The Engravers Vice by Peter Spode.

An Engravers GRS Ball Vice

The ball vice is probably the most important basic tool for engravers without which fine hand engraving would be impossible. Basically it is composed of a rotating vice on top of half of a steel ball about 6 inches in diameter.The critical characteristic is that when the jaws close, they are always central to the axis of rotation.These vices come in various sizes and weigh in the region of 20 to 30lbs in weight.

The GRS Engravers Ball VicePeter Spode’s GRS Ball Vice.

The weight is necessary to give stability when working on heavy pieces of steel..They typically sit on a rubber ring with nylon inserts to lessen friction and to allow the ball to be moved in any direction whilst maintaining stability.

When engraving, the left hand controls the angle and also turns the vice into the cut being made.The right hand holds the engraving tool and steers it across the work. Both hands work in conjunction to make the cut in the steel.

On the continent and elsewhere,some traditionalists still use a fixed vice mounted on a post and walk around the work whilst using a hammer and chisel.This method however does not allow the extremely fine work carried out under high magnification that discerning clients currently demand.

Today,most British and American engravers use some form of ball vice,and the most popular being those made by GRS in the USA.They are extremely well made and with care should last a lifetime. They come with a kit of holding fixtures and jigs for gripping oddly shaped pieces, and fit into the holes on top of the vice.

Rashid's engraving vice.The doodles on Rashid’s engraving vice jaws.

The encrusted vice shown the the recent blog ( and above ) was used by the British engraver called Rashid el Hadi whilst working at Westley Richards.

It is an example of the largest and heaviest vice currently available, and has seen many years of considerable hard usage.
The decoration on the top is the result of testing tools, techniques and designs- just ‘doodles’ but done with a definite purpose in mind. Engravers often test out ideas on scraps of steel, but these often get lost or discarded over time. It is much harder to lose a ball vice which is a thirty pound lump of steel with these ideas fixed on the top.

We can see ‘tests’ of inlay techniques using different colours of gold and other precious metals. This could be a ready reference to gauge how the different colours of gold sit together and contrast with each other. There are samples of silver, platinum, white gold, green gold,18c gold and 24c gold.These are all used in decorating Westley Richards guns.

A Diagram explaining the doodles on vice.
Different metals require slightly different techniques to inlay as they vary in hardness, Secure fixing is a priority, you cannot have lumps of gold falling off the gun under recoil.

There are also examples of small scroll and various shading tests using cuts and punches and stippling methods. Some of these techniques and examples of inlay can be identified on the fabled Hummingbird Gun, which incidentally took over ten years to achieve

The top of this vice remains as a testimony to the extraordinary skill and creativity of one of the UK’s most celebrated engravers.

Thank you Peter for sending me this post. I have sent you in return a copy of the second edition, as thanks! Simon

6 thoughts on “The Engravers Vice by Peter Spode.

  1. Good Day Simon,

    Thank you very much for the quick response about the engravers vice. It is the likes of which I have never seen, but now understand why it is necessary in engraving. I also want to thank Peter for doing a great job of explaining why such a tool is needed and that the doodles had purpose…unlike mine. Neil I don’t know if you do any engraving but you were certainly spot on with that call also. This is another pebble of knowledge for my pouch, that I am able to get from your Explora site Simon…Many thanks for the time and effort.

    Gratitude that isn’t expressed….doesn’t exist!!

    In Christ
    Vance,

    • Vance
      Thanks for the compliment, I don’t do any engraving but I do have a serious interest in metalworking. Peter’s explanation is excellent, I knew what the vice was but not how it is used, so that’s another bit of knowledge.

      Just a question though, Peter refers to how a right handed engraver would use it, is the process simply reversed for left handers?

  2. Very interesting. I remember meeting Rash a long time ago… He had a really interesting story about going to the UK. His engraving was always very nice and he was able to add really great dimension to the engraving. Is it typical for engravers to maintain their vice over time or no? In this case, it appears that somebody else is using Rashid’s old vice.

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