle made in the first place. To those brave enough to trust us we say thank you and to this particular client we say ‘wait until you see your next project!’
Glorious Turkish walnut finished with a Woodward grip and heel and toe plates once again demonstrates Westley Richards commitment to producing the truly ‘bespoke’.
Bespoke leather upright cartridge magazine made to complement the gun case and complete a fantastic all round package.
A few months ago we posted images of this gun fresh back from engraving and now here it finally is all complete and ready to head out to the USA. The transformation from ‘in the white’ parts to a finished gun really is quite distinctive and the gun as a whole becomes an object of both gunmaking art and functionality.
One of the more subtle features of the gun is the actual colouration of the steel after it has been case colour hardened and subsequently brushed. All of our double guns and rifles go through the case colour hardening process as carried out by the St.Ledger brothers here in the old Birmingham gun quarter.
Before CCH the steel has a certain silver quality about it that is in basic terms raw and bright. The actual CCH process creates a surface hardness which allows the steel to flex under stress yet provides a protective outer shell or ‘case’. When the fine surface layer of colour is actually removed the steel maintains a slightly more greyed tone which adds a real subtlety to parts that might otherwise look like a shined coin!
In direct sunlight it is often possible to see the very finest traces of colour which can be used effectively to enhance the engraving of the gun. Some engravers will insist on finishing their own work for this very reason. With Westley Richards, no matter who is finishing the gun or rifle, we always try to leave CCH on the triggers, action flats, action face, forend iron and inside the trigger bow. This always adds a tasteful touch, particularly when the gun is disassembled for travel. It also seems such a waste to remove them all!
The gold flush game scenes must be carefully cleaned and highlighted after the case colour hardening process.
The finished article in its lightweight leather case, complete and ready to go.
As I sit and write this latest blog the UK is currently in the grip of a heatwave and the mercury is due to hit 88°F here in Birmingham today, which is hot for England! With weather like this, thoughts of last winter’s sport are a distant memory and it’s hard to image that in just over 6 weeks’ time we will be putting back on our tweeds, dusting off our shooting kit and heading north for the start of the grouse shooting season.
While most people are thinking about the beach rather than the shooting season at this time of year, estates all over the UK have been busy preparing for this coming season’s sport from the moment the final horn blew on the last drive back in February. Relying on purely wild numbers only, moorland keepers are taking stock of what grouse they have on the ground from their spring and summer counts and are planning drives and days accordingly. Lowland keepers are beginning to welcome this year’s birds to the woods and over the next few months will be feeding them into the various drives of the shoot. Equally as important will be the job of pushing back straying birds from the boundaries with their dedicated team of dogs.
We’ve been busy preparing guns for the coming season. We have recently completed an engraving job on a pair of droplocks for an American client who asked us to polish out the old scroll engraving and re-engrave a Cock Pheasant and Hen Pheasant motifs on the cover plates. Beautifully executed by Bradley Tallett, the iris of each bird is gold inlaid along with a gold ring border. The surrounding space is tastefully engraved with scroll work to match the rest of the action. Next step is to case colour harden the plates and brush and ink the motifs.
The client and his team are regular visitors to our shores to hunt driven pheasant and partridge and these guns are now a fitting homage to their chosen quarry.
Wishing all of our American readers a happy Fourth of July!
I recently had the pleasure of hosting one Tyler Sharp, a journalist and photographer from the USA. I first met Tyler earlier this year at the Safari Club International convention when he casually and rather shyly wandered onto our stand holding a copy of some new publication. My initial thoughts were of some mildly eccentric character, better placed in a Western movie than the floor of the worlds largest hunting show.
Waiting for some lame sales pitch and preparing to savage all that he might say, I took the volume from his hand and began to flick through the pages. First impressions were of a beautifully produced publication, the like of which I had yet to see in the hunting world. This was no throw away magazine, this was something different and as the Texan boy told me his story I knew that this was someone with real passion for what he was doing and that we had a common interest in the future of our sporting heritage.
Since that first meeting I have found Tyler to be a uniquely honest and immensely passionate individual with genuine enthusiasm for the outdoors and the wider hunting world. This month we spent a couple of days here at the Westley Richards factory before heading off on a fabulous hunt for Roe Buck in the heart of the Wiltshire Downs.
I would encourage you, perhaps even urge you to subscribe to this great publication, or at the very least obtain a copy. You’ll be surprised at just how good it is and how the future of the sport we enjoy so much is going to rely on a refreshing new perspective. The world is a fast changing place and we face many new challenges as outdoor sports men and women.
I’ll now leave it to Tyler to give an insight into his mission and that of the ‘Modern Huntsman’.
Greetings Westley Richards readers, I just wanted to introduce myself, as I’ll likely be contributing some ongoing stories from the field. My name is Tyler Sharp, and I’m a photographer and writer based out of Dallas, Texas. I’ve spent the majority of my career documenting hunts, adventures, and conservation efforts all around the world, which has all led to my recent charge as Editor in Chief of a new publication called Modern Huntsman.
It was this that led me to the Westley Richards team, and we quickly realized commonality in virtue, ethical hunting pursuits, and creative storytelling. I’ve recently returned from a trip to visit the factory in Birmingham, England, which we’ll further detail in a future installment, but for now wanted to give you a bit more background on Modern Huntsman.
For those of you who don’t already know, Modern Huntsman is a biannual publication for like-minded conservationists, creatives, and outdoor enthusiasts. Born out of frustration with the way hunting is often misrepresented today, this publication is told from the perspective of hunting purists and philosophers, unaltered by the skews of mainstream media, corporate interests, or misinformed emotional rants. In short, we’re returning to the root traditions, in hopes of improving the perception of hunting in modern society.
For many of us, hunting is a way of life, a tradition passed down by our grandfathers, fathers, and brave mothers. It’s a way of staying connected to the land, harvesting wild food to sustain our families, our souls, and is a shared passion and pursuit in many countries the world over. Hunting also plays a majority role in conservation, which ensures that expanses of land stay untamed, and that wildlife populations thrive — something we’ll be prominently focusing on as we move forward with the publication.
But this isn’t just for hunters, and while we know that there will be opposition, we believe that through our collective stories, photographs, and films, we’ll be able to educate some folks about overlooked realities, and win the minds and hearts of those who still have them open. Through presenting stories based in virtue, ethics, personal growth, and statistical merit, our aim is to inspire, educate, challenge, and set the record straight in some cases.
We’ve assembled some of the best photographers and writers in the outdoor world, many of which you might already know. These are folks who’ve spent their years living off the land, enduring extreme conditions, and have sometimes risked their lives to ensure that wildlife thrives, and the traditions of hunting survive the modern age.
From the mountains of the American west to the fields of south Texas, the savannahs of East Africa to the governmental councils on regulation, Volume One covers a diverse range of topics, all unified by common ethics. Printed on thick matte stock, and bound into a substantial book of over 200 pages, it is more of an art portfolio than a publication, and a fitting showcase for the breathtaking work everyone has produced. We have no advertisements in the first issue, and as we move forward we’ll begin to integrate select brands and organizations to partner on stories of hunting history, conservation success, and notable characters, outfitters, chefs, and artists in the community. These will be collaborative, integrated stories instead of intrusive and heavy-handed ads, which will help us keep the message pure, and the conversations constructive.
We’ve sold through our first print run of 5,000 copies in three months, and have just re-ordered another 5,000 to continue sharing our mission with both hunters and non-hunters alike. Volume Two is scheduled to release in the fall of 2018, and will be centered around a theme of public lands, which is a hot topic in the United States to be sure. Apart from the political applications, we’ll also be exploring the realities of land access in other parts of the world, and how that affects land use, wildlife management, and hunting access. We’ll also be focusing on how these issues can bring folks together under common cause to protect what’s important, rather than squabble over something potentially insignificant.
This is just the first step in a long, important journey for Modern Huntsman, and we’d be honored to have you join us. To conclude, I’d like to leave you some parting words, which is the epilogue in the last few pages of Modern Huntsman Volume One, as a sort of call to action in what has become such an emotionally charged debate:
For hunters, we ask that you carefully consider the effect that your actions can have on not only your environment, but on the perception of this tradition. Whether through deed, word, or photograph, we feel that care should be taken, and respect given, for how quickly news can be spread in today’s world for good or ill. Therefore, choose your steps wisely, and wherever possible, see that they aim in a direction of positive progress and accurate representation, instead of confrontational detriment and further divisiveness.
For non-hunters, we appreciate your open-mindedness, and willingness to hear what we feel is a different, yet very important side of the hunting narrative. While we can’t speak for everyone, it is our aim to give voice to the overwhelming amount of like-minded hunters and conservationists who often lead quiet lives, in hopes of connecting with more folks like yourself, and finding common ground. We’d ask that as situations arise, you recall the beauty and honesty on these pages, as compared to the message that the mainstream media presents, and let respectful passion and conservation statistics win out over the often skewed biases and violent emotions.
And while some of you may never pick up a bow or a shotgun to harvest your own food, know that should the day come when you decide to, this community would jump at the opportunity to show you the ropes. Where you may have once felt opposition, you’d now find comradery, and a sense of belonging in one of the oldest traditions known to humankind. In short, we’d love to take you hunting.
Whether in the field, or in metaphor,
For more information, to order a copy, or subscribe to Modern Huntsman, you can visit one of the links below.
Although the primary focus of the factory is new gun and rifle production we do have a small amount of repair and refurbishment work taking place. Mostly on used guns that we have sold that need a service, alteration of stock measurements or a general freshen up before being delivered to the successful buyer.
One such pair that has just been completed is this very beautiful pair of 20g droplock shotguns. Completed in 2000, built for an American gentleman, they were kept here in the UK and shot every season. The guns were returned to us last year to be sold and the new owner, another American gentleman, has decided to also keep them here in the UK for his annual pheasant and partridge shooting trip.
The guns are a matched pair of best quality 20g droplocks with 27” barrels, scroll back, double trigger actions with elaborate scroll coverage and stunningly figured 14 ¾” stocks. Choked ½ in all 4 barrels they are the perfect all round guns, from early grouse through to late season pheasants. The guns are perfectly balanced and are quick in the hands like a 20 should be. Cased in their leather case with canvas outer they are very presentable and attractive pair of guns.
The stocks have had all the handling marks removed and have been gently refinished with our high gloss finish. The barrels have been best re-blacked and both actions and lock work have been completely stripped, cleaned and checked over, ovals have been polished and engraved and the leather shop have made a new lightweight canvas outer with initial patch. The team have done a superb job on the refinish of the guns and they are now safely stored and awaiting the arrival of their new owner.
Destined once again for a good client of ours in the USA is this sweet 20g droplock shotgun. As the client is based in Texas it was only natural to engrave the gun with some nice scenes of dove and Bobwhite quail set amongst some of the cactus brush country familiar to his own ranch.
The scroll is a slightly finer version than we usually use on the larger frame guns and rifles, but we feel that everything should be scaled and in proportion with the frame size. You’ll also notice some rose bouquets which we think add a tasteful look and break to the overall engraving design.
One final feature that always works well with these small bore guns are the carved fences which always add a touch of masculinity to an otherwise delicate gun.
Flushing Bobwhite quail in Texas brush country.
Carved fences always add a nice touch to our delicate bird guns.
Classic dove game scene on the right side of the action.
The word nice can be a pretty boring word to describe something you like but sometimes a gun arrives at the factory and the minute you open the case and first lay eyes on it, you think to yourself ‘yep, this is a nice gun’. More often than not you take it out of the case, inspect it in closer detail, spend 10 minutes pretending to shoot driven grouse with it in the showroom and the ‘nice gun’ quickly turns into a ‘damn nice gun’. When Trigger phoned me to ask about the latest preowned gun that had just arrived, before I’d even had chance to take it out of the case, handle it, or enjoy some imaginary grouse shooting, my immediate response to him was ‘this is a damn nice gun’.
That damn nice gun I’m talking about is this rare Westley Richards droplock 20g shotgun. Completed in 1906 for C.S. Somervile Esquire, it’s a fine example of a best quality shotgun, featuring our patent hand detachable locks, single selective trigger, snap lever work, Model C dolls head extension and a removable cover plate. The scroll back action has our classic Westley scroll engraving, which extends a couple of inches down the barrels and the trigger guard is engraved with a dog on point. The beautifully shaped and scaled action retains some lovely case colours and the engraving is superbly executed and crisp to the touch.
The gun was returned to us in 1988 for a full refurbishment and we rebarreled the gun with new 28” chopper lump barrels with 2 3/4” chambers, choked 1/2 in the right barrel and 5/8 in the left. The stock is stunning and has a lovely straight grain through the hand which then flows down to the toe. Rich and dark in colour the original length of 13 7/8” was extended to 14 3/4″ by a leather covered recoil pad. The splinter forend matches the stock perfectly and has the usual Deeley catch release and horn tip. The gun weighs 6lbs 4ozs and is well balanced. Weight in the barrels encourages a steady, controlled swing, which is often an issue with lightweight smaller gauges. The gun comes in a lightweight green canvas case with accessories.
The gun is really in superb condition and I can’t stress enough how rare it is to find a best quality 20g droplock, in this condition, from this era. I’m probably doing the gun an injustice by simply calling it a damn nice gun and there are numerous superlatives one could describe this gun with, but I feel this is a gun that speaks for itself and from the images, I think you’ll agree.